Babalawo The Diamond Sutra

While endeavoring to tell this story, I needed clarification on which approach to take. I could present this work in an entirely academic format. However, I am reminded of what my comparative religions professor would say at the beginning of his lectures...” Intellectuals are boring. We will attempt to tell the story from the griot format. You may have wondered why I am writing this book. This is the third book in my series from the Yoruba-American Theological Arch ministry. Inspired by the library in the Oyotunji Village in South Carolina, these books are intended to educate our children, students, clients, and followers of our beliefs, customs, and traditions. The first book in the series, “Ile Ifa International,” was presented as a format for beginning worship and establishing your spiritual home, or “Ile,” as we call it. The second book, “The Voodoo Kings,” was presented to emphasize the elders in the Diaspora and their work. Art...art, love of culture and tradition, and respect for elders and teachers are essential to practicing the tradition. Due to the demonization of the tradition in Hollywood and other media sources, the beauty and refinement of art and the genius of the literature have been reduced to the default term “Voodoo” to represent the many manifestations of the tradition throughout the diaspora. We love the practice in all its images and attempt to educate beyond the simplifications. It is their birthright for Yoruba Americans, and you should know which tradition resonates with your soul or spirit. In this latest book. “Bablawo” looks at the Yoruba Americans' future and their vision for the future in the Diaspora.

While endeavoring to tell this story, I needed clarification on which approach to take. I could present this work in an entirely academic format. However, I am reminded of what my comparative religions professor would say at the beginning of his lectures..." Intellectuals are boring. We will attempt to tell the story from the griot format. You may have wondered why I am writing this book. This is the third book in my series from the Yoruba-American Theological Arch ministry. Inspired by the library in the Oyotunji Village in South Carolina, these books are intended to educate our children, students, clients, and followers of our beliefs, customs, and traditions. The first book in the series, "Ile Ifa International," was presented as a format for beginning worship and establishing your spiritual home, or "Ile," as we call it. The second book, "The Voodoo Kings," was presented to emphasize the elders in the Diaspora and their work. Art...art, love of culture and tradition, and respect for elders and teachers are essential to practicing the tradition. Due to the demonization of the tradition in Hollywood and other media sources, the beauty and refinement of art and the genius of the literature have been reduced to the default term "Voodoo" to represent the many manifestations of the tradition throughout the diaspora. We love the practice in all its images and attempt to educate beyond the simplifications. It is their birthright for Yoruba Americans, and you should know which tradition resonates with your soul or spirit. In this latest book. "Bablawo" looks at the Yoruba Americans' future and their vision for the future in the Diaspora.

The Diamond Sutra is one of the most valued and widely read philosophical works in Buddhist literature. It is very popular amongst ardent Buddhists in China, and excepting the Lotus of the Good Law , and the Leng-Yen-Ching , perhaps no other Sutra ascribed to Buddha is regarded by the Chinese with so great esteem. In Japan, The Diamond Sutra appears to be perused extensively by what Max Müller termed the Shin-Gon sect, founded by Ko-Bo, a disciple of the renowned pilgrim Hiuen-Tsang, about the year 816 a.d. The Diamond Sutra was written originally in Sanscrit, and in process of time translated into the Tibetan, Chinese, Mongol, and Manchu languages. It represents the Mahayana school of Buddhist thought, a school founded by Nagarjuna, which flourished primarily at Tchakuka, and thereafter influenced appreciably a considerable part of the Buddhist Church.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.