Atlas Of Cyberspace

"The Atlas of Cyberspace" is one of the first books to explore the new cartographic and visualization techniques being employed to map the spatial and visual nature of cyberspace and its infrastructure. Lavish illustrations and clear writing are aimed at the intelligent lay person and should appeal to all Web users.

Mapping Cyberspace is a ground-breaking geographic exploration and critical reading of cyberspace, and information and communication technologies. The book: * provides an understanding of what cyberspace looks like and the social interactions that occur there * explores the impacts of cyberspace, and information and communication technologies, on cultural, political and economic relations * charts the spatial forms of virutal spaces * details empirical research and examines a wide variety of maps and spatialisations of cyberspace and the information society * has a related website at http://www.MappingCyberspace.com. This book will be a valuable addition to the growing body of literature on cyberspace and what it means for the future.

Maps are changing. They have become important and fashionable once more. Rethinking Maps brings together leading researchers to explore how maps are being rethought, made and used, and what these changes mean for working cartographers, applied mapping research, and cartographic scholarship. It offers a contemporary assessment of the diverse forms that mapping now takes and, drawing upon a number of theoretic perspectives and disciplines, provides an insightful commentary on new ontological and epistemological thinking with respect to cartography. This book presents a diverse set of approaches to a wide range of map forms and activities in what is presently a rapidly changing field. It employs a multi-disciplinary approach to important contemporary mapping practices, with chapters written by leading theorists who have an international reputation for innovative thinking. Much of the new research around mapping is emerging as critical dialogue between practice and theory and this book has chapters focused on intersections with play, race and cinema. Other chapters discuss cartographic representation, sustainable mapping and visual geographies. It also considers how alternative models of map creation and use such as open-source mappings and map mash-up are being creatively explored by programmers, artists and activists. There is also an examination of the work of various ‘everyday mappers’ in diverse social and cultural contexts. This blend of conceptual chapters and theoretically directed case studies provides an excellent resource suited to a broad spectrum of researchers, advanced undergraduate and postgraduate students in human geography, GIScience and cartography, visual anthropology, media studies, graphic design and computer graphics. Rethinking Maps is a necessary and significant text for all those studying or having an interest in cartography.

This book is about the politics of cyberspace. It shows that cyberspace is no mere virtual reality but a rich geography of practices and power relations. Using concepts and methods derived from the work of Michel Foucault, Jeremy Crampton explores the construction of digital subjectivity, web identity and authenticity, as well as the nature and consequences of the digital divide between the connected and those abandoned in limbo. He demonstrates that it is by processes of mapping that we understand cyberspace and in doing so delineates the critical role maps play in constructing cyberspace as an object of knowledge. Maps, he argues, shape political thinking about cyberspace, and he deploys in-depth case studies of crime mapping, security and geo-surveillance to show how we map ourselves onto cyberspace, inexorably and indelibly. Clearly argued and vigorously written this book offers a powerful reinterpretation of cyberspace, politics, and contemporary life.

This book is about the politics of cyberspace. It shows that cyberspace is no mere virtual reality but a rich geography of practices and power relations. Using concepts and methods derived from the work of Michel Foucault, Jeremy Crampton explores the construction of digital subjectivity, web identity and authenticity, as well as the nature and consequences of the digital divide between the connected and those abandoned in limbo. He demonstrates that it is by processes of mapping that we understand cyberspace and in doing so delineates the critical role maps play in constructing cyberspace as an object of knowledge. Maps, he argues, shape political thinking about cyberspace, and he deploys in-depth case studies of crime mapping, security and geo-surveillance to show how we map ourselves onto cyberspace, inexorably and indelibly. Clearly argued and vigorously written, this book offers a powerful reinterpretation of cyberspace, politics and contemporary life.

A comprehensive guide to all aspects of new media, information technologies and the internet.

John Perry Barlow’s wild ride with the Grateful Dead was just part of a Zelig-like life that took him from a childhood as ranching royalty in Wyoming to membership in the Internet Hall of Fame as a digital free speech advocate. Mother American Night is the wild, funny, heartbreaking, and often unbelievable (yet completely true) story of an American icon. Born into a powerful Wyoming political family, John Perry Barlow wrote the lyrics for thirty Grateful Dead songs while also running his family’s cattle ranch. He hung out in Andy Warhol’s Factory, went on a date with the Dalai Lama’s sister, and accidentally shot Bob Weir in the face on the eve of his own wedding. As a favor to Jacqueline Kennedy Onassis, Barlow mentored a young JFK Jr. and the two then became lifelong friends. Despite being a freely self-confessed acidhead, he served as Dick Cheney’s campaign manager during Cheney’s first run for Congress. And after befriending a legendary early group of computer hackers known as the Legion of Doom, Barlow became a renowned internet guru who then cofounded the groundbreaking Electronic Frontier Foundation. His résumé only hints of the richness of a life lived on the edge. Blessed with an incredible sense of humor and a unique voice, Barlow was a born storyteller in the tradition of Mark Twain and Will Rogers. Through intimate portraits of friends and acquaintances from Bob Weir and Jerry Garcia to Timothy Leary and Steve Jobs, Mother American Night traces the generational passage by which the counterculture became the culture, and it shows why learning to accept love may be the hardest thing we ever ask of ourselves.