Art Of War From Smart Comics

As true today as when it was written, The Art of War is a 2,500-year-old classic that is required reading in modern business schools. Penned by the ancient Chinese philosopher and military general Sun Tzu, it reveals how to succeed in any conflict. This graphic version from SmarterComics(tm) brings Sun Tzu's message to life in dynamic illustrated form.

The Art of War is a beautifully illustrated retelling of one of Chinese literature's most celebrated and influential books.

From the 1950s to the '70s Fleetway and its successor IPC was the world's biggest comic-book publisher and its line of digest-sized Picture Libraries was the jewel in their crown. The most popular and longest lasting titles were War, Battle, Air Ace and War at Sea, which ran for a combined total of over four and a half thousand issues. This is a collection of over 400 of the finest War, Battle, Air Ace and War at Sea covers, digitally remastered from the original archived artwork in a lavish format with the finest quality reproduction.

. . . Focuses on the lesser-known comic works by celebrated icons of the industry, like H.G. Peter (the artist behind Wonder Woman), John Stanley (the writer and artist for Little Lulu), Harry Lucey (one of the artists behind Archie), Jesse Marsh (the artist for Tarzan), and Bill Everett (best know for his characters Sub Mariner and Dr. Strange).

Conventional wisdom holds that comic books of the post–World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture—from atomic anxieties and the nuclear family to communist hysteria and social inequalities—manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.

A stunning and gritty graphic novel integrating the iconic strategy text by Sun Tzu into a sweeping thriller set in the near future when Wall Street is militarized and China is the world's dominant economy. Kelly Roman served time for a horrific friendly fire incident. Once free, he discovers that his brother died while working for Sun Tzu, the ruthless strategist who runs China's global financial empire. From the apocalyptic third world of suburban Ohio, Kelly heads into the futuristic Gomorrah that is Manhattan to infiltrate Sun Tzu's organization and find out who murdered his brother—and why. Using the skills and genetic enhancements his Special Forces career provided him, he'll confront both Sun Tzu and his nemesis, a monster of biotechnology known only as The Prince. Throughout his harrowing adventure, Kelly documents Sun Tzu's ancient wisdom, which guides him through each bloody battle and hairbreadth escape in his quest for vengeance and redempti on.

David Roach presents this anthology of the best 500 colour artworks created for the covers of Fleetway/IPC's classic 'War', 'Battle', 'Air Ace' and 'War at Sea' Picture Libraries published from the 1950s to the 1970s.

A light-hearted interactive guide to comics and cartoon-making that uses an activity book format and creatively stimulating prompts to teach the fundamentals of cartooning in a fun and easy-to-follow fashion. From a working cartoonist and comic book making instructor, this all-ages activity book uses humorous and informative one-page comics and exercise prompts to guide young readers (and readers who are young at heart) through easy-to-master lessons on the skills needed to make comics. The activities cover a range of essential comics-making tasks from creating expressions for characters to filling in blank panels to creating original characters and placing them in adventures of their own. Each exercise can stand on its own or work together with others in the book to stimulate creativity via the comics medium. In the end, readers who complete the activities inside the book itself will have created several comics of their own, and will have generated many ideas for more sequential art creations. Praise for Let’s Make Comics! “At once playful and complex, this book is a perfect introduction to cartooning, as well as a lovely (and lovingly crafted) tribute to the comics form and a timely reminder that artmaking can be fun.”—Roman Muradov, creator of Vanishing Act and On Doing Nothing “Let’s Make Comics is a book I wish I had when I was 9, but 29 works too! It’s so fun and brilliant and packed with oodles of awesome activities. Great book for learning to make comics or for a seasoned cartoonist to find some new inspiration.”—Ben Clanton, creator of the Narwhal and Jelly books “It’s fantastic! This book will make you a better writer and a better artist and show you how to think like a comic star.”—Charise Harper, creator of the Fashion Kitty and Crafty Cat books “Warning! This book will make you make comics, and it will be fun!”—Greg Pizzoli, creator of The Watermelon Seed, Number One Sam, and The Book Hog “If only we'd had this book! Our comics would be much better.”—Elizabeth Pich and Jonathan Kunz, creators of War and Peas