Athapaskan Women

Biographical sketches of seven Athapaskan women residing in the Yukon are provided together with a selection of legends and a discussion of changes in the lives of Athapaskan women in the twentieth century.

The rich artistic traditions of Alaska Natives are the subject of this landmark volume, which examines the work of the premier Alaska artists of the twentieth century. Ranging across the state from the islands of the Bering Sea to the interior forests, Alaska Native Art provides a living context for beadwork and ivory carving, basketry and skin sewing. Examples of work from Tlingit, Aleutian Islanders, Pacific Eskimo, Athabascan, Yupik, and Inupiaq artists make this volume the most comprehensive study of Alaskan art ever published. Alaska Native Art examines the concept of tradition in the modern world. Alaska Native Art is a volume to treasure, a tribute to the incredible vision of Alaska's artists and to the enduring traditions of all of Alaska's Native peoples.

Why did native hunters in the wilds of northern B.C, the Yukon and Alaska trace their ancestry through the mother's side of the family? The author has given a definitive answer to this question which has long puzzled scholars and others.

This book explores the conceptual basis for the events and processes in the prehistory of the Athapaskans, one of the most wide-spread peoples in western North America. The author bases his research on the premise that social structure is not passively dependent on the technological and economic bases of society, and argues that, ultimately, kinshi

The seventeen papers on Northern Athapaskan research in ethnology, linguistics, and archaeology published in these two volumes were presented at the National Museum of Man Northern Athapaskan Conference in March 1971. The papers are prefaced by a short introduction that outlines the rationale and accomplishments of the Conference.

First published in 1990, The Myths We Live By explores how memory and tradition are continually reshaped and recycled to make sense of the past from the standpoint of the present. The book makes use of the rich material of recorded life stories, with examples stretching from the transient myths of contemporary Italian school children on strike, back to the family legends of classical Greece, and the traditional storytelling of Canadian Indians. The range of examples is international and together they advocate a transformed history, which actively relates subjective and objective, past and present, politics and poetry, and highlights history as a living force in the present. The Myths We Live By will appeal to anyone interested in oral history, memory, and myth.

A study of narratives told by female members of the Tagish and Tutchone of central and southern Yukon with particular emphasis on their cultural continuity, function during a period of significant change, and the insights they offer into traditional gender roles. Most important is the author’s revelation of the importance of context in understanding such stories.

"From diversity comes strength and wisdom": this was the guiding principle for selecting the articles in this collection. Because there is no single voice, identity, history, or cultural experience that represents the women of the First Nations, a realistic picture will have many facets. Accordingly, the authors in Women of the First Nations include Native and non-Native scholars, feminists, and activists from across Canada.Their work examines various aspects of Aboriginal women's lives from a variety of theoretical and personal perspectives. They discuss standard media representations, as well as historical and current realities. They bring new perspectives to discussions on Aboriginal art, literature, historical, and cultural contributions, and they offer diverse viewpoints on present economic, environmental, and political issues.This collection counters the marginalization and silencing of First Nations women's voices and reflects the power, strength, and wisdom inherent in their lives.