Banned In Boston

A lively history of the Watch and Ward Society--New England's notorious literary censor for over eighty years. Banned in Boston is the first-ever history of the Watch and Ward Society--once Boston's unofficial moral guardian. An influential watchdog organization, bankrolled by society's upper crust, it actively suppressed vices like gambling and prostitution, and oversaw the mass censorship of books and plays. A spectacular romp through the Puritan City, here Neil Miller relates the scintillating story of how a powerful band of Brahmin moral crusaders helped make Boston the most straitlaced city in America, forever linked with the infamous catchphrase "banned in Boston."

Ben Porter is an MBA student unsure what his future holds. Franklin Abbott is a Boston Brahman, wanting to use his "old money" to do some good for the city he loves. Margaret O'Leary is a widowed Irish matron from South Boston who is indignant about most everything except her numerous friends and relations. This unlikely trio heads up Decency and Morality Now! (which has the unfortunate acronym of D.A.M.N!) This antipornography organization has seen its funding dwindle with the advent of the VCR, as well as the city's indifference to the issue. They come up with a way to "fight fire with fire" in order to increase their revenue stream. It's foolproof - unless they get caught, that is. Revisit Boston in the 1980s, a time of relative innocence, in this "slightly naughty-but-nice" fable, in which "things are not always what they seem." You never know what might get "Banned in Boston."

Misunderstandings between races, hostilities between cultures. Anxiety from living in a time of war in one's own land. Being accused of profiteering when food was scarce. Unruly residents in a remote frontier community. Charged with speaking the unspeakable and publishing the unprintable. All of this can be found in the life of one man--William Pynchon, the Puritan entrepreneur and founder of Springfield, Massachusetts, in 1636. Two things in particular stand out in Pynchon's pioneering life: he enjoyed extraordinary and uniquely positive relationships with Native peoples, and he wrote the first book banned--and burned--in Boston. Now for the first time, this book provides a comprehensive account of Pynchon's story, beginning in England, through his New England adventures, to his return home. Discover the fabric of his times and the roles Pynchon played in the Puritan venture in Old England and New England.

Downtown Boston once thrived as a dazzling bohemia of burlesque halls, movie palaces, dime museums, and regal stages. By 1915, more than 20 theaters crowded along a quarter-mile stretch of lower Washington Street. The theater district gave birth to vaudeville and incubated some of America's most darling musicals and daring new dramas en route to Broadway. Theatergoers flocked to Tremont and Boylston Streets to watch the latest tryouts. Some productions flopped; others, like Oklahoma! and Paul Robeson's Othello, were runaway hits. Still others earned the coveted seal of disapproval, "Banned in Boston," from zealous city censors. Overrun by seedy venues in the 1970s, the Combat Zone, as it came to be known, seemed to justify old Puritan fears that the stage would corrupt public morals. Only in recent years has the district rebounded through careful restoration of storied playhouses like the Boston Opera House, the Majestic, and the Colonial--grand vestiges of a booming cultural corridor still vibrant today.

A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties. In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it's that struggle that gives the book its original structure: each chapter is driven by its own narrative trope--haunted houses, erotica, bildungsroman--in which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations about the history and reality of abuse in queer relationships. Machado's dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, Star Trek and Disney villains, fairy tales, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

Prelude and aftermath of a lynching in Georgia, depicting the South's unsolved racial problem.