Beauty And Sensibility In The Thought Of Jonathan Edwards

This illuminating analysis of Jonathan Edwards' philosophical-theological-ethical program focuses on his concept of beauty as our central clue to the nature of reality and the life of God. Delattre shows that beauty not only provides Edwards with a model for the manner of divine governance but operates throughout his thought as both the goal and means of redemption. Essential to his understanding of the operation of beauty as the law of moral order is Edwards' aesthetic/affectional model of the self, which corresponds to his aesthetic articulation of the system of being and good. Thus the distinguishing mark of Edwards' theology--his elevation to centrality of both the primary beauty of being's cordial consent to being and the secondary beauty of harmony and proportion--is shown to be the key to his interpretation of the dynamics of the moral and spiritual life.

Examining the theological ethics of Jonathan Edwards, William Danaher Jr. shows that Edwards's doctrine of the Trinity both was foundational to Edwards's thought and is the necessary framework for understanding the theological and moral vision expressed in his writings. This Trinitarian interpretation identifies what distinctive contribution Edwards makes to contemporary Christian ethics, particularly concerning the nature of virtue, the will, sin, evil, and love. The Columbia Series in Reformed Theology represents a joint commitment by Columbia Theological Seminary and Westminster John Knox Press to provide theological resources from the Reformed tradition for the church today. This series examines theological and ethical issues that confront church and society in our own particular time and place.

This dissertation is a theological analysis of the trinitarian shape of Jonathan Edwards' aesthetics of beauty. The contributions of this dissertation lie chiefly in three areas. The primary aim of this study is to advance the burgeoning field of the study of Jonathan Edwards by elucidating his views of beauty. In so doing, I present him as a rich source for the theological engagement of beauty, which could serve not only the field of Edwards studies, but also that of theological aesthetics more broadly.

Jonathan Edwards on the Experience of Beauty relates Edwards' idea of beauty to his understanding of the psychology of religious experience. In his vocabulary of the language of beauty Edwards articulates a traditional understanding of beauty in the various relations that constitute primary and secondary beauty. All beauty, however, is ultimately founded on the beauty of God's Trinitarian being. Edwards' concept of the "sense of the heart," related to his psychology of religious experience, is articulated as an infusion of God's beauty. This experience results in a new perception and manifestation of holiness and beauty in the lives of the saints, both individually and corporately. True believers are to be "proportioned Christians," showing forth beauty in their affections. Edwards explicated this perspective in sermons, treatises--especially Religious Affections--and in a number of cases he presented, including the religious experiences of David Brainerd, Sarah Edwards, and his own awakening and conversion. In these cases, the language of beauty plays a prominent descriptive role. In summary, Jonathan Edwards on the Experience of Beauty shows the importance of Edwards' idea of beauty for his understanding of genuine religious experience. Edwards defines true or genuine religion as an experience of God's beauty that becomes manifested in the beauty of the affections. Further, in articulating that understanding, he utilized the vocabulary of his language of beauty. For Jonathan Edwards, beauty is the structure of genuine religious experience.

Drawing on Protestant scholasticism, Puritan "precisionism," and virtue ethics, "Virtue Reformed" offers a comprehensive rereading of the ethical position of American philosopher-theologian Jonathan Edwards and his fascinating struggle to be both forwarder of the Reformation and participant in the Enlightenment.

The problems of moral philosophy were a central preoccupation of literate people in eighteenth-century America and Britain. It is not surprising, then, that Jonathan Edwards was drawn into a colloquy with some of the major ethicists of the age. Moral philosophy in this era was so all-encompassing in its claims that it encroached seriously on traditional religion. In response, Edwards presented a detailed analysis and criticism of secular moral philosophy in order to demonstrate its inadequacy, and he formulated a system that he believed was demonstrably superior to the existing secular systems. In this comprehensive study, Norman Fiering skillfully integrates Edwards's work on ethics into seventeenth- and eighteenth-century British and Continental philosophy and isolates Edwards's particular contributions to the ethical thought of his time. In addition, Fiering traces the chronological development of Edwards's thought, showing the relationship between his wide reading and his writing.

This book proposes that a new semiotic category called theism can more intelligibly classify the discursive pattern that precedes modern humanism in American literature than such standard historicist categories as Puritanism or Calvinism or medievalism, and that the writings of Jonathan Edwards exemplify this theist discursive pattern.