Artifacts Of Death

Deputy sheriff Manny Rivera investigates the murder of a ranch hand whose body was found in the remote canyon country near Moab, Utah.

"An exhilarating entry in a thoroughly enjoyable series." ~ Kirkus Reviews A botched execution. A reverend on the run. Can she solve the mystery before she's caught in the crosshairs? The fourth installment in the Kirkus Reviews, National Indie Excellence Awards and Publishers Weekly award-winning series by USA Today Best-Selling Author, J. J. Cagney: Reverend Cici Gurule went to the sacred Chaco Canyon in search of a sign. She's been offered a once-in-a-lifetime opportunity in a megachurch, but taking the position would mean abandoning her Southwestern home and the man she's grown to love as much more than a friend. She's so caught up in her thoughts that she doesn't realize when she stumbles upon a group of heavily armed operatives on the verge of an execution. Soon, Cici's dodging bullets and scaling mesas with the mysterious man she saved from certain death. With a little help from her twin sister's ghost and restless ancestral spirits, they venture deeper into the maze-like rocky terrain. But her new companion's deadly aim makes her wonder if she can afford to trust his side of the story. To make it out of the canyon alive, Cici must unearth the true story behind the man and a sacred Navajo artifact before the next blood shed on sacred ground is hers. ★ WHY READERS CAN'T PUT DOWN REV. CICI GURULE'S MYSTERIES ★ A 2019 Publishers Weekly BookLife Prize finalist. "Written in a clear, distinct style, Padgett uses the prose to elicit tension and emotion and creates a tense, fast-paced story." ~ The BookLife Prize "Hold on to your hat, this story is fast paced and really gets your blood moving." ~ Joanne Hampton, Goodreads Review "This story is filled with what makes the dessert Southwest so beautiful and terrifying. Truly one of the best books in the series." ~ Suzy Sims, Goodreads Review

Good houseguests don’t get accused of murder . . . Kate Sharp loves the perks of her location scout profession. When she fills in for a researcher at a Regency-themed English house party, she’s looking forward to indulging in the posh atmosphere of tea on the lawn and elegant candlelight dinners, but when the guest next-door is murdered in a locked room, Kate becomes the prime suspect. As she turns her attention to the guests, the staff, and the owners, Kate must unlock the mystery and uncover the murderer before she’s arrested for a crime she didn’t commit. Death in a Stately Home is the third installment in the Murder on Location collection, a series of British cozy mysteries. If you love engaging characters, compelling British detective mysteries, the works of Jane Austen, and vivid locations that transport you to another place, then you’ll love Sara Rosett’s latest whodunit. Buy Death in a Stately Home to escape into another Kate Sharp mystery today! MURDER ON LOCATION SERIES: Book One - Death in the English Countryside Book Two - Death in an English Cottage Book Three - Death in a Stately Home Book Four - Death in an Elegant City Book Five - Menace at the Christmas Market (Novella) Book Six - Death in an English Garden Book Seven - Death at an English Wedding Have you read Sara Rosett’s other mystery series? If you like historical mysteries with lady detectives, check out the HIGH SOCIETY LADY DETECTIVE mystery series. If you like travel with your mystery, check out the ON THE RUN INTERNATIONAL MYSTERIES.

Examining the compelling and often poignant connection between women and the material culture of death, this collection focuses on the objects women make, the images they keep, the practices they use or are responsible for, and the places they inhabit and construct through ritual and custom. Women?s material practices, ranging from wearing mourning jewelry to dressing the dead, stitching memorial samplers to constructing skull boxes, collecting funeral programs to collecting and studying diseased hearts, making and collecting taxidermies, and making sculptures honoring the death, are explored in this collection as well as women?s affective responses and sentimental labor that mark their expected and unexpected participation in the social practices surrounding death and the dead. The largely invisible work involved in commemorating and constructing narratives and memorials about the dead-from family members and friends to national figures-calls attention to the role women as memory keepers for families, local communities, and the nation. Women have tended to work collaboratively, making, collecting, and sharing objects that conveyed sentiments about the deceased, whether human or animal, as well as the identity of mourners. Death is about loss, and many of the mourning practices that women have traditionally and are currently engaged in are about dealing with private grief and public loss as well as working to mitigate the more general anxiety that death engenders about the impermanence of life.

This literary and cultural study explores the practice in nineteenth-century Britain of treasuring objects that had belonged to the dead.

The distinctions and similarities among Roman, Jewish, and Christian burials can provide evidence of social networks, family life, and, perhaps, religious sensibilities. Is the Roman development from columbaria to catacombs the result of evolving religious identities or simply a matter of a change in burial fashions? Do the material remains from Jewish burials evidence an adherence to ancient customs, or the adaptation of rituals from surrounding cultures? What Greco-Roman funerary images were taken over and "baptized" as Christian ones? The answers to these and other questions require that the material culture be viewed, whenever possible, in situ, through multiple disciplinary lenses and in light of ancient texts. Roman historians (John Bodel, Richard Saller, Andrew Wallace-Hadrill), archaeologists (Susan Stevens, Amy Hirschfeld), scholars of rabbinic period Judaism (Deborah Green), Christian history (Robin M. Jensen), and the New Testament (David Balch, Laurie Brink, O.P., Margaret M. Mitchell, Carolyn Osiek, R.S.C.J.) engaged in a research trip to Rome and Tunisia to investigate imperial period burials first hand. Commemorting the Dead is the result of a three year scholarly conversation on their findings.

How did our ancestors die? Whereas in our own day the subject of death is usually avoided, in pre-Industrial England the rituals and processes of death were present and immediate. People not only surrounded themselves with memento mori, they also sought to keep alive memories of those who had gone before. This continual confrontation with death was enhanced by a rich culture of visual artifacts. In The Art of Death, Nigel Llewellyn explores the meanings behind an astonishing range of these artifacts, and describes the attitudes and practices which lay behind their production and use. Illustrated and explained in this book are an array of little-known objects and images such as death's head spoons, jewels and swords, mourning-rings and fans, wax effigies, church monuments, Dance of Death prints, funeral invitations and ephemera, as well as works by well-known artists, including Holbein, Hogarth and Blake.

This book presents both nationally significant objects and ordinary items from everyday life to provide insight into 19th century American society, showing readers how the production, design, function, and use of these objects can inform our understanding of the period. Artifacts from 19th Century America examines a broad array of objects representing various aspects of 19th century American society. The objects have been chosen to illuminate daily life in a number of categories including cooking, entertainment, grooming, clothing and accessories, health, household items, religious life, work, and education. The book's 53 entries include a brief introduction to the background of the object, when and why it was made, and who used it, followed by a detailed description of the object itself. Finally, each entry provides a deep dive into the object's significance and how the object reveals clues about the social, political, economic, and intellectual life of the society in which it was produced and utilized. Students and general readers alike will not only learn about the time period but also learn to use the skills of material culture theory and method, including how to draw meaningful conclusions from each object about their historical context and significance.