Art Of The Race

- Encapsulating the speed, noise, excitement and color of Formula 1, and highlighting the key moments of each race as the 2017 season unfolded - Art of The Race, V17 is book 4 in a series of collaborations with Art of Publishing Limited - Darren Heath is one of the pre-eminent photographers in F1 today, with a unique ability to capture speed, color and noise through the medium of a still photograph, often eschewing the obvious in favor of the abstract Formula 1 is the aesthete's ultimate sport: an intoxicating cocktail of speed, spectacle, competition and power, at the heart of which are the thoroughbred racing machines - exquisite manifestations of form following function, driven at dizzying speeds by the quickest-of-the-quick, the best racing drivers on the planet. Darren Heath has been photographing Formula 1 for over 25 years. For 21 of these years he has worked freelance, and this has given him a unique perspective on the complex and exciting world of Formula 1. Darren Heath's photography in Art of The Race V17 encapsulates the very essence of the speed, noise, excitement and color of Formula 1 racing, whilst also highlighting the key moments of each race as the season unfolds, culminating in Lewis Hamilton winning his 4th world championship.

* Art Of The Race is Darren Heath's first photography book, and is book 1 in a series of collaborations with Art Of Publishing Limited* Darren Heath is one of the preeminent photographers in F1 today, with a unique ability to capture speed, color and noise through the medium of a still photograph, often eschewing the obvious in favor of the abstract; he has 46,000 Twitter followers* Formula One is a global sport with an affluent and loyal fanbaseSpeed, color, noise, excitement. Art Of The Race, V14 encapsulates the very essence of Formula 1 motor racing through the lens of Darren Heath, one of the sport's most celebrated photographers. Art Of The Race captures the key moments and rarely seen footage of each race as the season unfolds, whether it's the epic battle between Mclaren teammates Hamilton and Rosberg, or the humbling drivers' gathering in support of their colleague Jules Bianchi.

The Art of the Formula 1 Race Car 2022 presents thirteen of the most exciting F1 race cars from seventy-plus years of competition, captured in the studio portraits of master automotive photographer James Mann. The photographs in this sixteen-month calendar showcase greats from Ferrari, McLaren, Williams, Lotus, Brabham, and Mercedes, portraying not just the vehicles’ engineering and technological brilliance but also their inherent beauty—the captivating result of Formula 1’s mix of competition, creativity, and technical ingenuity that makes these racers works of mechanical art. With a convenient page that shows the months of September, October, November, and December 2021, followed by individual pages for the months of 2022, keep yourself on track throughout the year while enjoying Formula 1's most captivating and successful race cars from the 1950s to today.

Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.

* 256 pages of stunning photography, including 234 pages of full color* This is the sixth volume in Darren Heath's Art of the Race series; a legend among Formula 1 photographers, now in his 31st year covering the sport* Very active on social media with a cult following among Formula 1 fans* The Formula One book.Art of the Race, V19 is book six in a series that encapsulates the very essence of Formula 1 motor racing through the lens of Darren Heath, one of the sport's greatest ever photographers. Across 256 pages of stunning photography, Art of the Race, V19 captures the key moments and rarely seen images of each race as the 2019 season unfolds, culminating in Lewis Hamilton winning his sixth World title. And there is no person better placed to capture these moments than Darren Heath, a multiple award-winning photographer and Honorary Fellow of The Royal Photographic Society, who is now in his 31st year covering the sport.

This complete racer's reference is the perfect resource for all drivers from novice to expert. The fundamentals of fast driving are revealed in this definitive how-to book for racers. You will find the competition-proven methods of instructors and of professional drivers that will give you the know-how to work up the track and stay at the front. Interested in the world of racing? Just think, you can have all of the lessons and insights from Skip Barber instructors and from professional racers compiled in one handbook. This racing reference reveals the secrets of mastering car control, reducing lap times, as it takes the reader inside the world of racing. Going Faster! is the definitive book for the active race driver, the racer-to-be, and the auto-racing fan who wants to know what driving a racecar is really about.

Essays, conversations, and artist portfolios confront questions at the intersection of race, institutional life, and representation. Controversies involving race and the art world are often discussed in terms of diversity and representation—as if having the right representative from a group or a larger plurality of embodied difference would absolve art institutions from historic forms of exclusion. This book offers another approach, taking into account not only questions of racial representation but also issues of structural change and the redistribution of resources. In essays, conversations, discussions, and artist portfolios, contributors confront in new ways questions at the intersection of art, race, and representation. The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity. Copublished with the New Museum

After building his first race cars out of southern Louisiana junkyards, Bob Riley quickly established himself as a leading light, if not genius, when it came to race car design. His first major suspension design helped Henry Ford II make good on his vendetta to beat Enzo Ferrari at Le Mans. Riley's first radical Indy car designs with its ingenious center hub mounted suspension resulted in A.J. Foyt's landmark fourth victory at the Indianapolis 500 in 1977. Since then, Riley has continued to be at the heart of the world of motorsports, working with its most famous drivers at the biggest events, including the Daytona 500, where his engineering helped Dale Earnhardt finally win NASCAR's marquee event. Americans love the "genius" angle like everyone else. They love winners. Sports stars are overtaking Hollywood these days in popularity. Racing readers are a small but predictable group and suspect the generation familiar with Bob's exploits at Indy would be keen on a book like this. They're the same age group pumping up the vintage magazine market and the collectible car market.