Art At The Speed Of Life

Need high-energy inspiration when your life gets crazy and your art keeps getting pushed to the back burner? Offering terrific mixed-media art projects, as well as tips for getting organized and inspired, Art at the Speed of Life is a treasure chest of ideas for the artist whose creative goals sometimes get stymied by the frantic pace of modern life. Author and mixed-media artist Pam Carriker proves that art and life can coexist peacefully, productively, and happily. Making things every day can be a joyful reality instead of just wishful thinking. Each chapter in Art at the Speed of Life includes both essays and project ideas from a variety of contributors, including Suzi Blu, Lisa Bebi, Christy Hydeck, Paulette Insall, Cate Calacous Prato. The projects are inspiring, yet easy to complete on a tight schedule, and include techniques such as assemblage, image transfer, and collage. A bonus seven-day journal project helps you track your work as you go. With a unique combination of time management tips and advice, inspiring essays, and projects designed to fit into busy schedules, Art at the Speed of Life will help you live your dream of making art every day.

In this inspirational volume, artist and author Pam Carriker offers uninhibited mixed-media play while encouraging you to look at your work with a newly evaluative eye and determine what works for you. Create your own art journal while using a variety of mixed-media techniques and explore seven important elements of art: • Color • Texture • Shape • Space • Depth • Mark making • And shading An art-making workshop in a book, Creating Art at the Speed of Life offers a 30-day syllabus, introducing and exploring each element in a series of exercises, complete with worksheets to help you evaluate your work and make it more successful and satisfying. In an "open studio" at the end of each chapter, well-known contributing artists share inspirational work focused on that chapter's element. With Pam's lessons and advice on how to assess your artwork, you will experiment and grow into a more confident artist.

Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.

Peter Hujar was an influential figure of the downtown New York scene of the 1970s and '80s, most well-known for his photographs of male nudes, and his portraits of New York City's artists, musicians, writers, and performers, including Susan Sontag, William S. Burroughs, David Wojnarowicz, and Andy Warhol. Over 160 photographs and illustrations are now gathered in Peter Hujar: Speed of Life. Published alongside a major touring exhibition, this collection presents Hujar's famous portraiture as well as his lesser-known projects.

“Venter instills awe for biology as it is, and as it might become in our hands.” —Publishers Weekly On May 20, 2010, headlines around the world announced one of the most extraordinary accomplishments in modern science: the creation of the world’s first synthetic lifeform. In Life at the Speed of Light, scientist J. Craig Venter, best known for sequencing the human genome, shares the dramatic account of how he led a team of researchers in this pioneering effort in synthetic genomics—and how that work will have a profound impact on our existence in the years to come. This is a fascinating and authoritative study that provides readers an opportunity to ponder afresh the age-old question “What is life?” at the dawn of a new era of biological engineering.

Twins Crystal and Amber have the same goal: to be the first in their family to graduate high school and make something of their lives. When one gets pregnant during their junior year, they promise to raise the baby together. It’s not easy, but between their after-school jobs, they’re scraping by. Crystal’s grades catch the attention of the new guidance counselor, who tells her about a college that offers a degree in automotive restoration, perfect for the car buff she is. When she secretly applies—and gets in—new opportunities threaten their once-certain plans, and Crystal must make a choice: follow her dreams or stay behind and honor the promise she made to her sister.

Explores why modern-day technology is making people more likely to retreat into solitude and quiet, with growing numbers of people practicing yoga, meditation and tai chi and even taking an “Internet Sabbath” where online connections are shut down for a day. 50,000 first printing.

What happens when a brutal crime threatens a mother's love for her son? An old Florida family and those in their orbit get caught in a torrent of passion, a deadly legal system, and the mythology of the Everglades, which runs as deep as this story does. Propulsive, engaging, evocative, beautiful writing. Estella Verus - part Seminole, part black, part white - a federal prosecutor in South Florida, is the victim of a home invasion during which she is savagely beaten. The perpetrator leaves a note saying that Estella's son, Andrew, sent him to do it. When Andrew is charged with complicity in the crime, Estella is desperate to talk to him in her efforts to discover the truth, but while she's still in the hospital recovering from her injuries, Andrew's lawyer has her served with a restraining order, preventing her from talking to him to protect his Fifth Amendment right against self-incrimination. Thus begins The Speed of Life, literary fiction told through multiple plots by multiple narrators, mirroring the structure of David Mitchell's Cloud Atlas and Jennifer Egan's A Visit From the Goon Squad. A search for the truth of whether or not Andrew sent the intruder to harm his mother is the central plot, but it overlaps other storylines, each exploring the novel's theme: How can we know what is real and what is just? These should be questions at the heart of every trial but The Speed of Life takes these questions further, exploring them in contexts beyond the law, including romantic love, familial love, neighborly love, shamanism and even astrophysics as the story involves real science, as does The Martian, by Andy Weir and math, philosophy, and the history of science as in the novels of Neal Stephenson. T. C. Boyle, Kip Thorne, Tom Holland, Madison Smartt Bell, and Aram Saroyan have read the novel and written blurbs. T. C. Boyle says of The Speed of Life that it is a "thoroughly enjoyable triumph of a first novel." Professor Thorne credits The Speed of Life with "solid astrophysics." Kirkus Reviews has reviewed the manuscript calling it "impressive" and that "Descriptions . . . are primarily images that Jordan sears onto the pages."