Autobiography And Selected Letters

He left (or was left by) a number of girlfriends and he fathered five children along the way. He was apt to raise a bit of a ruckus at poetry readings and other public events. No one could be sure what he might do next except that he would write poetry and get published and that it would be widely read.".

An innovative history that shows how the religious idea of the heathen in need of salvation undergirds American conceptions of race. If an eighteenth-century parson told you that the difference between “civilization and heathenism is sky-high and star-far,” the words would hardly come as a shock. But that statement was written by an American missionary in 1971. In a sweeping historical narrative, Kathryn Gin Lum shows how the idea of the heathen has been maintained from the colonial era to the present in religious and secular discourses—discourses, specifically, of race. Americans long viewed the world as a realm of suffering heathens whose lands and lives needed their intervention to flourish. The term “heathen” fell out of common use by the early 1900s, leading some to imagine that racial categories had replaced religious differences. But the ideas underlying the figure of the heathen did not disappear. Americans still treat large swaths of the world as “other” due to their assumed need for conversion to American ways. Purported heathens have also contributed to the ongoing significance of the concept, promoting solidarity through their opposition to white American Christianity. Gin Lum looks to figures like Chinese American activist Wong Chin Foo and Ihanktonwan Dakota writer Zitkála-Šá, who proudly claimed the label of “heathen” for themselves. Race continues to operate as a heathen inheritance in the United States, animating Americans’ sense of being a world apart from an undifferentiated mass of needy, suffering peoples. Heathen thus reveals a key source of American exceptionalism and a prism through which Americans have defined themselves as a progressive and humanitarian nation even as supposed heathens have drawn on the same to counter this national myth.

Fascinating behind-the-scenes look at one of the most powerful and revolutionary ideas in the history of mankind, the theory of evolution. It traces the development of this momentous idea in an autobiographical essay, letters, and notebook excerpts by the theory's originator.

"As the case with her fiction, Berlin's pieces here are as faceted as the brightest diamond." --Kristin Iversen, NYLON NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE. Named a Fall Read by Buzzfeed, Vulture, Newsday and HuffPost A compilation of sketches, photographs, and letters, Welcome Home is an essential nonfiction companion to the stories by Lucia Berlin Before Lucia Berlin died, she was working on a book of previously unpublished autobiographical sketches called Welcome Home. The work consisted of more than twenty chapters that started in 1936 in Alaska and ended (prematurely) in 1966 in southern Mexico. In our publication of Welcome Home, her son Jeff Berlin is filling in the gaps with photos and letters from her eventful, romantic, and tragic life. From Alaska to Argentina, Kentucky to Mexico, New York City to Chile, Berlin’s world was wide. And the writing here is, as we’ve come to expect, dazzling. She describes the places she lived and the people she knew with all the style and wit and heart and humor that readers fell in love with in her stories. Combined with letters from and photos of friends and lovers, Welcome Home is an essential nonfiction companion to A Manual for Cleaning Women and Evening in Paradise.

The death of Ernest Hemingway in 1961 ended one of the most original and influential careers in American literature. His works have been translated into every major language, and the Nobel Prize awarded to him in 1954 recognized his impact on contemporary writing. While many people are familiar with the public image of Hemingway and the legendary accounts of his life, few knew him as an intimate. With this collection of letters, presented for the first time as a Scribner Classic, a new Hemingway emerges. Ranging from 1917 to 1961, this generous selection of nearly six hundred letters is, in effect, both a self-portrait and an autobiography. In his own words, Hemingway candidly reveals himself to a wide variety of people: family, friends, enemies, editors, translators, and almost all the prominent writers of his day. In so doing he proves to be one of the most entertaining letter writers of all time. Carlos Baker has chosen letters that not only represent major turning points in Hemingway's career but also exhibit character, wit, and the writer's typical enthusiasm for hunting, fishing, drinking, and eating. A few are ingratiating, some downright truculent. Others present his views on writing and reading, criticize books by friend or foe, and discuss women, soldiers, politicians, and prizefighters. Perhaps more than anything, these letters show Hemingway's irrepressible humor, given far freer rein in his correspondence than in his books. An informal biography in letters, the product of forty-five years' living and writing, Ernest Hemingway: Selected Letters leaves an indelible impression of an extraordinary man. Ernest Hemingway was born in Oak Park, Illinois, in 1899. At seventeen he left home to join the Kansas City Star as a reporter, then volunteered to serve in the Red Cross during World War I. He was severely wounded at the Italian front and was awarded the Croce di Guerra. He moved to Paris in 1921, where he devoted himself to writing fiction, and where he fell in with the expatriate circle that included Gertrude Stein, F. Scott Fitzgerald, Ezra Pound, and Ford Madox Ford. His novels include The Sun Also Rises (1926), A Farewell to Arms (1929), To Have and Have Not (1937), For Whom the Bell Tolls (1940), and The Old Man and the Sea (1952). He was awarded the Nobel Prize for literature in 1954. He died in Ketchum, Idaho, on July 2, 1961.

A lifetime of candid reflections from physicist Freeman Dyson, “an acute observer of personality and human foibles” (New York Times Book Review). Written between 1940 and the late 1970s, the postwar recollections of renowned physicist Freeman Dyson have been celebrated as an historic portrait of modern science and its greatest players, including Robert Oppenheimer, Richard Feynman, Stephen Hawking, and Hans Bethe. Chronicling the stories of those who were engaged in solving some of the most challenging quandaries of twentieth-century physics, Dyson lends acute insight and profound observations to a life’s work spent chasing what Einstein called those “deep mysteries that Nature intends to keep for herself.” Whether reflecting on the drama of World War II, the moral dilemmas of nuclear development, the challenges of the space program, or the demands of raising six children, Dyson’s annotated letters reveal the voice of one “more creative than almost anyone else of his generation” (Kip Thorne). An illuminating work in these trying times, Maker of Patterns is an eyewitness account of the scientific discoveries that define our modern age.

Edel has chosen, from the four-volume epistolarium already published, those letters which especially illuminate James's writing, his life, his thoughts and fancies, his literary theories, and his most meaningful friendships. In addition, there are two dozen letters that have never before been printed. In its unity, its elegance, and its reflection of almost a century of Anglo-American life and letters, this correspondence can well be said to belong to literature as well as to biography.