Arts Humanities Through The Eras Ancient Greece And Rome 1200 B C E 476 C E

Profiling milestones and movements in the arts, literature, music and religion from a specific period, each volume in this five-volume set helps students and researchers understand the various disciplines of the humanities in relation to each other, as well as to history and culture. An overview of the period and a chronology of major world events begin each volume. Nine chapters follow, covering the major branches of the humanities: architecture and design, dance, fashion, literature, music, philosophy, religion, theater and visual arts. Chapters begin with a chronology of major events within the discipline followed by articles covering the movements, schools of thought and masterworks that characterize the discipline during the era and biographical profiles of pioneers, masters and other prominent figures in the field. Chapters end with significant primary documents from the period.

Seamus Heaney’s Mythmaking examines Seamus Heaney’s poetic engagement with myth from his earliest work to the posthumous publication of Aeneid Book VI. The essays explore the ways in which Heaney creates his own mythic outlook through multiple mythic lenses. They reveal how Heaney adopts a demiurgic role throughout his career, creating a poetic universe that draws on diverse mythic cycles from Greco-Roman to Irish and Norse to Native American. In doing so, this collection is in dialogue with recent work on Heaney’s engagement with myth. However, it is unique in its wide-ranging perspective, extending beyond Ancient and Classical influences. In its focus on Heaney’s personal metamorphosis of several mythic cycles, this collection reveals more fully the poet’s unique approach to mythmaking, from his engagement with the act of translation to transnational influences on his work and from his poetic transformations to the poetry’s boundary-crossing transitions. Combining the work of established Heaney scholars with the perspectives of early-career researchers, this collection contains a wealth of original scholarship that reveals Heaney’s expansive mythic mind. Mythmaking, an act for which Heaney has faced severe criticism, is reconsidered by all contributors, prompting multifaceted and nuanced readings of the poet’s work.

An exploration as well as a literary celebration of the fascinating young adult fantasy series, this companion guide takes readers deep into the rich universe of Cassandra Clare’s New York Times–bestselling Shadowhunter Chronicles franchise. With intelligent yet accessible dissections of each volume of both the Mortal Instruments series and the Infernal Devices series, Liv Spencer delivers the next best thing to a Shadowhunter’s codex with commentary on the books as well as their references to folklore, legends, and literature. The guide also recounts Cassandra Clare’s publishing story, from journalist and fan fiction writer to bestselling author; explores the cast and crew who brought the first book to life in the film The Mortal Instruments: City of Bones, premiering in August 2013; and delves into the franchise’s fans, a passionate community that is anything but mundane. From the Clave to Chairman Meow and demon pox to dastardly ducks, Navigating the Shadow World is both an insightful introduction to the world of Cassandra Clare and a satisfying companion book for fans.

An exploration of the Hellenistic world in the aftermath of Alexander the Great.

The Urban Uncanny explores through ten engaging essays the slippage or mismatch between our expectations of the city—as the organised and familiar environments in which citizens live, work, and go about their lives—and the often surprising and unsettling experiences it evokes. The city is uncanny when it reveals itself in new and unexpected light; when its streets, buildings, and people suddenly appear strange, out of place, and not quite right. Bringing together a variety of approaches, including psychoanalysis, historical and contemporary case study of cities, urban geography, film and literary critique, the essays explore some of the unsettling mismatches between city and citizen in order to make sense of each, and to gauge the wellbeing of city life more generally. Essays examine a number of cities, including Edmonton, London, Paris, Oxford, Las Vegas, Berlin and New York, and address a range of issues, including those of memory, death, anxiety, alienation, and identity. Delving into the complex repercussions of contemporary mass urban development, The Urban Uncanny opens up the pathological side of cities, both real and imaginary. This interdisciplinary collection provides unparalleled insights into the urban uncanny that will be of interest to academics and students of urban studies, urban geography, psychoanalysis, cultural studies, social studies and film studies, and to anyone interested in the darker side of city life.

The Hellenistic world, ushered into existance by Alexander the Great, took in a vast region, stretching from Iraq in the east to Sicily in the west. Within this area, society was multicultural but the dominant culture was Greek, developed from the culture of classical Greece, and carrying on the legacy of classical Greece in the visual arts, literature, science, technology, and daily life. Narrative chapters guide the reader though the vast conquered lands of Hellenistic Greece, exploring marriage customs; festivals, sports, and spectacles; symposia (drinking parties); the agricultural and urban components of the polis (city-state); food; drink; education; science; technology; and the legacy of the Hellenistic age in the modern world.