Autobiography Of An Archive

The decades between 1970 and the end of the twentieth century saw the disciplines of history and anthropology draw closer together, with historians paying more attention to social and cultural factors and the significance of everyday experience in the study of the past. The people, rather than elite actors, became the focus of their inquiry, and anthropological insights into agriculture, kinship, ritual, and folk customs enabled historians to develop richer and more representative narratives. The intersection of these two disciplines also helped scholars reframe the legacies of empire and the roots of colonial knowledge. In this collection of essays and lectures, history's turn from high politics and formal intellectual history toward ordinary lives and cultural rhythms is vividly reflected in a scholar's intellectual journey to India. Nicholas B. Dirks recounts his early study of kingship in India, the rise of the caste system, the emergence of English imperial interest in controlling markets and India's political regimes, and the development of a crisis in sovereignty that led to an extraordinary nationalist struggle. He shares his personal encounters with archives that provided the sources and boundaries for research on these subjects, ultimately revealing the limits of colonial knowledge and single disciplinary perspectives. Drawing parallels to the way American universities balance the liberal arts and specialized research today, Dirks, who has occupied senior administrative positions and now leads the University of California at Berkeley, encourages scholars to continue to apply multiple approaches to their research and build a more global and ethical archive.

Sergei Prokofiev was a bold innovator who eschewed the beaten path in art all his life, often in defiance of orthodox tastes. His compositions, many of which are today recognized masterpieces of musical art, usually evoked either genuine bewilderment or sharp criticism when first performed.Prokofiev's music is performed today all over the world; his works are studied at music schools everywhere.The first two parts of this book are devoted to the composer's own writings (his autobiographical notes, articles and reviews), the rest to articles about Prokofiev by prominent Soviet musicians, artists, and others who were associated with him at one or another period of his life.

From pop stardom through the depths of addiction to her punk-rock comeback, Marianne Faithfull's life captures rock 'n' roll at its most decadent and its most destructive. Faithfull's first hit, 1964's "As Tears Go By," opened doors to the hippest circles in London. There she frolicked with the most luminous of the young, rich, and reckless, including Bob Dylan, the Beatles, and the Rolling Stones. Her legendary affair with Mick Jagger produced one hit single, "Sister Morphine," and countless headlines. Faithfull left the relationship a strung-out junkie. Struggling to kick drugs and revive her musical career, she recorded Broken English in 1979, an edgy, hard-hitting, critical triumph. As honest in her autobiography as in her music, Faithfull is a searing, intimate portrait of a woman who examines her adventures and misadventures without flinching, without apology.

Parallel to the meteoric rise of Adolf Hater is the astonishing career of Benito Mussolini, Italy's great Dictator. The gripping narrative told by himself of his humble beginnings, his activities as a socialist and a soldier in the Great War, his subsequent rapid accession to poser, provides a most interesting comparison to his counterpart beyond the Brenner Pass. It is a book that is historically valuable, giving us, as it does, intimate pictures of Fascism in theory and Practice.

The well-known author and illustrator relates the story of his life and work.

The present volume is quite different from the other two autobiographies by Du Bois not only because of its additional two-decade span, and the significantly altered outlook of its author, but also because in it—unlike the others—he seeks, as he writes, "to review my life as frankly and fully as I can." Of course, with the directness and honesty which so decisively characterized him, he reminds the reader of this book of the intense subjectivity that inevitably permeates autobiography; hence, he writes, he offers this account of his life as he understood it and as he—would like others to believe—it to have been. Certainly, while Dr. Du Bois was deep in his ninth decade when he died, longevity was the least remarkable feature of his life. As editor, author, lecturer, scholar, organizer, inspirer, and fighter, he was among the most consequential figures of the twentieth century. Necessarily, therefore, the full and final accounting of that life and his times becomes an indispensable volume.