Bechbretha

Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes (“wise ones”) produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide the closest analogues for Bede’s description of Cædmon’s production of Old English poetry. This ground-breaking study displays the transformations created by the growth of vernacular literatures and bilingual intellectual cultures. Gaelic missionaries and educational opportunities helped shape the Northumbrian “Golden Age”, its manuscripts, hagiography, and writings of Aldhelm and Bede.

17 papers take a holistic view of beekeeping archaeology (including honey, wax, associated products, hive construction, and trade) in one large interconnected geographic region, the Mediterranean, central Europe, and the Atlantic Façade. The book serves as a handbook for current and future researchers considering the archaeology of beekeeping.

This volume provides a complete English translation of Cáin Lánamna "The Law of Couples," an Old Irish legal text dated to c. 700 which is a major source of information about women, marriage, and divorce in early Ireland.

This publication is the first interdisciplinary collection of articles focusing on religion and mythology in Celtic studies. The first part presents various current viewpoints within the field from scholars of history, art history and literary studies. In addition to more traditional approaches, the other two parts of the book illustrate the possibilities of applying new theories and methods from the discipline of Comparative Religion to the analysis of Celtic materials. They introduce previously unpublished results of the international research network “The Power of Words in Traditional European Cultures”, and the research project “Religion, Society, and Culture: Defining the Sacred in Early Irish Literature” funded by the Academy of Finland at University of Helsinki. The present collection serves as a significant contribution towards a better understanding of issues that have not been previously brought together in a single volume. As such it is of interest to scholars in Celtic studies as well as other related disciplines.

An illuminating and entertaining history of the law’s treatment of animals Trespassing bees, murderous zebras, reasonable cows ... Ever since Biblical times, animals have been clashing with human laws. What to do with animals that injure or kill people, in particular, has long troubled humans. In medieval Europe, ‘killer’ animals – horses, cattle and most often pigs, which were notorious for eating young children – were put on trial. Even in the early twentieth century, circus elephants who lashed out at their keepers in America were summarily executed for their crimes. In Guilty Pigs, animal law experts Katy Barnett and Jeremy Gans guide readers through the philosophy and practice of animal-related law, from the very earliest cases to the issues we are debating today, including the responsibilities of pet owners and the application of human rights to animals. They also cover hunting rights, using animals to solve crime, protecting animals from abuse and neglect, and the unique nature of owning a living being. Filled with lively and sometimes bizarre case studies, this is a fascinating and entertaining read – for all lovers of misbehaving creatures. Katy Barnett is a professor of law at the University of Melbourne. She is the author of the young adult novel The Earth Below and co-author of Remedies in Australian Private Law. Jeremy Gans is a professor of law at the University of Melbourne. He is the author of Modern Criminal Law of Australia and The Ouija Board Jurors: Mystery, Mischief and Misery in the Jury System, a true crime book. He is a co-author of Uniform Evidence.

A fully documented history of Ireland and the Irish from the fifth to the ninth centuries.

The Poetry of Paul Muldoon introduces the student and general reader to the critical discussion surrounding Muldoon’s oeuvre, as well as to his major themes. It examines the poet’s meditations on culture and nature, human and animal, speculations on the act of perception, figures fragmented by the Troubles, and philosophical considerations of colonisation. It then discusses what rank among the most beautiful and intricate elegies of our time. For Muldoon, art’s complicity in suffering is a political, self-indicting question, which his best poems endeavour to answer. If sometimes this Pulitzer Prize winner insists that art has a positive role to play, at other times he fears that it merely feeds off the carnage. This critical book shows how, for Muldoon, art should not merely repeat the devastation of the world - although he is afraid that it does, and engages in bitter moral despair that places his work among the very best any contemporary poet has written. The Poetry of Paul Muldoon unearths difficult questions of form with a metaphysical significance that is suitable to our times.