Baby Sitters Fright Night The Baby Sitters Club Super Mystery 3

Visiting Salem during a class trip, the Baby-sitters learn the mystery of the Witch's Eye, a famous diamond that has been stolen from a local museum, but when they launch an investigation, they fear they have become cursed.

Fearing that someone is stalking them after a series of dangerous accidents, the Baby-sitters escape for a skiing weekend but become petrified when the trouble follows them and points to someone from their past.

Things get seriously scary for five Baby-sitters Club members on a "Halloween Retreat" to Salem, Massachusetts. Someone has stolen the famous Witch's Eye diamond from the museum--and Kristy is missing.

Things get seriously scary for five Baby-sitters Club members on a "Halloween Retreat" to Salem, Massachusetts. Someone has stolen the famous Witch's Eye diamond from the museum--and Kristy is missing.

Stoneybrook is besieged at Christmas time by such elements as a prowling burglar, a pregnant woman who is about to have a baby, and a scary stalker who is targeting Stacey. Original.

When Kristy Thomas has the great idea to form a baby-sitters club--a chance to earn money and spend time with her friends, all the while doing something they each love to do--she has no idea how much the club will change everything.See where it all began, with the first four books in the Baby-sitters Club series.Baby-Sitters Club #1: Kristy's Great Idea Baby-Sitters Club #2: Claudia and the Phantom Phone Calls Baby-Sitters Club #3: The Truth About StaceyBaby-Sitters Club #4: Mary Anne Saves the Day

Running a day camp with her fellow club members, Mary Anne finds her ideal summer complicated by her father's two-week business trip, rivalries among the young campers, and a sprained ankle.

The art museum has become a prestige commission for contemporary architects, and for several decades reference has been made to a “museum building boom.” Among these new museums, those of Louis Kahn are especially admired. This significant American architect, who ranks in this century with Frank Lloyd Wright both as a creator and as an influence, has made a special contribution to the architecture of museums and has helped create a subtle but telling change in the concept of what a late twentieth-century museum building should be. After a brief look at the development of a tradition in museum architecture, this study examines Kahn’s three art museums: the Yale University Art Gallery, the Kimbell Art Museum, and the Yale Center for British Art. It traces the development of each museum through museum through its various stages: the background of the institutions and the commissions, the programs for the buildings, their designs and evolutions, their constructions, and the evaluations of the completed buildings. Material on Kahn’s plans for a museum for the De Menil collection, begun shortly before his death, is also included. Accompanying the text are illustrations of the buildings, including Kahn’s personal sketches, architectural plans and sections, and presentation perspective drawings. Photographs of the finished buildings present the transformed vision of the architect in tangible form, showing that the museums, while related, are individualized accomplishments. This is the first comprehensive study of Kahn’s museums.