Art Of The Landscape

Aesthetics deals with art, a human construction, but what one experiences when placed before nature is also an aesthetic feeling - the countryside is a place of reflection like no other. In The Art of the Landscape, Raffaele Milani interprets natural landscapes as an aesthetic category. Drawing from philosophical traditions, literature, and art, he calls the reader's attention to a special consciousness, originally established during the pre-Romantic age, that has become a distinctive feature of contemporary spirituality. Focusing on the definition of landscapes in relation to the concepts of nature, environment, territory, and man-made settings such as gardens and cities, Milani examines the origins of the predilection for natural scenery in the works of landscape painters and in travel literature. He addresses the distinctness of the aesthetic experience of landscapes, analyses the role of aesthetic categories, and explores landscape art as a medium of contemplation. What emerges is an original morphology of natural beauty derived from the scrutiny of landscape elements most frequently associated with aesthetic emotion - the colour of water and the sky, earth and stones, fire and volcanic eruptions, ruins and the mountains - an analysis especially relevant given the increasing fragility of our natural environment.

"The Landscape Painter's Workbook takes a modern approach to the time-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala"--

Transcendence is the long-awaited, career-spanning monograph of American landscape painter Richard Mayhew. For over half a century, Richard Mayhew has been reinventing the genre of landscape painting. His luminous work evokes not only physical vistas but also emotions, sounds, and the pure experience of color. He's known for his masterful use of color and for his unique creative process, inspired by improvisational jazz, which involves pouring paint directly onto the canvas and shaping it into lush, emotional "moodscapes." • This monograph features 70+ of his most striking works. • Includes an exclusive interview with the artist, an introduction by his gallerist Mikaela Sardo Lamarche, and an essay by Andrew Walker, director of the Amon Carter Museum of American Art • Through engaging with his work, readers are invited into deep explorations of their own inner landscapes. Transcendence is a richly rewarding celebration of an iconic artist that will make you rethink everything you know about landscape painting. Mayhew's distinctive style emerges from his roots as a jazz musician, his immersion in the Abstract Expressionist movement, his African American, Cherokee, and Shinnecock heritage, and his unique affinity for the landscapes of the American West—but his paintings transcend boundaries of location and identity. • Great for lovers of fine art, landscape painting, Abstract Expressionism, as well as those who are interested in the intersection of art, music, and emotion • A lush celebration of Richard Mayhew's work, and an ideal introductory book for new fans • Add it to the collection of books like Abstract Expressionism by Carter Ratcliff, Jeremy Lewison, Susan Davidson, and David Anfam; California Landscapes: Richard Diebenkorn / Wayne Thiebaud by John Yau; and The Art of Richard Mayhew: A Critical Analysis with Interviews by Janet Berry Hess.

Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.

Overzicht van het leven en werk van de Franse schilder (1796-1875)

The whys and hows of the various aspects of landscape painting: angles and consequent values, perspective, painting of trees, more. 34 black-and-white reproductions of paintings by Carlson. 58 explanatory diagrams.

Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet. An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham’s work valuable and invigorating.