August Into Winter

NATIONAL BESTSELLER WINNER of the 2022 Glengarry Book Award The first novel in nearly a decade from the three-time Governor General's Award‒winning author of The Last Crossing, August Into Winter is an epic story of crime and retribution, of war and its long shadow, and of the redemptive possibilities of love. You carried the past into the future on your back, its knees and arms hugging you tighter with every step. It is 1939, with the world on the brink of global war, when Constable Hotchkiss confronts the spoiled, narcissistic man-child Ernie Sickert about a rash of disturbing pranks in their small prairie town. Outraged and cornered, Ernie commits an act of unspeakable violence, setting in motion a course of events that will change forever the lives of all in his wake. With Loretta Pipe—the scrappy twelve-year-old he idealizes as the love of his life—in tow, Ernie flees town. In close pursuit is Corporal Cooper, who enlists the aid of two brothers, veterans of World War One: Jack, a sensitive, spiritual man with a potential for brutal violence; and angry, impetuous Dill, still recovering from the premature death of his wife who, while on her deathbed, developed an inexplicable obsession with the then-teenaged Ernie Sickert. When a powerful storm floods the prairie roads, wreaking havoc, Ernie and Loretta take shelter in a one-room schoolhouse where they are discovered by the newly arrived teacher, Vidalia Taggart. Vidalia has her own haunted past, one that has driven her to this stark and isolated place with only the journals of her lover Dov, recently killed in the Spanish Civil War, for company. Dill, arriving at the schoolhouse on Ernie's trail, falls hard and fast for Vidalia—but questions whether he can compete with the impossible ideal of a dead man. Guy Vanderhaeghe, writing at the height of his celebrated powers, has crafted a tale of unrelenting suspense against a backdrop of great moral searching and depth. His is a canvas of lavish, indelible detail: of character, of landscape, of history—in all their searing beauty but all their ugliness, too. Vanderhaeghe does not shrink from the corruption, cruelty, and treachery that pervade the world. Yet even in his clear-eyed depiction of evil—a depiction that frequently and delightfully turns darkly comic—he will not deny the possibility of love, of light. With August Into Winter, Guy Vanderhaeghe has given us a masterfully told, masterfully timed story for our own troubled hearts.

Nanabush. A name that has a certain weight on the tongue—a taste. Like lit sage in a windowless room or aluminum foil on a metal filling. Trickster. Storyteller. Shape-shifter. An ancient troublemaker with the power to do great things, only he doesn’t want to put in the work. Since coming home to Spirit Bear Point First Nation, Hazel Ellis has been dreaming of an old crow. He tells her he’s here to help her, save her. From what, exactly? Sure, her dad’s been dead for almost two years and she hasn’t quite reconciled that grief, but is that worth the time of an Algonquin demigod? Soon Hazel learns that there’s more at play than just her own sadness and doubt. The quarry that’s been lying unsullied for over a century on her father’s property is stirring the old magic that crosses the boundaries between this world and the next. With the aid of Nanabush, Hazel must unravel a web of deceit that, if left untouched, could destroy her family and her home on both sides of the Medicine Wheel.

A shadowy Detroit real estate billionaire. A ruthless fixer. A successful Mexicantown family business in their crosshairs. Gentrification has never been bloodier. Authentico Foods Inc. has been a part of Detroit’s Mexicantown for over thirty years, grown from a home kitchen business to a city block–long facility that supplies Mexican tortillas to restaurants throughout the Midwest. Detroit ex-cop and Mexicantown native August Snow has been invited for a business meeting at Authentico Foods. Its owner, Ronaldo Ochoa, is dying, and is being blackmailed into selling the company to an anonymous entity. Worried about his employees, Ochoa wants August to buy it. August has no interest in running a tortilla empire, but he does want to know who’s threatening his neighborhood. Quickly, his investigation takes a devastating turn and he and his loved ones find themselves ensnared in a dangerous net of ruthless billionaire developers. August Snow must fight not only for his life, but for the soul of Mexicantown itself.

Set in the second half of the nineteenth century, in the American and Canadian West and in Victorian England, The Last Crossing is a sweeping tale of interwoven lives and stories Charles and Addington Gaunt must find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, enlist the services of a guide to lead them on their journey across a difficult and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. The party grows to include Caleb Ayto, a sycophantic American journalist, and Lucy Stoveall, a wise and beautiful woman who travels in the hope of avenging her sister’s vicious murder. Later, the group is joined by Custis Straw, a Civil War veteran searching for salvation, and Custis’s friend and protector Aloysius Dooley, a saloon-keeper. This unlikely posse becomes entangled in an unfolding drama that forces each person to come to terms with his own demons. The Last Crossing contains many haunting scenes – among them, a bear hunt at dawn, the meeting of a Métis caravan, the discovery of an Indian village decimated by smallpox, a sharpshooter’s devastating annihilation of his prey, a young boy’s last memory of his mother. Vanderhaeghe links the hallowed colleges of Oxford and the pleasure houses of London to the treacherous Montana plains; and the rough trading posts of the Canadian wilderness to the heart of Indian folklore. At the novel’s centre is an unusual and moving love story. The Last Crossing is Guy Vanderhaeghe’s most powerful novel to date. It is a novel of harshness and redemption, an epic masterpiece, rich with unforgettable characters and vividly described events, that solidifies his place as one of Canada’s premier storytellers.

A lemonade stand in winter? Yes, that's exactly what Pauline and John-John intend to have, selling lemonade and limeade--and also lemon-limeade. With a catchy refrain (Lemon lemon LIME, Lemon LIMEADE! Lemon lemon LIME, Lemon LEMONADE!), plus simple math concepts throughout, here is a read-aloud that's great for storytime and classroom use, and is sure to be a hit among the legions of Jenkins and Karas fans. "A beautifully restrained tribute to trust and tenderness shared by siblings; an entrepreneurship how-to that celebrates the thrill of the marketplace without shying away from its cold realities; and a parable about persistence." —Publishers Weekly, Starred

William Faulkner Literary Competition, Honorable Mention Forty-six-year-old Madeline Fairbanks has no use for ideas like “separation of the races” or “men as the superior sex.” There are many in her dying Southern Appalachian town who are upset by her socially progressive views, but for years—partly due to her late husband’s still-powerful influence, and partly due to her skill as a healer in a remote town with no doctor of its own—folks have been willing to turn a blind eye to her “transgressions.” Even Maddie’s decision to take on a Black apprentice, Ren Morgan, goes largely unchallenged by her white neighbors, though it’s certainly grumbled about. But when a charismatic and power-hungry new reverend blows into town in 1917 and begins to preach about the importance of racial segregation, the long-idle local KKK chapter fires back into action—and places Maddie and her friends in Jamesville’s Black community squarely in their sights. Maddie had better stop intermingling with Black folks, discontinue her herbalistic “witchcraft,” and leave town immediately, they threaten, or they’ll lynch Ren’s father, Daniel. Faced with this decision, Maddie is terrified . . . and torn. Will she bow to their demands and walk away—or will she fight to keep the home she’s built in Jamesville and protect the future of the people she loves, both Black and white?

Station Eleven meets The Hunger Games in this ruthless, captivating story of a young woman’s survival in the frozen wilderness of the Yukon after the rest of the world has collapsed. As the old world dies, we all must choose to become predators. Or become prey. The old world has been ravaged by war and disease, and as far as Lynn McBride is concerned, her family could be the last one left on earth. For seven years, the McBrides have eked out a meagre existence in the still, white wilderness of the Yukon. But this is not living. This is survival on the brink. Into this fragile community walk new threats, including the enigmatic fugitive, Jax, who holds secrets about the past and, possibly, keys to a better future. And then there’s Immunity, the pre‑war organization that was supposed to save humankind from the flu. They’re still out there, enforcing order and conducting experiments—but is their work for the good of humankind or is something much more sinister at play? In the face of almost certain extinction, Lynn and her family must learn to hunt as a pack or die alone in the cold. Breakout debut novelist Tyrell Johnson weaves a captivating tale of humanity stretched far beyond its breaking point, of family and the bonds of love forged when everything else is lost. Reminiscent of Station Eleven and The Hunger Games, this is a classic and enthralling post‑apocalyptic adventure and a celebration of the human spirit.

After tough assignments as a Canadian diplomat abroad, Nicholas Coghlan and his wife Jenny unwind by sailing Bosun Bird, a 27foot sailboat, from Cape Town, South Africa, across the South Atlantic and into the stormy winter waters around Tierra del Fuego, South America. Coghlan recounts earlier adventures in Patagonia when, taking time off from his job as a schoolteacher in Buenos Aires in the late 1970s, he and Jenny explored the region of southern Argentina and Chile over three successive summers. This time, as they negotiate the labyrinth of channels and inlets around snow-covered Fireland, he reflects on voyages of past explorers: Magellan, Cook, Darwin, and others. Sailing enthusiasts and readers of true adventures will want to add Coghlan's world-wise narrative to their libraries.