Aryan Weds Sarla

"It was meant to be a beautiful wedding, until it got embroiled in a chaos." After a little push from his parents, Aryan finds love in an arranged marriage. Date set and match, a romantic saga could turn into a dramatic nightmare after a drunk night gets peppered with flashbacks right before the nuptials. Aryan must find a way to correct it all to save the wedding day. Aryan must find a way to get back on his feet before all is lost.

Indo-Aryan is the term applied to that branch of the Indo-European languages which was brought into India by the Aryans and of which the oldest recorded form is to be found in the hymns of the Rgveda. From this there developed on the one hand a literary medium, called sanskrit which has been the vehicle down almost to the present day of a vast literature and on the other hand a great range of spoken forms which used by hundreds of millions have emerged as the chief language (excluding the Dravidian of southern India) of the whole of Pakistan, India, Nepal and Ceylon: Sindhi, Lahnda or Western Panjabi, Nepali, Assamese, Bengali, Oriya, Bihari, Maithilli, Awadhi, Hindi and Urdu, Rajasthani dialects Gujarati, Marathi, Konkani, Sinhalese. Indo-Aryan languages with many archaic features-the Kafiri and Dardic dialects-are still spoken in the valleys of the Hindukush on both sides of the Afghan-Pakistan border, while the Gypsies of Europe and Asia, like the Doms of Hunza, still use forms of the Indo-Aryan dialect they brought out of India. In the far south Sinhalese was carried from Ceylon out into the Indian Ocean to the Maldive Islands. In this book, originally planned to be a volume of the Linguistic Survey of India, the author has tried to do for these languages in their development from Sanskrit something of what Meyer-Lubke in his Romanisches Etymologisches Worterbuch did for the Romance Languages and Latin. Under some 15000 Sanskrit head-words are set out forms each has assumed both in Middle Indo-Aryan (Pali, Sanskrit, etc.) and in the modern languages, thus presenting a picture of linguistic development over some three millennia. The words quoted in this way number about 140000. This volume, compiled by Lady Turner, contains indexes, arranged language by language, of all these words.

The history and mechanisms of the convergence of ancient Aryan and non-Aryan cultures has been a subject of continuing fascination in many fields of Indology. The contributions to Aryan and Non-Aryan in India are the fruit of a conference on that topic held in December 1976 at the University of Michigan, Ann Arbor, under the auspices of the Center for South and Southeast Asian Studies. The express object of the conference was to examine the latest findings from a variety of disciplines as they relate to the formation and integration of a unified Indian culture from many disparate cultural and ethnic elements.

This volume will mark a new trend in dealing with women’s varied experiences of life: individual introductions situate the narrator in a context – and then her voice takes over, with no intervention from the editors (except to provide footnotes wherever necessary). The personal narrative — be it an autobiography, a letter or a diary — has come to be recognised as an acceptable data source in history and social science. Literary critics and students of literature too find considerable use in reading the personal writings of poets, fiction and crime writers. In this book, readings of personal narratives help in painting various images of lives that we can only know at second hand. The mélange includes memoirs, published articles, ‘portraits from memory’, a collection of essays , and an oral interview. In all, the self was the focus. The writings of Sailabala, Li Gotami, and Shakuntala go beyond a recounting of their lives and deal with spiritual and travel experiences. Three of the essays are excerpts from published autobiographies — Sarala Devi Chaudhurani’s Jeevaner Jharapata (Life’s Fallen Leaves), Kalpana Dutt’s Reminiscences and Sailabala Das’s A Look Before and After. Vidyagauri Nilkanth’s writings are essays and a selection of amazingly candid letters exchanged with her husband. Anasuya Sarabahi’s is an interview in Gujarati with niece Gira and Monica’s a selection from an unpublished memoir. Li Gotami, whose original name was Rutty Petit, travelled to Manasarovar, and a few of the magazine articles on this amazing journey have been reproduced here. Whichever form a woman chooses, writing about her self, is emancipatory; she may be a person who has so far received little attention from the family or the world. Or she may be one who is a well-known public figure – yet little is known about her childhood. So she writes about many selves – life is not about one coherent self but rather one of many lives and experiences. In other words,

‘A narrative of startling originality ... As discussions of Britain’s colonial legacy become increasingly polarised, we are in ever more need of nuanced books like this one’ SAM DALRYMPLE, SPECTATOR ‘Fascinating and provocative’ LITERARY REVIEW

Pratibha Ray makes a determined effort for a portrayal of the epic character and brings to the surface the broader and deeper aspects of Draupadi s mind that lay submerged in the majestic sweep of the grand Mahabharata. The novel won her the Bharatiya Jnanpith s prestigious ninth Moortidevi Award in 1993.

This Seven Volume Set Provides A Comprehensive Overview Of The Social Construction Of Southern India. First Published In 1909.

Autobiographical account of a 19th century Bengali stage actress.