Beautiful As The Moon Radiant As The Stars

This book is certain to appeal to the millions of Jewish women interested in Jewish literature and the writings of Cynthia Ozick, Francine Prose, and Grace Paley. Beautifully packaged, it is an ideal Mother's Day or Bat-Mitzvah gift. This volume contains translations of Yiddish stories from eminent scholars--including an Isaac Bashevis Singer story that has never before been published in English--and well-known tales that Jewish readers everywhere love. As bestsellers such as Everything is Illuminated by Jonathan Safran Foer and For the Relief of Unbearable Urges by Nathan Englander have demonstrated, there is a strong interest in Jewish stories. Yiddish culture and music have seen a resurgence in recent years. NPR's All Things Considered aired a series of highly acclaimed documentaries about the Yiddish Radio Project and Klezmer musicians regularly play at top alternative venues.

Translations of Yiddish stories from eminent scholars.

- This book is certain to appeal to the millions of Jewish women interested in Jewish literature and the writings of Cynthia Ozick, Francine Prose, and Grace Paley. Beautifully packaged, it is an ideal Mother's Day or Bat-Mitzvah gift.- This volume contains translations of Yiddish stories from eminent scholars--including an Isaac Bashevis Singer story that has never before been published in English--and well-known tales that Jewish readers everywhere love.- As bestsellers such as Everything is Illuminated by Jonathan Safran Foer (Houghton Mifflin, 4/02) and For the Relief of Unbearable Urges by Nathan Englander (Knopf, 1999) have demonstrated, there is a strong interest in Jewish stories.- Yiddish culture and music have seen a resurgence in recent years. NPR's All Things Considered aired a series of highly acclaimed documentaries about the Yiddish Radio Project and Klezmer musicians regularly play at top alternative venues.

Most studies of the history of interpretation of Song of Songs focus on its interpretation from late antiquity to modernity. In My Perfect One, Jonathan Kaplan examines earlier rabbinic interpretation of this work by investigating an underappreciated collection of works of rabbinic literature from the first few centuries of the Common Era, known as the tannaitic midrashim. In a departure from earlier scholarship that too quickly classified rabbinic interpretation of Song of Songs as allegorical, Kaplan advocates a more nuanced reading of the approach of the early sages, who read Song of Songs through a mode of typological interpretation concerned with the correspondence between Scripture and ideal events in Israel's history. Throughout the book Kaplan explores ways in which this portrayal helped shape a model vision of rabbinic piety as well as of an idealized vision of their beloved, God, in the wake of the destruction, dislocation, and loss the Jewish community experienced in the first two centuries of the Common Era. The archetypal and idealized language of Song of Songs provided, as Kaplan argues, a textual landscape in which to imagine an idyllic construction of Israel's relationship to her beloved, marked by mutual devotion and fidelity. Through this approach to Song of Songs, the Tannaim helped lay the foundations for later Jewish thought of a robust theology of intimacy in God's relationship with the Jewish people.

A scintillating collection from one of our most original minds Eminent philosopher, professor and public intellectual, Ramchandra Gandhi (1937–2007) was regarded as a sage in his lifetime. This book brings together some of his long essays and hitherto unpublished talks and writings on themes ranging from non-violence and karma to svaraj, brahmacharya and modern Indian spirituality, that are contextualized in an introduction by close disciple A. Raghuramaraju. Bridging the moral, religious and social, the book offers many original insights: on how Sri Ramakrishna and Sri Sarada Devi’s catholic vision of religion annihilated exclusivism; the manner in which Gandhi’s martyrdom broke the prevailing power of evil and violence worldwide; how going beyond celibacy, brahmacharya is a joyous renunciation of sex; and on svaraj being ‘a struggle for the kingdom of self and autonomy’, not mere political independence. Brilliantly argued and inspiring, The Seven Sages brings Ramchandra Gandhi’s ideas to a new audience, beyond his admirers.

In Indonesia, light skin color has been desirable throughout recorded history. Seeing Beauty, Sensing Race explores Indonesia’s changing beauty ideals and traces them to a number of influences: first to ninth-century India and some of the oldest surviving Indonesian literary works; then, a thousand years later, to the impact of Dutch colonialism and the wartime occupation of Japan; and finally, in the post-colonial period, to the popularity of American culture. The book shows how the transnational circulation of people, images, and ideas have shaped and shifted discourses and hierarchies of race, gender, skin color, and beauty in Indonesia. The author employs “affect” theories and feminist cultural studies as a lens through which to analyze a vast range of materials, including the Old Javanese epic poem Ramayana, archival materials, magazine advertisements, commercial products, and numerous interviews with Indonesian women. The book offers a rich repertoire of analytical and theoretical tools that allow readers to rethink issues of race and gender in a global context and understand how feelings and emotions—Western constructs as well as Indian, Javanese, and Indonesian notions such as rasa and malu—contribute to and are constitutive of transnational and gendered processes of racialization. Saraswati argues that it is how emotions come to be attached to certain objects and how they circulate that shape the “emotionscape” of white beauty in Indonesia. Her ground-breaking work is a nuanced theoretical exploration of the ways in which representations of beauty and the emotions they embody travel geographically and help shape attitudes and beliefs toward race and gender in a transnational world.