Auditory Perception Of Sound Sources

Auditory Perception of Sound Sources covers higher-level auditory processes that are perceptual processes. The chapters describe how humans and other animals perceive the sounds that they receive from the many sound sources existing in the world. This book will provide an overview of areas of current research involved with understanding how sound-source determination processes operate. This book will focus on psychophysics and perception as well as being relevant to basic auditory research. Contents: Perceiving Sound Sources: An Overview William A. Yost Human Sound Source Identification Robert A. Lutfi Size Information in the Production and Perception of Communication Sounds Roy D. Patterson, David R. R. Smith, Ralph van Dinther, and Tom Walters The role of memory in auditory perception Laurent Demany, and Catherine Semal Auditory Attention and Filters Ervin R. Hafter, Anastasios Sarampalis, and Psyche Loui Informational masking Gerald Kidd Jr., Christine R. Mason, Virginia M. Richards, Frederick J. Gallun, and Nathaniel I. Durlach Effects of harmonicity and regularity on the perception of sound sources Robert P. Carlyon, and Hedwig E. Gockel Spatial Hearing and Perceiving Sources Christopher J. Darwin Envelope Processing and Sound-Source Perception Stanley Sheft Speech as a Sound Source Andrew J. Lotto, and Sarah C. Sullivan Sound Source Perception and Stream Segregation in Non-human Vertebrate Animals Richard R. Fay About the editors: William A. Yost, Ph.D., is Professor of Psychology, Adjunct Professor of Hearing Sciences of the Parmly Hearing Institute, and Adjunct Professor of Otolaryngology at Loyola University of Chicago. Arthur N. Popper is Professor in the Department of Biology and Co-Director of the Center for Comparative and Evolutionary Biology of Hearing at the University of Maryland, College Park. Richard R. Fay is Director of the Parmly Hearing Institute and Professor of Psychology at Loyola University of Chicago. About the series: The Springer Handbook of Auditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field.

The Springer Handbook of Auditory Research presents a series of comprehensive and synthetic reviews of the fundamental topics in modern auditory research. The volumes are aimed at all individuals with interests in hearing research, including advanced graduate students, postdoctoral researchers, and clinical investigators. The volumes are intended to introduce new investigators to important aspects of hearing science and to help established investigators to better understand the fundamental theories and data in fields of hearing that they may not normally follow closely. Each volume presents a particular topic comprehensively, and each serves as a synthetic overview and guide to the literature. As such, the chapters present neither exhaustive data reviews nor original research that has not yet appeared in peer-reviewed journals. The volumes focus on topics that have developed solid data and a strong conceptual foundation rather than on those for which a literature is only beginning to develop. New research areas will be covered on a timely basis in the series as they begin to mature.

This volume covers the higher-level auditory processes that are part of animal perception. The chapters describe how humans and other animals perceive the sounds that they receive from the many sound sources existing in the world. This book provides an overview of areas of current research involved with understanding how sound-source determination processes operate. It focuses on psychophysics and perception as well as being relevant to basic auditory research.

This revised and updated third edition describes the nature of sound, how sound is analyzed by the auditory system, and the rules and principles governing our interpretation of auditory input. It covers many topics including sound and the auditory system, locating sound sources, the basis for loudness judgments, perception of acoustic sequences, perceptual restoration of obliterated sounds, speech production and perception, and the relation of hearing to perception in general. Whilst keeping the consistent style of the previous editions, many new features have been added, including suggestions for further reading at the end of each chapter, a section on functional imaging of the brain, expanded information on pitch and infrapitch, and additional coverage of speech processing. Advanced undergraduate and graduate students interested in auditory perception, behavioral sciences, psychology, neurobiology, architectural acoustics, and the hearing sciences will find this book an excellent guide.

'Sounds and Perception' examines auditory perception and the nature of sounds, an emerging area of interest in the philosophy of mind & perception, & in the metaphysics of sensible qualities. The individual essays discuss a wide range of issues, including the nature of sound & the spatial aspects of auditory experience.

Listening combines broad coverage of acoustics, speech and music perception psychophysics, and auditory physiology with a coherent theoretical orientation in a lively and accessible introduction to the perception of music and speech events. Handel treats the production and perception of music and speech in parallel throughout the text, arguing that their production and perception follows identical principles; music and speech share the same formal properties, involve the same cognitive mechanisms, and cannot exist in separate "modules." The way that a sound is produced determines the physical properties of the acoustic wave. These properties in turn lead to the perception of the event. The initial chapters take up physical processes, including a section on characterization of sound and discussion of the way instruments and speech produce musical sound. Handel explains how the environment affects perceived sounds, including reflection, reverberation, diffraction, and the Doppler effect. Subsequent chapters take up psychological processes: partitioning smeared sounds into discrete events, identifying sound sources, the units and phrases of speech and music, and speech and music rhythms. The final chapter provides a detailed treatment of the physiology and neurophysiology of the auditory system. All of the author's explanations are coherent and clear, and this strategy includes discussing particular pieces of research in detail rather than covering many things superficially Handel analyzes causes as well as describing phenomena and sets out for the reader the difficulties inherent in the research methods he discusses. He defines the physical, musical, and psychological terms used, even the most basic ones, and covers all of the experimental methods and statistical procedures in the text. A Bradford Book.

This new edition of Auditory Perception: A New Synthesis, a book originally published by Pergamon Press (1982), describes the nature of sound, how it is analyzed by the auditory system, and the rules and principles governing our interpretation of auditory input. It guides the reader through the physics of sound and the anatomy and physiology of the inner ear and nervous system before embarking on an explanation of how experiments reveal the means by which we locate and identify sound sources and events, and how we recognize and interpret the patterns of music and speech. The new material includes discoveries concerning cochlear mechanics and neural transduction, processes involved in the perceptual restoration of portions of signals obliterated by extraneous sounds, and the manner in which sequences of sounds including those of speech and music, are organized into recognizable patterns. In addition, a chapter on speech describes how processes employed for the perception of brief nonverbal sounds are used for the organization of syllables and words, along with an overlay of special linguistic mechanisms. The book comes with an accompanying CD-ROM containing audio demonstrations, allowing the reader to experience directly some of the auditory illusions that have been described, and providing new insight into the mechanisms employed in perceptual organization. Advance undergraduate and graduate students interested in auditory perception in behavioral sciences, psychology, neurobiology, and speech and hearing sciences, will find this book an excellent advanced guide to the subject.

This new edition of Auditory Perception: A New Synthesis, a book originally published by Pergamon Press (1982), describes the nature of sound, how it is analyzed by the auditory system, and the rules and principles governing our interpretation of auditory input. It guides the reader through the physics of sound and the anatomy and physiology of the inner ear and nervous system before embarking on an explanation of how experiments reveal the means by which we locate and identify sound sources and events, and how we recognize and interpret the patterns of music and speech. The new material includes discoveries concerning cochlear mechanics and neural transduction, processes involved in the perceptual restoration of portions of signals obliterated by extraneous sounds, and the manner in which sequences of sounds including those of speech and music, are organized into recognizable patterns. In addition, a chapter on speech describes how processes employed for the perception of brief nonverbal sounds are used for the organization of syllables and words, along with an overlay of special linguistic mechanisms. The book comes with an accompanying CD-ROM containing audio demonstrations, allowing the reader to experience directly some of the auditory illusions that have been described, and providing new insight into the mechanisms employed in perceptual organization. Advance undergraduate and graduate students interested in auditory perception in behavioral sciences, psychology, neurobiology, and speech and hearing sciences, will find this book an excellent advanced guide to the subject.