Bbc London Calling

From its inception in 1932, overseas broadcasting by the BBC quickly became an essential adjunct to British diplomatic and foreign policy objectives. For this reason, the World Service was considered the primary means of engaging with attitudes and opinions behind the Iron Curtain during the Cold War. Although funded by government Grant-in-Aid, the Service's editorial independence was enshrined in the BBC's Charter, Licence and Agreement. London Calling explores the delicate balance of power that lay in the relations between Whitehall and the World Service during the Cold War. This book also assesses the nature and impact of the World Service's programmes on listeners living in the Eastern bloc countries. In doing so, it traces the evolution of overseas broadcasting from Britain alongside the political, diplomatic and fiscal challenges that the country faced right up to the Suez crisis and the 1956 Hungarian uprising. These were defining experiences for the United Kingdom's international broadcaster that, as a consequence, helped shape and define the BBC World Service as we know it today. London Calling is an important study for anyone interested in the media and foreign policy histories of Great Britain or the history of the Cold War more generally. Winner of the Longman History Today Book of the Year Award 2015

From its inception in 1932, overseas broadcasting by the BBC quickly became an essential adjunct to British diplomatic and foreign policy objectives. For this reason, the World Service was considered the primary means of engaging with attitudes and opinions behind the Iron Curtain during the Cold War. Although funded by government Grant-in-Aid, the Service's editorial independence was enshrined in the BBC's Charter, Licence and Agreement. London Calling explores the delicate balance of power that lay in the relations between Whitehall and the World Service during the Cold War. This book also assesses the nature and impact of the World Service's programmes on listeners living in the Eastern bloc countries. In doing so, it traces the evolution of overseas broadcasting from Britain alongside the political, diplomatic and fiscal challenges that the country faced right up to the Suez crisis and the 1956 Hungarian uprising. These were defining experiences for the United Kingdom's international broadcaster that, as a consequence, helped shape and define the BBC World Service as we know it today. London Calling is an important study for anyone interested in the media and foreign policy histories of Great Britain or the history of the Cold War more generally. Winner of the Longman History Today Book of the Year Award 2015

Martin Conway comes from a family filled with heroes and disgraces. His grandfather was a statesman who worked at the US Embassy in London during WWII. His father is an alcoholic who left his family. His sister is an overachieving Ivy League graduate. And Martin? Martin is stuck in between--floundering. But during the summer after 7th grade, Martin meets a boy who will change his life forever. Jimmy Harker appears one night with a deceptively simple question: Will you help? Where did this boy come from, with his strange accent and urgent request? Is he a dream? It's the most vivid dream Martin's ever had. And he meets Jimmy again and again--but how can his dreams be set in London during the Blitz? How can he see his own grandather, standing outside the Embassy? How can he wake up with a head full of people and facts and events that he certainly didn't know when he went to sleep--but which turn out to be verifiably real? The people and the scenes Martin witnesses have a profound effect on him. They become almost more real to him than his waking companions. And he begins to believe that maybe he can help Jimmy. Or maybe that he must help Jimmy, precisely because all logic and reason argue against it. This is a truly remarkable and deeply affecting novel about fathers and sons, heroes and scapegoats. About finding a way to live with faith and honor and integrity. And about having an answer to the question: What did you do to help?

“Eravamo anti-sistema in tutto e per tutto, nella musica e nell’arte. Volevamo distruggere qualsiasi cosa avesse regole prestabilite, tutto quel che c’era di asfissiante, tutte le certezze. Eravamo decisi a infrangere tutte le regole in tutti i modi possibili”. La Londra di Barry Miles è quella della cultura underground che nasce fra le macerie della Seconda guerra mondiale ed esplode nel corso degli anni Sessanta e Settanta, concentrandosi sul West End e su Soho, le zone in cui era confluita un’eterogenea popolazione di personaggi creativi e fuori dalle righe, intolleranti nei confronti delle costrizioni della cultura e del costume ufficiale: scrittori, poeti, registi, musicisti, artisti, pubblicitari, architetti, stilisti, e una miriade di più anonimi personaggi decisi a fare della propria vita un’arte. È la storia di una rivoluzione culturale determinata a ottenere una “totale confusione dei sensi”, che si sviluppa fra le vie di una metropoli artisticamente onnivora, fatta di locali, librerie, club, pub, teatri, piazze, vicoli, scantinati, case occupate o case borghesi. Una storia di sconvolgente energia vitale e al tempo stesso autodistruttiva, raccontata sul filo di quell’ironia che solo un testimone diretto può comunicare. Mettere in fila i nomi che si incontrano fra queste pagine fa tremare l’idea stessa di ‘controcultura’, poiché vi si ritrova molta della creatività che animerà per ibridazione la cultura ufficiale del Novecento: Dylan Thomas, Francis Bacon, i Situazionisti, il cool jazz, il rock ’n’ roll, Mary Quant, Kingsley Amis, J.G. Ballard, i Rolling Stones, i Beatles, William Burroughs, Jimi Hendrix, i Pink Floyd, Allen Ginsberg, Pete Townshend, Yoko Ono, Derek Jarman, David Hockney, i Clash, i Police, Gilbert & George, Vivienne Westwood, i Sex Pistols, Boy George, Charles Saatchi, Lucian Freud, Damien Hirst e moltissimi altri. Un libro-mondo brulicante di storie e di personaggi, il ritratto più preciso e divertente mai scritto sull’avventura gloriosa e infame di un’epoca oggi entrata nella leggenda.

Twenty-eight years after its original release, The Clash’s London Calling was inducted into the Grammy Hall of Fame as a “recording of lasting qualitative or historical significance.” It topped polls on both sides of the Atlantic for the best album of the seventies (and eighties) and in publications as wide-ranging as Rolling Stone, VIBE, Pitchfork, and NME, and it regularly hits the top ten on greatest-albums-of-all-time-lists. Even its cover—the instantly recognizable image of Paul Simonon smashing his bass guitar—has attained iconic status, inspiring countless imitations and even being voted the best rock ’n’ roll photograph ever by Q magazine. Now the breakthrough album from the foremost band of the punk era gets the close critical eye it deserves. Marcus Gray examines London Calling from every vantage imaginable, from the recording sessions and the state of the world it was recorded in to the album’s long afterlife, bringing new levels of understanding to one of punk rock’s greatest achievements. Leaving no detail unexplored, he provides a song-by-song breakdown covering when each was written and where, what inspired each song, and what in turn each song inspired, making this book a must-read for Clash fans.