As Consciousness Is Harnessed To Flesh

This, the second of three volumes of Susan Sontag's journals and notebooks, begins where the first volume left off, in the middle of the 1960s. It traces and documents Sontag's evolution from fledgling participant in the artistic and intellectual world of New York City to world-renowned critic and dominant force in the world of ideas with the publication of the groundbreaking Against Interpretation in 1966. As Consciousness is Harnessed to Flesh follows Sontag through the turbulent years of the 1960s—from her trip to Hanoi at the peak of the Vietnam War to her time making films in Sweden—up to 1981 and the beginning of the Reagan era. This is an invaluable record of the inner workings of one of the most inquisitive and analytical thinkers of the twentieth century at the height of her power. It is also a remarkable document of one individual's political and moral awakening.

This second of three volumes begins in the middle of the 1960s and traces Sontag's evolution from fledgling participant in the artistic and intellectual world to renowned critic.

As Consciousness is Harnessed to Flesh reveals the inner life of Susan Sontag. Providing a unique insight into the mind of one of the leading intellectuals of the modern age, Susan Sontag's As Conscious is Harnessed to Flesh chronicles the cultural, moral, and political journeys of this renowned critic and artist at the height of her powers. As Consciousness Is Harnessed to Flesh follows Sontag through the turbulent years of the late 1960s - from her trip to Hanoi at the peak of the Vietnam War to her time making films in Sweden - up to 1980, just before the beginning of the Reagan era. This is an invaluable record of the inner workings of one of the most inquisitive and analytical thinkers of the twentieth century at the height of her power. It is also a remarkable document of on individual's political and moral awakening. 'More true to life, both intellectual and emotional, than the most artful novel or careful biography' Sunday Telegraph 'Gold dust' Sunday Times 'A powerful self-portrait emerges. In its fragmentation . . . and passion, its combination of the erudite and the everyday, it is more true to life, both intellectual and emotional, than the most artful novel or careful biography. It may well be that Sontag's diaries will come to be seen as just as brilliant and important as anything she wrote' Sunday Telegraph 'Mesmerising, fascinating' Guardian 'Express the fullness and diversity of her intellectual curiosity. Revelatory in the most profound sense: they are existential fragments, self-selected thoughts, emotions, reactions . . . arising in one of the most remarkable minds of the twentieth century' The Times One of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others, On Photography, Illness as Metaphor, At the Same Time, Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963, all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls, and the novels The Volcano Lover and The Benefactor, are available from Penguin Modern Classics.

"I intend to do everything...to have one way of evaluating experience—does it cause me pleasure or pain, and I shall be very cautious about rejecting the painful—I shall anticipate pleasure everywhere and find it too, for it is everywhere! I shall involve myself wholly...everything matters!" So wrote Susan Sontag in May 1949 at the age of sixteen. This, the first of three volumes of her journals and notebooks, presents a constantly and utterly surprising record of a great mind in incubation. It begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City. Reborn is a kaleidoscopic self-portrait of one of America's greatest writers and intellectuals, teeming with Sontag's voracious curiosity and appetite for life. We watch the young Sontag's complex self-awareness, share in her encounters with the writers who informed her thinking, and engage with the profound challenge of writing itself—all filtered through the inimitable detail of everyday circumstance.

'Magnificent... Her famous seriousness pervades throughout... What's striking is the astonishing scope, potential and possibility Sontag saw in short fiction' Financial Times The complete collected short stories of Susan Sontag, one of the most brilliant and influential writers of the twentieth century Susan Sontag is most often remembered as a brilliant essayist - inquisitive, analytical, fearlessly outspoken. Yet all throughout her life, she also wrote short stories: fictions which wrestled with those ideas and preoccupations she couldn't address in essay form. These short fictions are allegories, parables, autobiographical vignettes, each capturing an authentic fragment of life, dramatizing Sontag's private griefs and fears. Stories collects all of Sontag's short fiction for the first time. This astonishingly versatile collection showcases its peerless writer at the height of her powers. For any Sontag fan, it is an unmissable testament to her creative achievements. 'Sontag is one of the most influential critics of her generation' New York Review of Books

A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.

"A writer is someone who pays attention to the world," Susan Sontag said in her 2003 acceptance speech for the Peace Prize of the German Book Trade, and no one exemplified this definition more than she. Sontag's incisive intelligence, expressive brilliance, and deep curiosity about art, politics, and the writer's responsibility to bear witness have secured her place as one of the most important thinkers and writers of the twentieth century. At the Same Time gathers sixteen essays and addresses written in the last years of Sontag's life, when her work was being honored on the international stage, that reflect on the personally liberating nature of literature, her deepest commitment, and on political activism and resistance to injustice as an ethical duty. She considers the works of writers from the little-known Soviet novelist Leonid Tsypkin, who struggled and eventually succeeded in publishing his only book days before his death; to the greats, such as Nadine Gordimer, who enlarge our capacity for moral judgment. Sontag also fearlessly addresses the dilemmas of post-9/11 America, from the degradation of our political rhetoric to the appalling torture of prisoners in Abu Ghraib. At the Same Time, which includes a foreword by her son, David Rieff, is a passionate, compelling work from an American writer at the height of her powers, who always saw literature "as a passport to enter a larger life, the zone of freedom."

"In May of 1968, Susan Sontag visited Hanoi. The report of her trip is neither a political treatise nor a travelogue, but a sensitive observer's response to a world totally foreign to the Western mind. During her trip, Susan Sontag discovered her preconception of North Vietnam and it's people had little relevance to the actual situation. By reassessing her own point of view, Miss Sontag creates a startling picture of life in Hanoi"--Page 4 of cover