Basic Structures

Basic Structures provides the student with a clear explanation of structural concepts, using many analogies and examples. Real examples and case studies show the concepts in use, and the book is well illustrated with full colour photographs and many line illustrations, giving the student a thorough grounding in the fundamentals and a 'feel' for the way buildings behave structurally. With many worked examples and tutorial questions, the book serves as an ideal introduction to the subject.

Basic Structures provides the student with a clear explanation of structural concepts, using many analogies and examples. Real examples and case studies show the concepts in use, and the book is well illustrated with full colour photographs and many line illustrations, giving the student a thorough grounding in the fundamentals and a 'feel' for the way buildings behave structurally. With many worked examples and tutorial questions, the book serves as an ideal introduction to the subject.

From the reviews:"The book...is a thorough and very readable introduction to the arithmetic of function fields of one variable over a finite field, by an author who has made fundamental contributions to the field. It serves as a definitive reference volume, as well as offering graduate students with a solid understanding of algebraic number theory the opportunity to quickly reach the frontiers of knowledge in an important area of mathematics...The arithmetic of function fields is a universe filled with beautiful surprises, in which familiar objects from classical number theory reappear in new guises, and in which entirely new objects play important roles. Goss'clear exposition and lively style make this book an excellent introduction to this fascinating field." MR 97i:11062

In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.

Two business economists draw on their experience at the Phillips Corporation (Netherlands) to explain the flow of goods from product development and delivery of raw materials, through processing, to the delivery of the finished product, the whole process being driven by customer satisfaction. Translated from the 1987 Dutch edition (first in 1985). Annotation copyrighted by Book News, Inc., Portland, OR

In Basic Structures of Reality, Colin McGinn deals with questions of metaphysics, epistemology, and philosophy of mind from the vantage point of physics. Combining general philosophy with physics, he covers such topics as the definition of matter, the nature of space, motion, gravity, electromagnetic fields, the character of physical knowledge, and consciousness and meaning. Throughout, McGinn maintains an historical perspective and seeks to determine how much we really know of the world described by physics. He defends a version of "structuralism": the thesis that our knowledge is partial and merely abstract, leaving a large epistemological gap at the center of physics. McGinn then connects this element of mystery to parallel mysteries in relation to the mind. Consciousness emerges as just one more mystery of physics. A theory of matter and space is developed, according to which the impenetrability of matter is explained as the deletion of volumes of space. McGinn proposes a philosophy of science that distinguishes physics from both psychology and biology, explores the ontology of energy, and considers the relevance of physics to seemingly remote fields such as the theory of meaning. In the form of a series of aphorisms, the author presents a metaphysical system that takes laws of nature as fundamental. With its broad scope and deep study of the fundamental questions at the heart of philosophy of physics, this book is not intended primarily for specialists, but for the general philosophical reader interested in how physics and philosophy intersect.

This title uses model structures to demonstrate the way different types of structural elements behave under a given set of circumstances and the way in which the form of the structure influences that behaviour. It enables students to develop intuitive feeling for structural behaviour by observing different forms of structure under load.

This is a one-stop book for knowing everything important about building structures. Self-contained and with no prerequisites needed, it is suitable for both general readers and building professionals. follow the history of structural understanding; grasp the concepts of structural behaviour via step-by-step explanations; apply these concepts to a simple building; see how these concepts apply to real buildings, from Durham Cathedral to the Bank of China; use these concepts to define the design process; see how these concepts inform design choices; understand how engineering and architecture have diverged, and what effect this had; learn to do simple but relevant numerical calculations for actual structures; understand when dynamics are important; follow the development of progressive collapse prevention; enter the world of modern structural theory; see how computers can be used for structural analysis; learn how to organise and design a successful project. With more than 500 pages and over 1100 user-friendly diagrams, this book is a must for anyone who would like to understand the fascinating world of structures.