Artefacts In Roman Britain

Helps the student understand the numerous artefacts from Roman Britain and what they reveal about life in the province.

In the ancient world the Roman Empire was not only a great military power but also a trading and industrial one. This was no less true in Britain where in archaeological terms Roman levels are distinguished from prehistoric and post-Roman ones by the sheer mass of finds - pottery, coins, brooches, tools and all sorts of everyday objects - made of almost every material known at the time. Excavations since the 19th century have produced a vast amount of information and artefacts from the Roman period.

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This Handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology. The book will be useful for academics and students interested in Roman Britain.

For nearly four centuries Britain was a province on the outer edge of the Roman Empire and developed a distinctively Romano-British culture and way of life. Drawing on archaeological finds, ancient written sources and the latest research on surviving artefacts - from a child's shoe to a birthday invitation, from a lifelike portrait to a treasure trove - Roman Britain brings the ancient past to life. Spanning more than ten centuries and ranging the length and breadth of ancient Britain, this lively history evokes a vivid sense of life in Roman times - for both rich and poor, Romans and native Britons, city and country dwellers. A rich diversity of lifestyle and culture evolved, experienced across all strata of society. Native British traditions of trade and craftsmanship merged with the imported Roman styles and practices to create a unique cultural synthesis, the legacy of which is still visible today in British landscapes, architecture, art and society.

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

This volume explores Rome's northern provinces through the portable artefacts people used and left behind. Objects are crucial to our understanding of the past, and can be used to explore interlinking aspects of identity. For example, can we identify incomers? How are exotic materials (such as amber and ivory) and objects depicting 'the exotic' (e.g. Africans) consumed? Do regional styles exist below the homogenizing influence of Roman trade? How do all these aspects of identity interact with others, such as status, gender, and age? In this innovative study, the author combines theoretical awareness and a willingness to engage with questions of social and cultural identity with a thorough investigation into the well-published but underused material culture of Rome's northern provinces. Pottery and coins, the dominant categories of many other studies, have here been largely excluded in favour of small portable objects such as items of personal adornment, amulets, and writing equipment. The case studies included were chosen because they relate to specific, often interlinking aspects of identity such as provincial, elite, regional, or religious identity. Their meaning is explored in their own right and in depth, and in careful examination of their contexts. It is hoped that these case studies will be of use to archaeologists working in other periods, and indeed to students of material culture generally by making a small contribution to a growing corpus of academic and popular books that develop interpretative, historical narratives from selected objects.

Pieces together archaeological evidence with fragmentary writings of Caesar, Tacitus, and others to give a picture of Roman Britain

An alternative history of Roman Britain