Art In The Time Of Unbearable Crisis

Art keeps good alive in the worst of times. In the face of ugliness, pain, and death, it’s art that has the power to open us all to a healing imagining of new possibility; it’s art that whispers to the collective that even in the ashes of loss, life always grows again. That’s why right now, in this tumultuous time of war and pandemic, we need poets more than we need politicians. In response to the multitude of global crises we’re currently experiencing, editor Stefanie Raffelock put out a much-needed call to her writing community for art to uplift and inform the world, and the authors of She Writes Press answered. Art in the Time of Unbearable Crisis—a sometimes comforting, sometimes devastating, but universally relatable collection of prose, poetry, and art about living through difficult times like these—is the result. Addressing topics including grief and loss, COVID-19 and war in Ukraine, the gravity of need and being needed, the broad range of human response to crisis in all its forms, and more, these pieces explore how we can find beauty, hope, and deeper interpretation of world events through art—even when the world seems like it’s been turned inside out and upside-down. Proceeds: Our Commitment The collection of essays, poetry, and art in this book are meant to feed and nourish our hearts and minds. It’s what women do—we feed people. To that end, the proceeds from this work will be donated to the nonprofit World Central Kitchen, an organization conceived by chef José Andrés as a way to feed people affected by natural disasters and war. World Central Kitchen financially supports food banks and restaurants that provide free food throughout the world.

This special issue of the Bulletin reflects on some of the crises gripping our world in the present moment, including the catastrophic impact of the COVID-19 pandemic and the continuing tragedy of racial injustice. Voices from The Metropolitan Museum of Art present their personal perspectives on issues and challenges facing us all while connecting these difficult times to art, artists, and the Museum’s history. Conceived and written during the Museum’s unprecedented closure, this compelling publication reflects on art’s power to inspire, comfort, and heal.

Melissa Giberson is a middle-aged suburban wife and mother of two kids, solidly planted in the life she’s always wanted. Yet she longs for something more—something she can’t quite put her finger on until, one day at the Y, she finds herself mesmerized by the sight of a naked woman and asks herself for the first time: Am I gay? This revelation sends Melissa on a head-spinning journey of self-discovery, one that challenges everything she thinks she knows about herself, forces her to decide exactly how much she’s willing to risk for authenticity, and shakes the foundations of the family she’s fiercely determined to shield from the kinds of wounds she sustained during her own childhood. Torn between her desire to be true to herself and her desire to protect her children, she is consumed by fear and conflicting emotions—and when her husband unexpectedly serves her divorce papers, her confusion only deepens. Adrift in uncharted waters, Melissa finds fragments of understanding and peace in unexpected places—in a conference room in Israel, a small fishing village in Cape Cod, and at a yoga retreat center—that help her deconstruct her preconceptions about faith and identity and begin to construct a new framework for her life. Over the course of her ten-year journey, she finds hope, love, and more courage than she ever knew she was capable of, and she gradually assembles the puzzle that is her—the real her.

Mikhail Lifshitz is a major forgotten figure in the tradition of Marxist philosophy and art history. The Crisis of Ugliness (1968), published here in English for the first time, is a compact broadside against modernism in the visual arts that resists the dogmatic complacencies of Stalinist aesthetics.

Light in Bandaged Places shows us the harm done when an older man in a position of power convinces a child that sex with him is alright because he loves her. This poignant story takes us through the long-term wounding of such abuse—and the multifaceted path of healing. As a lonely girl coming of age in the 1970s, Liz has every reason to believe her 8th-grade teacher is in love with her. Because the sex isn’t physically violent and is wrapped in a message of love, she learns to exchange sex for attention. It feels like love, after all. But years later, as an adult, emotional closeness eludes Liz. Even after marrying a sensitive, caring man, she is walled off. Struggling through confusing years, she believes something is deeply wrong with her. Healing begins when an unexpected event takes Liz back to those formative years, and she sees for the first time that what happened to her was not love but trauma. As she begins to understand how her relationship with her former teacher destroyed her innocence and self-worth, she begins a spiritual and psychological journey that sets her free. Now a meditation teacher and Buddhist practitioner, Liz offers her story in hope of helping others along their own paths of discovery and healing.

Powerful Circe, daughter of the sun-god Helios, is sad to see Odysseus, King of Ithaca, depart from her island, Aeaea—but her heartbreak is eased after dolphins take her to Delos, where she explores a new love relationship. Circe has a strained relationship with her mother, Perse, but when she finally listens to Perse’s encouragement to seek out the amphibian god Glaucus, she’s glad she’s heeded her advice. Together, the two embark on underwater adventures, and Circe shares with Glaucus her knowledge about the healing and harmful power of herbs. While in Delos, she also meets and befriends Skylla, a local beauty with whom Glaucus is enthralled, although the girl is indifferent. Circe eventually returns to Aeaea, but one day she learns, upon consulting her scrying mirror, that there is trouble in Delos that requires her immediate action. In the turbulent world of gods mingling with mortals, our heroine shifts shapes, flies, and uses her superpowers to reverse the course of evil. In a tangle of love, hate, vengeance, and the final righting of wrongs, a cast of irresistible characters weaves an adventure laced with beauty and terror in An Unexpected Ally—a newly woven set of tales that brings to life ancient Greek myths and revives issues familiar to contemporary readers.

When Barbara Terao moves into a new home in Washington, two thousand miles from her husband in Illinois, she doesn’t know when—or if—she’ll ever live with him again. Her diagnosis of breast cancer three months later changes both of them in ways they never imagined. In the ensuing months, Barbara’s husband and adult children show up to help her through a year of difficult treatments and surgery, and Barbara, in her Whidbey Island cottage, learns to listen to her heart and intuition. Nurtured by Douglas fir forests, the Salish Sea, and her community, she changes her life from the inside out. Her journey, she realizes, wasn’t about leaving her husband so much as finding herself. Reconfigured in body, mind, and spirit, Barbara finally has words for what she wants to say—and the strength to be a survivor.