Bear Bones Feathers

Additional keywords : Aboriginal peoples, First Nations, women. Includes poetry about residential schools.

In this new edition of her powerful debut, Plains Cree writer and National Poet Laureate Louise B. Halfe ? Sky Dancer reckons with personal history within cultural genocide. Employing Indigenous spirituality, black comedy, and the memories of her own childhood as healing arts, celebrated poet Louise B. Halfe ? Sky Dancer finds an irrepressible source of strength and dignity in her people. Bear Bones and Feathers offers moving portraits of Halfe's grandmother (a medicine woman whose life straddled old and new worlds), her parents (both trapped in a cycle of jealousy and abuse), and the people whose pain she witnessed on the reserve and at residential school. Originally published by Coteau Books in 1994, Bear Bones and Feathers won the Milton Acorn People's Poet Award, and was a finalist for the Spirit of Saskatchewan Award, the Pat Lowther Award, and the Gerald Lampert Award.

The suggestion is here that soul-making is the true vocation of the poet. Poetry is personal speech on universal experience, and in this selection of poems the individual approach to the sacred is emphasized over any adherence to orthodoxy or doctrine. In this anthology, spiritual traditions of East and West are filtered through the personal vision of sixteen contemporary Canadian poets. These poets are joined together not by faith and similar belief, but in each following their own path to truth. Their poems and stories and editor Sussan McCaslin's insightful introduction illuminated fundamental themes of spiritual life that resonated in each of us.

Can the specific concerns of Indigenous women be addressed by mainstream feminism? Indigenous Women and Feminism proposes that a dynamic new line of inquiry – Indigenous feminism – is necessary to truly engage with the crucial issues of cultural identity, nationalism, and decolonization particular to Indigenous contexts. Through the lenses of politics, activism, and culture, this wide-ranging collection crosses disciplinary, national, academic, and activist boundaries to explore deeply the unique political and social positions of Indigenous women. A vital and sophisticated discussion, these timely essays will change the way we think about modern feminism and Indigenous women.

Now in a new paperback repackage, Bare Bones sees Temperance Brennan back in her home base of North Carolina, where several sets of bones, both human and animal, lead her on a terrifying hunt for a killer. It's a summer of sizzling heat in Charlotte where Dr. Temperance Brennan, forensic anthropologist for the North Carolina medical examiner, looks forward to her first vacation in years. A romantic vacation. She's almost out the door when the bones start appearing. A newborn's charred remains turn up in a woodstove. The mother, Tamela Banks, hardly more than a child herself, has disappeared. Did she kill her infant, or is an innocent teenager also about to become a victim? A small plane crashes in a North Carolina cornfield on a sunny afternoon. Both pilot and passenger are burned beyond recognition. Was it pilot error? Something more sinister? And what is the mysterious black substance covering the bodies? Most puzzling of all are the bones discovered at a remote farm outside Charlotte. What has Tempe's dog, Boyd, unearthed? The remains seem to be of animal origin, but Tempe is shocked when she gets them to her lab. With help from a special detective friend, Tempe must investigate a poignant and terrifying case that comes at the worst possible moment: Tempe’s daughter Katy has a new boyfriend who Tempe fears may have something to hide. And Tempe herself faces important personal decisions. Is it time for emotional commitment? Will she even have the chance to find out? Everything must wait on the bones. What story do they tell? Why are the X rays and DNA so perplexing? Who is trying to keep Tempe from the answers? Someone is following her. Someone is following Katy. That someone must be stopped before it's too late.

“I build this story like my lair. One willow, / a rib at a time” — “The Crooked Good” Since 1990, Sky Dancer Louise Bernice Halfe’s work has stood out as essential testimony to Indigenous experiences within the ongoing history of colonialism and the resilience of Indigenous storytellers. Sôhkêyihta includes searing poems, written across the expanse of Halfe’s career, aimed at helping readers move forward from the darkness into a place of healing. Halfe’s own afterword is an evocative meditation on the Cree word sôhkêyihta: Have courage. Be brave. Be strong. She writes of coming into her practice as a poet and the stories, people, and experiences that gave her courage and allowed her to construct her “lair.” She also reflects on her relationship with nêhiyawêwin, the Cree language, and the ways in which it informs her relationships and poetics. The introduction by David Gaertner situates Halfe’s writing within the history of whiteness and colonialism that works to silence and repress Indigenous voices. Gaertner pays particular attention to the ways in which Halfe addresses, incorporates, and pushes back against silence, and suggests that her work is an act of bearing witness – what Kwagiulth scholar Sarah Hunt identifies as making Indigenous lives visible.

Across Cultures/Across Borders is a collection of new critical essays, interviews, and other writings by twenty-five established and emerging Canadian Aboriginal and Native American scholars and creative writers across Turtle Island. Together, these original works illustrate diverse but interconnecting knowledges and offer powerfully relevant observations on Native literature and culture.

Introduction to Indigenous Literary Criticism in Canada collects 26 seminal critical essays indispensable to our understanding of the rapidly growing field of Indigenous literatures. The texts gathered in this collection, selected after extensive consultation with experts in the field, trace the development of Indigenous literatures while highlighting major trends and themes, including appropriation, stereotyping, language, land, spirituality, orality, colonialism, residential schools, reconciliation, gender, resistance, and ethical scholarship.