Bearing Witness To African American Literature

An interdisciplinary, code-switching, critical collection by revisionist African American scholar and activist Bernard W. Bell.

An interdisciplinary, code-switching, critical collection by revisionist African American scholar and activist Bernard W. Bell.

A conservatory, one of the few in the country devoted to preserving African American artworks.

"Bearing Witness While Black: African Americans, Smartphones and the New Protest #Journalism tells the story of this century's most powerful Black social movement--through the eyes of 15 activists who documented it. At the height of the Black Lives Matter uprisings, African Americans filmed and tweeted evidence of fatal police encounters in dozens of US cities--using little more than the device in their pockets. Their urgent dispatches from the frontlines spurred a global debate on excessive police force, which claimed the lives of African American men, women and children at disproportionate rates. This groundbreaking book reveals how the perfect storm of smartphones, social media and social justice empowered Black activists to create their own news outlets, which continued a centuries-long, African American tradition of using the news to challenge racism. Bearing Witness While Black is the first book of its kind to identify three overlapping eras of domestic terror against African American people--slavery, lynching and police brutality--and explain how storytellers during each period documented its atrocities through journalism. What results is a stunning genealogy--of how the slave narratives of the 1700s inspired the Abolitionist movement; how the black newspapers of the 1800s galvanized the anti-lynching and Civil Rights movements; and how the smartphones of today have powered the anti-police brutality movement. This lineage of black witnessing, Allissa V. Richardson teaches us, is formidable and forever evolving. Richardson's own activism, as an award-winning pioneer of smartphone journalism, informs this text deeply. She weaves in personal accounts of her teaching in the US and Africa--and of her own brushes with police brutality--to share how she has inspired black youth to use mobile devices, to speak up from the margins. It is from this vantage point, as participant-observer, that she urges us not to become numb to the tragic imagery that African Americans have documented. Instead, Bearing Witness While Black conveys a crucial need to protect our right to look--into the forbidden space of violence against black bodies--and to continue to regard the smartphone as an instrument of moral suasion and social change"--

This collection from the rich literature of African American autobiography documents the experience of being black in America, from slavery to present day, in the words of Frederick Douglass, Toni Morrison, and forty other contributors.

Greed, frustrated love, traffic jams, infertility, politics, polygamy. These--together with depictions of traditional village life and the impact of colonialism made familiar to Western readers through Chinua Achebe's writing--are the stuff of Nigerian fiction. Bearing Witness examines this varied content and the determined people who, against all odds, write, publish, sell, and read novels in Africa's most populous nation. Drawing on interviews with Nigeria's writers, publishers, booksellers, and readers, surveys, and a careful reading of close to 500 Nigerian novels--from lightweight romances to literary masterpieces--Wendy Griswold explores how global cultural flows and local conflicts meet in the production and reception of fiction. She argues that Nigerian readers and writers form a reading class that unabashedly believes in progress, rationality, and the slow-but-inevitable rise of a reading culture. But they do so within a society that does not support their assumptions and does not trust literature, making them modernists in a country that is simultaneously premodern and postmodern. Without privacy, reliable electricity, political freedom, or even social toleration of bookworms, these Nigerians write and read political satires, formula romances, war stories, complex gender fiction, blood-and-sex crime capers, nostalgic portraits of village life, and profound explorations of how decent people get by amid urban chaos. Bearing Witness is an inventive and moving work of cultural sociology that may be the most comprehensive sociological analysis of a literary system ever written.

This collection from the rich literature of African American autobiography documents the experience of being black in America, from slavery to present day, in the words of Frederick Douglass, Toni Morrison, and forty other contributors. "From the Trade Paperback edition.

James Baldwin in Turkey shares rarely seen photographs of James Baldwin in Turkey, taken by his friend Sedat Pakay. Piercingly intimate and beautifully candid, these images capture the vibrant world of acquaintances, friends, and collaborators Baldwin cultivated while living intermittently in Turkey from 1961 to 1971. Following publication of Notes of a Native Son and The Fire Next Time, James Baldwin's literary star approached its peak during the turbulent 1960s. His burgeoning role as celebrity, prophet, and leader heaped an unsustainable amount of pressure and responsibility onto his slight frame in an American landscape that doubly punished Baldwin for being both black and gay, and he often turned to Turkey for sanctuary. Bearing Witness to Another Place includes essays by writers and scholars who use his sojourns to Turkey as a lens to understand Baldwin as a human being and his need for sanctuary in order to continue to bear witness to America's dream of racial equality. Charles Johnson is the author of Middle Passage and professor emeritus at the University of Washington. Other contributors include Brian J. Carter, Michael S. Harper, Resat Kasaba, David Leeming, Howard Norman, Nancy Rawles, and Magdalena J. Zaborowska.