Bathsheba S Levantine Bouquet

In Bathshebas Levantine Bouquet, BarbaraHantman captures the Jewish calendar holiday cycle in the opening chapter, "Days of Smiles and Tears." Chapters on "Hebrew Heritage" and "The Sacred Tongue" boast linguistic riches of eight bilingual Hebrew-English poems. "Soaring Minds, Heaving Hearts" rhapsodizes over such eminences as Moses, Solomon, Halevi , Maimonides, Spinoza, Emma Lazarus, C.N. Bialik and Hanna Senesh. "For the Kinder" sings the praises of Thomas the Tank Engine, while "Love' s Lessons" concludes with mature love 's lyrical reveries, wistful childhood remembrance, homage to Triangle Shirtwaist victims and an altruistic "Prayer for Japan and the World."

In Bathsheba's Levantine Bouquet, BarbaraHantman captures the Jewish calendar holiday cycle in the opening chapter, "Days of Smiles and Tears." Chapters on "Hebrew Heritage" and "The Sacred Tongue" boast linguistic riches of eight bilingual Hebrew-English poems. "Soaring Minds, Heaving Hearts" rhapsodizes over such eminences as Moses, Solomon, Halevi , Maimonides, Spinoza, Emma Lazarus, C.N. Bialik and Hanna Senesh. "For the Kinder" sings the praises of Thomas the Tank Engine, while "Love' s Lessons" concludes with mature love 's lyrical reveries, wistful childhood remembrance, homage to Triangle Shirtwaist victims and an altruistic "Prayer for Japan and the World."

BE GLAD YOUR EARS ARE WHAT THEY ARE! Text: Barbara Hantman Illustrations: Esther Leiper What could catch a little one's fancy more than the whimsy of talented ears that have the ability to drive, dance, perform in a circus, fly and bake? Poet-author Barbara Hantman's witty, inventive text and illustrator Esther Leiper's rich, fun-loving primary color drawings take toddlers and other youngsters on a unique "ear journey" that culminates in a moral lesson about ultimately needing to choose common sense reality over fantasy – particularly when it comes to listening to one's parents!

MATZOH IN THE METROPOLIS, New York City poet Barbara Hantman’s third verse collection focusing specifically on Jewish thematic, takes the sensitive reader on an expansive voyage with stops at ports both personal and cultural. Each chapter heading reveals a different facet of this journey: “Reverent Days,” “Locating the Sublime,” “By Lordly Spirit Imbued,” “Descendants of the Patriarchs,” “Overcoming Evil’s Sting,” “Verdant Creation” and “Guiding the Yiladim.” A smattering of poems in Hebrew and Spanish (presented bilingually) adds a touch of spice.

"After this I looked and there before me was a great multitude that no one could count, from every nation, tribe, people and language . . ." (Revelation 7:9). The visions in the book of Revelation give a glimpse of the people of God at the consummation of history—a multiethnic congregation gathered together in worship around God's throne. Its racial diversity is expressed in a fourfold formula that first appears in Genesis 10. The theme of race runs throughout Scripture, constantly pointing to the global and multiethnic dimensions inherent in the overarching plan of God. In response to the neglect of this theme in much evangelical biblical scholarship, J. Daniel Hays offers this thorough exegetical work in the New Studies in Biblical Theology series. As well as focusing on texts which have a general bearing on race, Hays demonstrates that black Africans from Cush (Ethiopia) play an important role in both Old and New Testament history. This careful, nuanced analysis provides a clear theological foundation for life in contemporary multiracial cultures and challenges churches to pursue racial unity in Christ. Addressing key issues in biblical theology, the works comprising New Studies in Biblical Theology are creative attempts to help Christians better understand their Bibles. The NSBT series is edited by D. A. Carson, aiming to simultaneously instruct and to edify, to interact with current scholarship and to point the way ahead.