Artemidorus Oneirocritica

Harris-McCoy offers a scholarly commentary, with translation and introduction, to Artemidorus' Oneirocritica, a treatise on dream-divination and interpretation. Providing insight into the ancient mind, he gives particular emphasis to the Oneirocritica's composition and construction, and intellectual and philosophical context.

Artemidorus' Oneirocritica ('The Interpretation of Dreams') is the only dream-book which has been preserved from Graeco-Roman antiquity. Composed around AD 200, it comprises a treatise and manual on dreams, their classification, and the various analytical tools which should be applied to their interpretation, making Artemidorus both one of the earliest documented and arguably the single most important predecessor and precursor of Freud. Artemidorus travelled widely through Greece, Asia, and Italy to collect people's dreams and record their outcomes, in the process casting a vivid light on social mores and religious beliefs in the Severan age: this volume, published as a companion to the new translation of The Interpretation of Dreams by Martin Hammond in the Oxford World's Classics series, aims to provide the non-specialist reader with a readable and engaging road-map to this vast and complex text. It offers a detailed analysis of Artemidorus' theory of dreams and the social function of ancient dream-interpretation, while also aiming to foster an understanding of the ways in which Artemidorus might be of interest to the cultural or social historian of the Graeco-Roman world. Alongside chapters on Artemidorus' life, career, and world-view, it also provides valuable insights into his conceptions of the human body, sexuality, the natural world, and the gods; his attitudes towards Rome, the contemporary Greek polis, and the social order; and his knowledge of Greek literature, myth, and history. In addition, its accessible exploration of the differences and similarities between ancient traditions of dream-analysis and modern psychoanalytic approaches will make this volume of interest to anybody with an interest in the history of dreams and dream interpretation.

The Fictions of Dreams explores the close connection between the narrative nature of dreams and the narrative devices employed in literature and creative writing. The book is unique in its confluential approach, linking the fictions of dreams with literary fictions and case studies which illuminate the centrality of dream analysis in therapeutic work. Dreams and literature are closely related. The dream's essence lies in its narrative facility. Dreams are autobiographical fictions which tell the story of the dreamer's life history, her insertion in transgenerational family themes, and her ethnic and cultural identity. In that sense dreams are psycho-social depositories and makers, not unlike what can be found in world literature: the recreation of interiority and historicity of a given time period. The interconnected worlds of dreaming and fiction writing tend to employ the same narrative devices: the memorial mode (Patrick Modiano), multi-temporality (Gabriel Garcia Marquez), poeisis (Kafka, Ted Hughes, Colm Toibin), historical consciousness (Irene Nemirowsky), and 'infinite connectivity' (Patrick White).

Dreambooks in Byzantium offers for the first time in English translation and with commentary six of the seven extant Byzantine oneirocritica, or manuals on the interpretation of dreams. (The seventh, The Oneirocriticon of Achmet ibn Sereim was published previously by the author.) Dreams permeated all aspects of Byzantine culture, from religion to literature to everyday life, while the interpretation of the future through dreams was done by professionals (emperors had their own) or through oneirocritica. Dreambooks were written and attributed to famous patriarchs, biblical personages, and emperors, to fictitious writers and interpreters, or were copied and published anonymously. Two types of dreambooks were produced: short prose or verse manuals, with the dreams usually listed alphabetically by symbol; and long treatises with subject matter arranged according to topics and with elaborate dream theory. The manuals were meant for a popular audience, mainly readers of the middle and lower classes; their content deals with concerns like family, sickness and health, poverty and wealth, treachery by friends, fear of authorities, punishment and honor-concerns, in other words, that pertain to the individual dreamer, not to the state or a cult. The dreambook writers drew upon various sources in Classical and Islamic literature, oral and written Byzantine materials, and, perhaps, their own oneirocritic practices. Much of the source-material was pagan in origin and, therefore, needed to be reworked into a Christianized context, with many interpretations given a Christian coloring. For each dreambook the author provides a commentary focusing on analyses of the interpretations assigned to each dream-symbol; historical, social, and cultural discussions of the dreams and interpretations; linguistic, lexical, and grammatical issues; and cross-references with Achmet, Artemidorus, and the other Bzyantine dreambooks. There are also introductory chapters on Byzantine dream interpretation; the authors, their dates, and sources; the manuscripts of the dreambooks; and a lengthy discussion of the contribution of these dreambooks to psychohistory, cultural history, historical sociology, and gender studies. The book is unique in that it offers a full study, through translation and commentary, of the oneirocritica to a wide audience - Byzantinists, Arabists, cultural historians, medievalists (several of the Byzantine dreambooks were translated into Latin and became fundamental dream-texts throughout the Middle Ages), and psychohistorians, all of whom will find the book useful in their study of dreams, transmission of Arabic sources by Byzantine authors, and cultural anthropology. Together with the Oneirocriticon of Achmet, it offers a complete study of dream-interpretation in medieval Greece.

In this venturesome collection, scholars representing a variety of approaches contribute fifteen essays that shed new light not only on the uses of psychoanalysis for reading Cervantes, but also on the relationship between Freud's reading of Cervantes in the summer of 1883 and the very foundation of psychoanalytic paradigms.

This volume offers a comparative, cross-cultural history of dreams. The essays examine a wide range of texts concerning dreams, as culled from a rich variety of religious contexts: China, India, the Americas, classical Greek and Roman antiquity, early Christianity, and medieval Judaism and Islam. Taken together, these pieces constitute an important first step toward a new understanding of the differences and similarities between the ways in which different cultures experience the universal yet utterly unique world of dreams.

The emphasis of this volume is on Greek literature produced in the period between the foundation of Alexandria late in the fourth century B.C. and the end of the 'high empire' in the third century A.D. Here we see a shift away from the city states of the Greek mainland to the new centres of culture and power, first Alexandria under the Ptolemies and then imperial Rome, Greek literature, being traditionally cosmopolitan, adapted to these changes with remarkable success, and through the efficiency of the Hellenistic educational system Greek literary culture became the essential mark of an educated person in the Graeco-Roman world.