Bad Santas Disquieting Winter Folk Tales For Grown Ups

A gleefully dark and well-researched exploration of the history and customs of European Yuletide folklore. How did St Nicholas save children from cannibalism? Who were the Yule Lads and why would they steal your sausages? Why was the Alpine Father Christmas accompanied by a demonic figure called the Krampus who bundled children into sacks and dragged them off to Hell? And why do Spanish nativity scenes often feature a defecating peasant? Over the course of the 20th Century, a universal image developed around the world of Santa Claus as a kindly Christmas visitor but, prior to that, each country, town and community would have Christmas visitors of their own - sometimes human, sometimes animal, sometimes something else entirely - with their own curious set of mythology and customs. The Finns were visited by a pagan goat named Joulupukki that was said to eat anyone who misbehaved. In Iceland, it was said that any child who did not receive an item of new clothing for Christmas would be caught and consumed by the monstrous Christmas Cat! Bad Santascelebrates some of the most imaginative, terrifying and outright curious Christmas figures from across Europe - looking closely at its legacy of disquieting fairy stories. With beautiful black and white line drawings in each chapter, this unusual, entertaining and gleefully dark exploration of seasonal folklore will make an ideal Christmas gift and the perfect book for reading around the fireside.

Bad Santas is not a book for children. Here you will find the bloody, the bawdy and the downright bizarre in a celebration of the most imaginative, macabre and curious Christmas figures and customs from across Europe. Drawing on that continent's legacy of disquieting folk tales told at wintertime, Paul Hawkins' gleefully dark exploration of seasonal folklore is the perfect book for reading around the fireside.

In some respects, the contrasts of Christmas are what make it the most delightful time of the year. It is a time of generosity, kindness and peace on earth, with broad permission to indulge in food, drink and gifts. On the other hand, Christmas has become a battleground for raging culture wars, marred by debates about how it should be celebrated and acknowledged as a uniquely Christian holiday. This text argues that much of the animosity is based on a fundamental misunderstanding of the holiday's core character. By tracing Christmas's origins as a pagan celebration of the winter solstice and its development in Europe's Christianization, this history explains that the true "reason for the season" has as much to do with the earth's movement around the sun as with the birth of Christ. Chapters chronicle how Christmas's magic and misrule link to the nativity, and why the carnival side of the holiday appears so separated from traditional Christian beliefs.

Santa Claus has always portrayed one jolly image to the world. But what long forgotten, unholy urges are awakening in Santa's mind? Who was he before, and what will he become now? What is driving him into the evil clutches of a certain fairy? Will Christmas survive?

Could Dr. Frankenstein's machine ever animate a body? Why should vampires drink from veins and not arteries? What body parts are best for zombies to eat? (It's not brains.) This fascinating encyclopedia of monsters delves into the history and science behind eight legendary creatures, from Bigfoot and the kraken to zombies and more. Find out each monster's origin story and the real-world history that informed it, and then explore the science of each creature in fun and surprising ways. Tips and infographics--including monster anatomy, how to survive a vampire attack, and real-life giant creatures of the deep sea--make this a highly visual and fun-to-browse book.

The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo 'The best book you'll read this year' New York Times 'Dazzlingly surreal stories about a failing America' Sunday Times WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013 George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations. A family member recollects a backyard pole dressed for all occasions; Jeff faces horrifying ultimatums and the prospect of Darkenfloxx(TM) in some unusual drug trials; and Al Roosten hides his own internal monologue behind a winning smile that he hopes will make him popular. With dark visions of the future riffing against ghosts of the past and the ever-settling present, this collection sings with astonishing charm and intensity.

"She had begun by dreaming simply of a face. Its expression was frightening because it was frightened. The face belonged to a man who was sitting hunched up in one corner of a little square room with white-washed walls - waiting, she thought, for those who had him in their power to come in and do something horrible to him. At last the door was opened...She could not make out what the visitor was proposing to him, but she did discover that the prisoner was under sentence of death. Whatever the visitor was offering him was something that frightened him more than that. The visitor, still smiling his cold smile, unscrewed the prisoner's head and took it away. Then all became confused." "The third novel in C.S. Lewis's classic sci-fi trilogy begins with Jane Studdock's horrific nightmare. The next morning she sees the same face in a newspaper - a brilliant French scientist guillotined for poisoning his wife. Jane has the growing feeling that she is being warned of something real and sinister. Her husband, Mark, meanwhile, is drawn into the National Institute for Co-ordinated Experiments, which is engaged in a plan to control human life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

#1 NATIONAL BESTSELLER • The epic account of the storm on the summit of Mt. Everest that claimed five lives and left countless more—including Krakauer's—in guilt-ridden disarray. "A harrowing tale of the perils of high-altitude climbing, a story of bad luck and worse judgment and of heartbreaking heroism." —PEOPLE A bank of clouds was assembling on the not-so-distant horizon, but journalist-mountaineer Jon Krakauer, standing on the summit of Mt. Everest, saw nothing that "suggested that a murderous storm was bearing down." He was wrong. By writing Into Thin Air, Krakauer may have hoped to exorcise some of his own demons and lay to rest some of the painful questions that still surround the event. He takes great pains to provide a balanced picture of the people and events he witnessed and gives due credit to the tireless and dedicated Sherpas. He also avoids blasting easy targets such as Sandy Pittman, the wealthy socialite who brought an espresso maker along on the expedition. Krakauer's highly personal inquiry into the catastrophe provides a great deal of insight into what went wrong. But for Krakauer himself, further interviews and investigations only lead him to the conclusion that his perceived failures were directly responsible for a fellow climber's death. Clearly, Krakauer remains haunted by the disaster, and although he relates a number of incidents in which he acted selflessly and even heroically, he seems unable to view those instances objectively. In the end, despite his evenhanded and even generous assessment of others' actions, he reserves a full measure of vitriol for himself. This updated trade paperback edition of Into Thin Air includes an extensive new postscript that sheds fascinating light on the acrimonious debate that flared between Krakauer and Everest guide Anatoli Boukreev in the wake of the tragedy. "I have no doubt that Boukreev's intentions were good on summit day," writes Krakauer in the postscript, dated August 1999. "What disturbs me, though, was Boukreev's refusal to acknowledge the possibility that he made even a single poor decision. Never did he indicate that perhaps it wasn't the best choice to climb without gas or go down ahead of his clients." As usual, Krakauer supports his points with dogged research and a good dose of humility. But rather than continue the heated discourse that has raged since Into Thin Air's denouncement of guide Boukreev, Krakauer's tone is conciliatory; he points most of his criticism at G. Weston De Walt, who coauthored The Climb, Boukreev's version of events. And in a touching conclusion, Krakauer recounts his last conversation with the late Boukreev, in which the two weathered climbers agreed to disagree about certain points. Krakauer had great hopes to patch things up with Boukreev, but the Russian later died in an avalanche on another Himalayan peak, Annapurna I. In 1999, Krakauer received an Academy Award in Literature from the American Academy of Arts and Letters--a prestigious prize intended "to honor writers of exceptional accomplishment." According to the Academy's citation, "Krakauer combines the tenacity and courage of the finest tradition of investigative journalism with the stylish subtlety and profound insight of the born writer. His account of an ascent of Mount Everest has led to a general reevaluation of climbing and of the commercialization of what was once a romantic, solitary sport; while his account of the life and death of Christopher McCandless, who died of starvation after challenging the Alaskan wilderness, delves even more deeply and disturbingly into the fascination of nature and the devastating effects of its lure on a young and curious mind."