Badiou Poem And Subject

Reinterpreting Badiou's philosophy in light of both his persistent, reverent invocations of the German-Jewish poet Paul Celan, and his long-term engagement with Samuel Beckett, Badiou, Poem and Subject fundamentally reassesses Badiou's radical departure from the legacy of Martin Heidegger, and his wholesale rejection of philosophies that would, in the wake of twentieth-century violence and beyond, proclaim their own end or completion. For Badiou, both writers, from the terminus of Literary Modernism, affirm novel conceptions of subjectivity capable of transcending the historical conditions of their presentation: Celan's collective and ephemeral subject of 'anabasis', and Beckett's disjunctive 'Two' of love. Blending close textual analyses with critical reflections on Heidegger, Lacoue-Labarthe and Adorno, among others, Tom Betteridge argues that Badiou's innovative readings of both Celan's poetry and the 'latent poem' in Beckett's late prose are crucial to understanding his significance in the history of twentieth-century French philosophy and its German heritage, offering a significant contribution to a growing field of interest in Badiou's philosophical encounter with poetry, and its political ramifications.

The Age of the Poets revisits the age-old problem of the relation between literature and philosophy, arguing against both Plato and Heidegger’s famous arguments. Philosophy neither has to ban the poets from the republic nor abdicate its own powers to the sole benefit of poetry or art. Instead, it must declare the end of what Badiou names the “age of the poets,” which stretches from Hölderlin to Celan. Drawing on ideas from his first publication on the subject, “The Autonomy of the Aesthetic Process,” Badiou offers an illuminating set of readings of contemporary French prose writers, giving us fascinating insights into the theory of the novel while also accounting for the specific position of literature between science and ideology.

Badiou is widely considered to be France's most important and exciting contemporary thinker. Much of Badiou's earlier work (including Being and Event) can only be fully understood with a clear grasp of Theory of the Subject, one of his most important works.

Religion would be impossible without imagination. Imagination provides content that otherwise escapes discourse and perception. Thus, it opens up a productive realm for creative involvement that keeps religion from sinking into trivialities or abstractions. The contributions in the present volume explore in various ways potentialities and problems linked to imagination’s role in the context of religion. The book challenges readers to think again and think differently about imagination in religion – which, in itself, involves the power of imagination. The book opens up fresh perspectives on the interactive dynamics between imagination and various faculties or dimensions of life. Imagination might be involved in thinking, perceiving, contemplation, and in practices. The contributors to the volume are all members of the Nordic Society for the Philosophy of Religion.

There is little doubt that Alain Badiou is one of the most challenging and controversial figures in contemporary philosophy. This volume of essays brings together leading commentators from both sides of the Atlantic to provide an introduction to Badiou's work through critical studies of his more productive and controversial ideas. Over the course of three decades, his numerous and extensive texts have challenged traditional views on ontology, mathematics, aesthetics, literature, politics, ethics, philosophy, and sexual difference. His texts on Plato, Saint Paul, Pascal, Lacan, Althusser, Heidegger, MallarmeŒ, Pessoa, and Beckett are among the most perceptive and penetrating essays on contemporary philosophical and literary culture. In addition to providing insight into the basic conceptual apparatus of Badiou's philosophy, the essays also offer a more substantial critical assessment of the import of his main theses for different disciplines.

In his philosophical project, aesthetic orientation and political leanings, Alain Badiou is a product of, and a leading advocate for, European modernism. From the milieu of May 1968 to the contemporary 'postmodern' ethos, Badiou returns, time and again, to avant-garde modernist texts – aesthetic, political, philosophical and scientific – as inspiration for his response to present situations. Drawing upon disciplines as varied as architecture, cinema, theatre, music, history, mathematics, poetry and philosophy, Understanding Badiou, Understanding Modernism shows how Badiou's contribution to philosophy must be understood within the context of his decades-long conversation with modernist thinking. As with other volumes in the series, Understanding Badiou, Understanding Modernism follows a three part structure. The first section explores Badiou's readings of aesthetic, political and scientific modernities; both introducing his system and pointing to how Badiou offers manifold readings of modernism. The middle portion of the book connects Badiou's thought with the various strands of aesthetic, philosophical, amorous and political modernisms in relation to which it can be extended. The final section is a glossary of key concepts and categories that Badiou uses in his interface with modernism.

From Antiphilosophy to Worlds and from Beckett to Wittgenstein, the 110 entries in this dictionary provide detailed explanations and engagements with Badious's key concepts and major interlocutors.