Barra And Zaman Reading Egyptian Modernity In Shadi Abdel Salam S The Mummy

Brilliantly introduced by Nezar Andary, this book is a work of creative nonfiction that approaches writing on film in a fresh and provocative way. It draws on academic, literary, and personal material to start a dialogue with the Egyptian filmmaker Shadi Abdel Salam’s The Mummy (1969), tracing the many meanings of Egypt’s postcolonial modernity and touching on Arab, Muslim, and ancient Egyptian identities through watching the film.

From the exaggerated emotions of 1930s Egyptian melodrama to the cryptic allegories of late 20th-century Palestinian cinema, Arab World Cinemas guides you through 28 Arabic-language feature films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002). Written specially for students, the book is split into 3 parts: Egypt, North Africa and the eastern Arab world. Each part begins with an introductory essay that highlights the aesthetic and socio-historical trends and currents in the cinematic traditions particular to that region. Marle Hammond then dedicates individual chapters to a group of films from the highlighted region, interpreting their form and content through the lenses of cinematic technique and concepts drawn from various disciplines in the arts, humanities and social sciences.

In this book, Robert K. Beshara applies decolonial film theory to an analysis of Youssef Chahine's (1997) Al-Masir (Destiny). Transmodern Cinema and Decolonial Film Theory is the first book on decolonial film theory, which unpacks key concepts in decoloniality and decolonial aesthetics. Decolonial film theory is then applied to Youssef Chahine's (1997) historical drama al-Ma?ir in an effort to juxtapose the Egyptian filmmaker (Chahine) and his decolonial cinema to the Andalusian polymath (Ibn Rushd) and his Islamic philosophy.

One of President Obama's Favorite Books of the Year | A New York Times Notable Book | One of the Wall Street Journal Ten Best Books of the Year "Missionaries is a courageous book: It doesn’t shy away, as so much fiction does, from the real world.” —Juan Gabriel Vásquez, The New York Times Book Review “A sweeping, interconnected novel of ideas in the tradition of Joseph Conrad and Norman Mailer . . . By taking a long view of the ‘rational insanity’ of global warfare, Missionaries brilliantly fills one of the largest gaps in contemporary literature.” —The Wall Street Journal The debut novel from the National Book Award-winning author of Redeployment A group of Colombian soldiers prepares to raid a drug lord's safe house on the Venezuelan border. They're watching him with an American-made drone, about to strike using military tactics taught to them by U.S. soldiers who honed their skills to lethal perfection in Iraq. In Missionaries, Phil Klay examines the globalization of violence through the interlocking stories of four characters and the conflicts that define their lives. For Mason, a U.S. Army Special Forces medic, and Lisette, a foreign correspondent, America's long post-9/11 wars in the Middle East exerted a terrible draw that neither is able to shake. Where can such a person go next? All roads lead to Colombia, where the US has partnered with local government to keep predatory narco gangs at bay. Mason, now a liaison to the Colombian military, is ready for the good war, and Lisette is more than ready to cover it. Juan Pablo, a Colombian officer, must juggle managing the Americans' presence and navigating a viper's nest of factions bidding for power. Meanwhile, Abel, a lieutenant in a local militia, has lost almost everything in the seemingly endless carnage of his home province, where the lines between drug cartels, militias, and the state are semi-permeable. Drawing on six years of research in America and Colombia into the effects of the modern way of war on regular people, Klay has written a novel of extraordinary suspense infused with geopolitical sophistication and storytelling instincts that are second to none. Missionaries is a window not only into modern war, but into the individual lives that go on long after the drones have left the skies.

"Global anthology of twentieth-century poetry"--Back cover.

The provocative filmmaker describes his early achievements in the 1986 film, She's Gotta Have It, through his contributions to such movies as Do the Right Thing and Malcolm X, in a personal portrait complemented by numerous firsthand accounts that also discuss the role of race in his work and his relationships with famous stars. Reprint.

A vivid account of the men and women who revealed the treasures of Ancient Egypt to the world, from the first decipherment of hieroglyphics to the opening of the tomb of Tutankhamun.

A PROFOUNDLY ORIGINAL DEBUT FROM HIGHLY ACCLAIMED EGYPTIAN WRITER Youssef Rakha’s extraordinary The Book of the Sultan’s Seal was published less than two weeks after then Egyptian President Hosni Mubarak stepped down, following mass protests, in February 2011. It’s hard to imagine a debut novel of greater urgency or more thrilling innovation. Modeled on a medieval Arabic manuscript in the form of a letter addressed to the writer’s friend, The Book of the Sultan’s Seal is made up of nine chapters, each centered on a drive our hero, Mustafa Çorbaci, takes around greater Cairo in the spring of 2007. Together these create a portrait of Cairo, city of post-9/11 Islam. In a series of dreams and visions, Mustafa Çorbaci encounters the spirit of the last Ottoman sultan and embarks on a mission the sultan assigns him. Çorbaci’s trials shed light on the contemporary Arab Muslim’s desperation for a sense of identity: Sultan’s Seal is both a suspenseful, erotic, riotous novel and an examination of accounts of Muslim demise. The way to a renaissance, Çorbaci’s journeys lead us to see, may have less to do with dogma and jihad than with love poetry, calligraphy, and the cultural diversity and richness within Islam. With his first novel, Rakha has created a language truly all his own—an achievement that has earned international acclaim. This profoundly original work both retells canonical Arabic classics and offers a new version of “middle Arabic,” in which the formal meets the vernacular. Now finally in English, in Paul Starkey’s masterful translation, The Book of the Sultan’s Seal will astonish new readers around the world.