Beat The Band

Three adolescent boys with a single goal: see a real live naked girl. The result? Razor-sharp, rapid-fire, and raunchy, of course. And beyond hilarious. Fifteen-year-old Matt Gratton and his two best friends, Coop and Sean, always set themselves a summertime goal. This year's? To see a real-live naked girl for the first time -- quite a challenge, given that none of the guys has the nerve to even ask a girl out on a date. But catching a girl in the buff starts to look easy compared to Matt's other summertime aspiration: to swim the 100-yard butterfly (the hardest stroke known to God or man) as a way to impress Kelly West, the sizzling new star of the swim team. In the spirit of Hollywood’s blockbuster comedies, screenwriter-turned-YA-novelist Don Calame unleashes a true ode to the adolescent male: characters who are side-splittingly funny, sometimes crude, yet always full of heart.

Get ready for riffs on hot girls, health class, and social hell! The outrageously funny boys from SWIM THE FLY return to rock their sophomore year. (Ages 14 and up) In this hilarious sequel to SWIM THE FLY, told from Coop’s point of view, it’s the beginning of the school year, and the tenth-grade health class must work in pairs on semester-long projects. Matt and Sean get partnered up (the jerks), but Coop is matched with the infamous "Hot Dog" Helen for a presentation on safe sex. Everybody’s laughing, except for Coop, who’s convinced that the only way to escape this social death sentence is to win "The Battle of the Bands" with their group, Arnold Murphy’s Bologna Dare. There’s just one problem: none of the guys actually plays an instrument. Will Coop regain his "cool" before it’s too late? Or will the forced one-on-one time with Helen teach him a lesson about social status he never saw coming? With ribald humor and a few sweet notes, screenwriter-turned-novelist Don Calame once again hits all the right chords.

Stemming from the tradition of rallying troops and frightening enemies, mounted bands played a unique and distinctive role in American military history. Their fascinating story within the U.S. Army unfolds in this latest book from noted music historian and former army musician Bruce P. Gleason. Sound the Trumpet, Beat the Drums follows American horse-mounted bands from the nation's military infancy through its emergence as a world power during World War II and the corresponding shift from horse-powered to mechanized cavalry. Gleason traces these bands to their origins, including the horn-blowing Celtic and Roman cavalries of antiquity and the mounted Middle Eastern musicians whom European Crusaders encountered in the Holy Land. He describes the performance, musical selections, composition, and duties of American mounted bands that have served regular, militia, volunteer, and National Guard regiments in military and civil parades and concerts, in ceremonies, and on the battlefield. Over time the composition of the bands has changed—beginning with trumpets and drums and expanding to full-fledged concert bands on horseback. Woven throughout the book are often-surprising strands of American military history from the War of 1812 through the Civil War, action on the western frontier, and the two world wars. Touching on anthropology, musicology, and the history of the United States and its military, Sound the Trumpet, Beat the Drums is an unparalleled account of mounted military bands and their cultural significance.

In 1981, the year when AIDS came to international attention, Randy Shilts was employed by the San Francisco Chronicle as the first openly gay journalist dealing with gay issues. He quickly devoted himself to reporting on the developing epidemic, trying to understand the cultural, medical and political impact of the disease on the gay community and United States society as a whole. Extensively researched, weaving together personal stories with political and social reporting, And the Band Played On is a masterpiece of investigative reporting that led to Randy Shilts being described as "the pre-eminent chronicler of gay life" by The New York Times. Shilts exposed why AIDS was allowed to spread - while the medical and political authorities ignored (and even denied) the threat. It was awarded the Stonewall Book Award, became an international bestseller translated into 7 languages, and was made into a major movie in 1993 starring Richard Gere and Sir Ian McKellen. And the Band Played On is one of the great works of contemporary journalism, and provides the foundation for the continuing debate about the greatest medical epidemic faced in our time.

The definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr.

Introduces the members of the Fresh Beat Band, Twist, Shout, Marina, and Kiki.