Asian Film Journeys

For lovers of Asian cinema and for those simply curious to know its trends and moods, experiments and innovations since it strode the world stage with assurance in the mid- 80s, Asian Film Journeys is a feast. It presents a selection of articles that appeared in the pages of Cinemaya, The Asian Film Quarterly between 1988 and 2004, articles that closely tracked the bold new film narrative of both the well-known and the lesser-known cinemas as it unfolded. The Quarterly remained, for fifteen years, the one and only serious yet lively platform for writing on the cinemas of Asian countries. Given that the writers were mostly Asian-apart from some keen and long-standing followers of Asian cinema from the West-the magazine offered, for the first time, a truly authentic point of view, a look at films from within their cultures. The book gives a bird’s eye view of the style and substance, art and craft of these cinemas and captures some of the Asian air it let in!

This volume gives Asia’s Shakespeares the critical, theoretical, and political space they demand, offering rich, alternative ways of thinking about Asia, Shakespeare, and Asian Shakespeare based on Asian experiences and histories. Challenging and supplementing the dominant critical and theoretical structures that determine Shakespeare studies today, close analysis of Shakespeare’s Asian journeys, critical encounters, cultural geographies, and the political complexions of these negotiations reveal perspectives different to the European. Exploring what Shakespeare has done to Asia along with what Asia has done with Shakespeare, this book demonstrates how Shakespeare helps articulate Asianess, unfolding Asia’s past, reflecting Asia’s present, and projecting Asia’s future. This is achieved by forgoing the myth of the Bard’s universality, bypassing the authenticity test, avoiding merely descriptive or even ethnographic accounts, and using caution when applying Western theoretical frameworks. Many of the productions studied in this volume are brought to critical attention for the first time, offering new methodologies and approaches across disciplines including history, philosophy, sociology, geopolitics, religion, postcolonial studies, psychology, translation theory, film studies, and others. The volume explores a range of examples, from exquisite productions infused with ancient aesthetic traditions to popular teen manga and television drama, from state-dictated appropriations to radical political commentaries in areas including Japan, India, Taiwan, Korea, Indonesia, China, and the Philippines. This book goes beyond a showcasing of Asian adaptations in various languages, styles, and theatre traditions, and beyond introductory essays intended to help an unknowing audience appreciate Asian performances, developing a more inflected interpretative dialogue with other areas of Shakespeare studies.

These thirty-eight essays by the professors and research fellows of the Lee Kuan Yew School of Public Policy is dedicated to the tenth anniversary of the School. The core theme of the essays is governance in Asia and what its governments and peoples are doing for the public good. As Asia rises, its policymakers and citizens, and indeed the rest of the world, are increasingly asking how this dynamic region is making public policy, what we can learn from that exciting, often turbulent process, and how Asians can do better. The School's diverse and international group of scholars have written a set of informal, provocative, and passionate essays about governance in Asia — its past, present, and future — and why they study it. The volume — a candid, engaging act of transparency and disclosure — is also an invitation to join the conversation on the problems and promise of Asia and the larger dialogue on public policy and policy research in a globalized world. Contents:In Search of Good Public Administration and Governance (Naomi AOKI)A Third Generation Theory of Collective Action (Eduardo ARARAL)Growing Importance and Increasing Complexity: Research in Public Financial Management in Asia (Mukul G ASHER)India on My Mind (Kanti BAJPAI)New Mindsets: Solving the World's Water and Wastewater Problems (Asit K BISWAS)How Did I Get Here? Where am I Going? Thinking on a Bicycle (Joost BUURMAN)Is There a Macroeconomic Policy Regime in China? (CHEN Kang)The Story of Missing Women (Yvonne J CHEN)Why Public Policy Needs to Take a Broader View on Well-Being (Namrata CHINDARKAR)From Slobodan Milosevic to Doraemon (HENG Yee Kuang)The Poetry of Politics: What I Research and Why (Selina HO)Tracing How Governments Think (Michael HOWLETT)The Challenge for Labour Market Policy Research (HUI Weng Tat)The Price of the Invaluable: The Role of Companies and Markets in Water Supply (Olivia JENSEN)From Gangnam Apartments to Urban Development Policy in Asia — A Personal Journey (JOO Yu Min)Research Passion for Excellence in Teaching (Suzaina KADIR)Population Ageing in the East and West (KIM Erin Hye-Won)Coincidences or Opportunities? (Ashish LALL)Water Narratives: Caricature of a General Theory of Institutional Change (LEONG Ching)Local Government Fiscal Disparities in China (LI Hui)New Ideas for a 'New Normal' Singapore (Donald LOW)Is Humanity Rational? (Kishore MAHBUBANI)First, Ask the Right Question (NG Kok Hoe)Of Mice and Man: A Personal Research Journey (Tikki PANG)Health for All, All for Health — Public Policy Research for Global Health (PHUA Kai Hong)Bureaucracy, I Love You (Ora-orn POOCHAROEN)Capital Flows, Crises, and Exchange Rate Management in Emerging Asia (Ramkishen S RAJAN)Destiny, Detachment, and Public Policy (M RAMESH)My "Research Passion" — Securing the Survival and Well-Being of Our Species (John RICHARDSON)The Big Picture and the Small, the Long View and the Short (Razeen SALLY)The Professorial Life: Seamlessness, Synergy, and Significance (Kenneth Paul TAN)The Need for a Serious Rethink on Economics (Dodo J THAMPAPILLAI)Any Progress Towards Sustainable Development or at Least Sustained Development? (Cecilia TORTAJADA)Making Research a Fulfilling Mission (VU Minh Khuong)What Drives Public Managers in Tough Governance Settings? (Zeger van der WAL)Dirty Boots and Polished Shoes (Robert J WASSON)Warming up the Cold Bench (WU Xun)Building an Asian Scholarship of Public Administration and Policy (Wai-Hang YEE) Readership: Academics, policy makers, LKY School students, alumni and faculty, and anyone interested in the development and management of universities and other institutions of higher education. Keywords:Public Policy;Education;University;Management;Leadership;Institution-Building;Lee Kuan Yew;Singapore;ResearchReviews: “In ten short years, the LKY School has achieved a certain international reputation. This is partly due to the inimitable leadership of Kishore Mahbubani and partly because the work of the School meets a crying need for better governance in Asia. The 38 essays in the book are snapshots of what the School has been doing from different perspectives, giving the reader a sense of where the School is heading as it rides a current of history.” George Yeo Chairman, Kerry Logistics Former Singapore Foreign Minister “This volume of essays by the faculty and research fellows of the LKY School is a series of succinct and candid reflections on public policy research — it is also an insightful guide to rising Asia.” Pascal Lamy Former Director General of the World Trade Organization “Kishore Mahbubani and his colleagues draw us into the exciting world of Asian governance and the making of public policy for development in this most dynamic region.” Helen Clark UNDP Administrator and Chair of the United Nations Development Group “Ever wonder what public policy schools do and why? Here is a place to find out. This volume is a biography of Asia's premier school and also an encounter with a burgeoning academic field. The Lee Kuan Yew School has accomplished so very much in an incredibly short period of time.” Merit E Janow Dean, School of International and Public Affairs Professor of Practice, International Economic Law & International Affairs Columbia University “Is there a Singapore 'school' of public policy thinking and research? These essays suggest that the LKY School may be laying the groundwork.” Justin Lin Professor, Peking University Former Chief Economist, the World Bank “The School shares its intellectual passions and ambitions with a directness and clarity which justifies the international attention it so well deserves.” Lim Siong Guan Group President, GIC

The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!

Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.

Japan’s film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan’s national culture and the traditional sense of national belonging among Japanese people?

The pilgrimage to Mecca, or Hajj, has been a yearly phenomenon of great importance in Muslim lands for well over one thousand years. Each year, millions of pilgrims from throughout the Dar al-Islam, or Islamic world, stretching from Morocco east to Indonesia, make the trip to Mecca as one of the five pillars of their faith. By the end of the nineteenth century, and the beginning of the twentieth, fully half of all pilgrims making the journey in any given year could come from Southeast Asia. The Longest Journey, spanning eleven modern nation-states and seven centuries, is the first book to offer a history of the Hajj from one of Islam's largest and most important regions.

Updated collections of recent interviews with filmmakers whose works represent trends in the film industries of Central Asia and the Middle East, these two new geospecific editions expand upon the earlier volume Cinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia. Following an introduction delineating the histories of the film industries of the countries that make up the Middle East and Central Asia - including Iran, Turkey, and the Central Asian republics of Kazakhstan, Kyrgyzstan, Tajikstan, Turkmenistan and Uzbekistan - both books contain interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. The striking variety of approaches toward each interview creates a rich diversity of tone and opens the door to a better understanding of images of 'otherness' in film. In addition to transcripts of the interviews, each chapter also includes stills from important films discussed, biographical information about the filmmakers and filmographies of their works. Gönül Dönmez-Colin offers in these expanded editions a carefully researched and richly detailed firsthand account of the developments and trends in these regional film industries that is sure to be appreciated by film scholars and researchers of the Middle East and Central Asia.