Asymmetries In Vowel Harmony

This book deals with the phenomenon of vowel harmony, a phonological process whereby all the vowels in a word are required to share a specific phonological property, such as front or back articulation. Vowel harmony occurs in the majority of languages of the world, though only in very few European languages, and has been a central concern in phonological theory for many years. In this volume, Harry van der Hulst puts forward a new theory of vowel harmony, which accounts for the patterns of and exceptions to this phenomenon in the widest range of languages ever considered. The book begins with an overview of the general causes of asymmetries in vowel harmony systems. The two following chapters provide a detailed account of a new theory of vowel harmony based on unary elements and licensing, which is embedded in a general dependency-based theory of phonological structure. In the remaining chapters, this theory is applied to a variety of vowel harmony phenomena from typologically diverse languages, including palatal harmony in languages such as Finnish and Hungarian, labial harmony in Turkic languages, and tongue root systems in Niger-Congo, Nilo-Saharan, and Tungusic languages. The volume provides a valuable overview of the diversity of vowel harmony in the languages of the world and is essential reading for phonologists of all theoretical persuasions.

First published in 1999. This study developed from a dissertation in 1993, when the author undertook what she thought would be a simple Optimality Theory analysis of Shona vowel harmony. Having initially treated Shona height harmony as a case of featural alignment, akin to Kirchner's 1993 analysis of Turkish she realized that alignment constraints alone could not account for one central aspect of the Shona case: the priority of initial syllable features in determining the outcome of harmony. This volume of research outlines the authirs discoveries.

Vowel Harmony and Correspondence Theory covers the major issues in the generative analysis of vowel harmony and vowel harmony typology. The book offers an economical account of the most prominent features of vowel harmony systems (root control, affix control, dominance, vowel opacity, and neutrality) within the framework of optimality theory, extending the notion of correspondence to the syntagmatic dimension.The book contains a typological overview of vowel harmony patterns, an introduction to the basics of optimality theory including some of its most recent extensions and detailed studies of harmony systems in 10 languages from a variety of language families.

Vowel harmony is a well known phonological phenomenon found in a large number of languages spoken mainly in Eurasia and the African continent. In simple terms, vowel harmony is a law which governs the co-occurrence of vowels within a span of utterance, nearly always the word. The contributions of this volume focus on various (not always uncontroversial) aspects of vowel harmony that include typological investigations, phonetic/acoustic experimental studies, descriptions of individual systems, genetic and historical ramifications, and implications for a variety of theoretical models. This volume will prove to be a useful guide to the multifaceted issues posed by an often discussed and quite significant phonological process. This volume will stimulate further discussion and better understanding of the issues raised by the intricate process called vowel harmony.

Representing Phonological Detail Part I: Segmental Structure and Representations Part II: Syllable, Stress and Sign Part I of Representing Phonological Detail focuses on the latest phonological research on a range of issues. The first main theme in this volume is vowel representation, with special attention paid to topics such as vowel harmony and other vocalic processes (e.g., historical umlaut, vowel epenthesis, and the representation of vowel quality and height). The second main theme is consonant representation and consonantal processes (including laryngeal phonology and stop insertion). Finally, the acquisition of phonology and the interface between phonology and morphosyntax are examined, attending in particular to boundary symbols, morphological blends, and the status of recursion in phonology and syntax.

A revised version of the author's 2001 doctoral dissertation.