Australia S Writers

From the iconic poems of Banjo Paterson to today's international bestsellers by Peter Carey and Patrick White, Australian literature has reflected the changes in Australia's national development, and today it stands proudly on the world stage. At the same time, Indigenous writing has come into its own, with authors such as Oodgeroo Noonuccal giv...

Shortlisted for the 2017 Miles Franklin Literary Award Absurd, original and highly addictive . . . In Their Brilliant Careers, Ryan O'Neill has written a hilarious novel in the guise of sixteen biographies of (invented) Australian writers. Meet Rachel Deverall, who discovered the secret source of the great literature of our time - and paid a terrible price for her discovery. Meet Rand Washington, hugely popular sci-fi author (of Whiteman of Cor) and inveterate racist. Meet Addison Tiller, master of the bush yarn, "The Chekhov of Coolabah", who never travelled outside Sydney. Their Brilliant Careers is a playful set of stories, linked in many ways, which together form a memorable whole. A wonderful comic tapestry of the writing life, this unpredictable and intriguing work takes Australian writing in a whole new direction . . . Shortlisted, 2017 NSW Premier's Literary Awards ‘You have to admire O’Neill’s delicious bravura. He’s been one of the few short fiction writers of recent years willing to play around with the form’s possibilities ... Apart from the fact there are more funny lines in O’Neill’s 288 pages than there are likely to be in the entirety of Australian literature elsewhere this year, the profiles are woven smartly together, as the characters’ fates and careers intertwine.’ —Saturday Paper ‘Ryan O’Neill combines conventions of biography and short story in an exhaustively brazen blend of Australian literary history and plausible yet gloriously bonkers invention.’ —Elke Power, Readings Monthly ‘Their Brilliant Careers ... brims with crackerjack wit. Pressure is subtly built; punchlines are explosive.’ —Australian Book Review ‘Ryan O’Neill has embarked on the task of creating a satirical, funny alternative history to Australian literature, an exercise he has achieved admirably and with brilliance.’ —Writers Bloc ‘[Ryan O'Neill] offers a book that is a piss-take, a celebration, a revisionist history and, perhaps most impressively, exceedingly good fun.’ —Dominic Amerena, the Australian ‘O'Neill has arranged a beautiful board of slain waxwings, no less funny or moving for being, in the final estimate of things, no more than shadows of the never living and the forever dead.’ —Adam Rivett, Sydney Morning Herald Ryan O’Neill is the author of The Weight of a Human Heart. He was born in Glasgow in 1975 and has lived in Africa, Europe and Asia before settling in Newcastle, Australia, with his wife and two daughters. His fiction has appeared in The Best Australian Stories, The Sleepers Almanac, Meanjin, New Australian Stories, Wet Ink, Etchings and Westerly. His work has won the Hal Porter and Roland Robinson awards and been shortlisted for the Queensland Premier’s Steele Rudd Award and the Age Short-Story Prize. He teaches at the University of Newcastle.

Engaging with Asian Australian writing, this book focuses on an influential area of cultural production defined by its ethnic diversity and stylistic innovativeness. In addressing the demanding new transnational and transcultural critical frameworks of such syncretic writing, the contributors collectively examine how the varied and diverse body of Asian Australian literary work intervenes into contemporary representational politics and culture. The book questions, for instance, the ideology of Australian multiculturalism; the core/periphery hierarchy; the perpetuation of Orientalist attitudes and stereotypes; and white Australian claims to belong as seen in its myths of cultural authenticity and authority. Ranging in critical analyses from the historic first Chinese-Australian novel to contemporary award winning Sri Lankan, Bangladeshi and Filipino Australian novels, the book provides an inside view of the ways in which Asian Australian literary work is reshaping Australian mainstream literature, politics and culture, and in the wider context, the world literary scene. This book was originally published as a special issue of the Journal of Postcolonial Writing.

Keneally’s caricature of a self-loathing Jimmie Blacksmith is a lost opportunity to explore the complex ways that Aboriginal people . . . were pushing against a white world that would not accept them for who they were; that would not see them as equal; that, in truth, would not see them as human. Acclaimed journalist Stan Grant weaves literary criticism, philosophy and memoir to shed light on The Chant of Jimmie Blacksmith. Drawing parallels with Indigenous writers Tara June Winch and Bruce Pascoe, Grant brilliantly re-examines Keneally’s novel, raising questions about identity, modernity and storytelling. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.

A fresh twenty-first century look at Australian literature in a broad, inclusive and multicultural sense.

Winner of the Miles Franklin Award 'Magnificent' - The New York Times 'Winton is just one of the best' - Independent Cloudstreet is Tim Winton's epic family drama, a story of love and turmoil spanning decades. No. 1 Cloudstreet: a broken-down house on the wrong side of the tracks, a place teeming with memories, with shudders and shadows and spirits. From separate catastrophes, two families - the Pickles and the Lambs - flee to the city and find themselves thrown together, forced to start their lives afresh. As they roister and rankle, the place that began as a roof over their heads becomes a home for their hearts. Cloudstreet is Tim Winton's great family drama, a twenty-year story of life and love, full of boisterous energy, joy and heartbreak. His vivid portrayal of the of the Australian landscape is nowhere more extraordinary than in this classic. 'Winton is a one-man band of genius' - The Los Angeles Times One of the many extraordinary books featured in the Picador Collection.

Australian Books and Authors in the American Marketplace 1840s–1940s explores how Australian writers and their works were present in the United States before the mid twentieth century to a much greater degree than previously acknowledged. Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary period. In mapping Australian literature’s connections to British and US markets, their research challenges established understandings of national, imperial and world literatures. Carter and Osborne examine how Australian authors, editors and publishers engaged productively with their American counterparts, and how American readers and reviewers responded to Australian works. They consider the role played by British publishers and agents in taking Australian writing to America, and how the international circulation of new literary genres created new opportunities for novelists to move between markets. Some of these writers, such as Christina Stead and Patrick White, remain household names; others who once enjoyed international fame, such as Dale Collins and Alice Grant Rosman, have been largely forgotten. The story of their books in America reveals how culture, commerce and copyright law interacted to create both opportunities and obstacles for Australian writers.