Beautiful Beloved

The seventh work in the New York Times and #1 internationally bestselling series that started with the Beautiful Bastard, Beautiful Stranger, and Beautiful Player novels. Featuring all the Beautiful characters…plus one tiny new addition to the group. In Beautiful Stranger, finance whiz Sara Dillon met the irresistibly sexy Brit, Max Stella, at a New York City club. Through the series we’ve watched them learn to balance commitment with their less than private brand of playfulness. In Beautiful Beloved, Max and Sara take it to the next step. But the question is: Will they be able to find a balance between the wild sexcapades they aren’t ready to retire, and the demands of parenthood that come along with their new Beautiful bundle of joy? Parenthood: it’s not for the weak of heart.

“[A] confident, mystical, expansive project.”—Publishers Weekly “[D]azzling and timeless . . . focus is so unwaveringly aimed toward the transcendent—not God, but the beloved—that we seem to slip into a less cluttered time.”—The Virginia Quarterly Review, “Editor’s Choice” "Mary Oliver calls him '...a Walt Whitman without an inch of Whitman's bunting or oratory.' In these pages, he is more nearly a modern-day Rumi. This is not primarily a poetry of image, but of ideas, perfectly distilled. Orr brings together the monumental themes of love and loss in small, spare, and exquisite koan-like poems."—ForeWord "...magnetic poems that open the world of lyrical verse to the larger questions of what is true and timeless." —The Bloomsbury Review Gregory Orr continues his acclaimed project on the “beloved” with a lyrical sequence about the joys and hungers of being fully engaged in life. Through concise, perfectly formed poems, he wakes us to the ecstatic possibilities of recognizing and risking love. Mary Oliver has called this project “gorgeous,” and said that he "speaks of the events that have no larger or more important rival in our lives—of our love and our loving." If to say it once And once only, then still To say: Yes. And say it complete, Say it as if the word Filled the whole moment With its absolute saying. Later for “but,” Later for “if.” Now Only the single syllable That is the beloved. That is the world. Gregory Orr is the author of ten books of poetry. He teaches at the University of Virginia and lives in Charlottesville.

Picking up where Beautiful Bastard left off, Chloe Mills and Bennett Ryan continue their steamy, combative relationship in this new novella. Just when Chloe’s career starts to take off, Bennett wishes it would all slow down long enough to spend a wild night alone with his girlfriend. But after he refuses to take no for an answer, Chloe and Bennett find themselves with two plane tickets, one French Villa, and a surprising conversation that, predictably, leaves them wrestling under the covers.

An ambitious intern. A perfectionist executive. And a whole lot of name calling. Discover the story that garnered more than two million reads online. Whip-smart, hardworking, and on her way to an MBA, Chloe Mills has only one problem: her boss, Bennett Ryan. He’s exacting, blunt, inconsiderate—and completely irresistible. A Beautiful Bastard. Bennett has returned to Chicago from France to take a vital role in his family’s massive media business. He never expected that the assistant who’d been helping him from abroad was the gorgeous, innocently provocative—completely infuriating—creature he now has to see every day. Despite the rumors, he’s never been one for a workplace hookup. But Chloe’s so tempting he’s willing to bend the rules—or outright smash them—if it means he can have her. All over the office As their appetites for one another increase to a breaking point, Bennett and Chloe must decide exactly what they’re willing to lose in order to win each other. Originally only available online as The Office by tby789—and garnering over 2 million reads on fanfiction sites—Beautiful Bastard has been extensively updated for re-release.

The professional designer and former star of "Queer Eye for the Straight Guy" describes his purchase and renovation of a fixer-upper on Skaneateles Lake, where he had fond memories of vacationing as a child.

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present. Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.

“This gentle, gorgeously written book may be one of my favorites ever.” —Jenna Bush Hager (A Today show “Read with Jenna” Book Club Selection!) “A thoughtful, beautiful multigenerational novel about love, God, jealousy, and friendship.” —Elizabeth Gilbert, author of Eat, Pray, Love “A moving portrait of love and friendship set against a backdrop of social change.” —The New York Times Book Review (Editor’s Choice) “Here is the power of the novel in its simplest, richest form: bearing intimate witness to human beings grappling with their faith and falling in love. That Wall executes it so beautifully? Well, this is exactly why we read literary fiction...The best book about faith in recent memory.” —Entertainment Weekly (A-) Charles and Lily, James and Nan. They meet in Greenwich Village in 1963 when Charles and James are jointly hired to steward the historic Third Presbyterian Church through turbulent times. Their personal differences however, threaten to tear them apart. Charles is destined to succeed his father as an esteemed professor of history at Harvard, until an unorthodox lecture about faith leads him to ministry. How then, can he fall in love with Lily—fiercely intellectual, elegantly stern—after she tells him with certainty that she will never believe in God? And yet, how can he not? James, the youngest son in a hardscrabble Chicago family, spent much of his youth angry at his alcoholic father and avoiding his anxious mother. Nan grew up in Mississippi, the devout and beloved daughter of a minister and a debutante. James’s escape from his desperate circumstances leads him to Nan and, despite his skepticism of hope in all its forms, her gentle, constant faith changes the course of his life. In The Dearly Beloved, we follow these two couples through decades of love and friendship, jealousy and understanding, forgiveness and commitment. Against the backdrop of turbulent changes facing the city and the church’s congregation, these four forge improbable paths through their evolving relationships, each struggling with uncertainty, heartbreak, and joy. A poignant meditation on faith and reason, marriage and children, and the ways we find meaning in our lives, Cara Wall’s The Dearly Beloved is a gorgeous, wise, and provocative novel that is destined to become a classic.

The all-new scorching sequel to Beautiful Bastard! Escaping a cheating ex, finance whiz Sara Dillon’s moved to New York City and is looking for excitement and passion without a lot of strings attached. So meeting the irresistible, sexy Brit at a dance club should have meant nothing more than a night’s fun. But the manner—and speed—with which he melts her inhibitions turns him from a one-time hookup and into her Beautiful Stranger. The whole city knows that Max Stella loves women, not that he’s ever found one he particularly wants to keep around. Despite pulling in plenty with his Wall Street bad boy charm, it’s not until Sara—and the wild photos she lets him take of her—that he starts wondering if there’s someone for him outside of the bedroom. Hooking up in places where anybody could catch them, the only thing scarier for Sara than getting caught in public is having Max get too close in private.