Beckett Brothers The Complete Series

Wrangling His Best Friend’s Sister Ava Pearson needs a job—yesterday. After her husband’s death, her life in the city became impossible, and a crisis with her young son caused her to lose her job as a reporter. Now Ava is living in her childhood home again, without prospects, but not without hope. If she can just get enough money to tide her over while she pitches an article to an even better big-city paper, Ava feels she can get back on track. The only problem is…what jobs are available in her one-horse town? Branson Beckett is successful by most measures of the word. He’s the owner of a profitable ranch on the brink of expansion and is now looking for a few good ranch hands to help him out. However, he wasn’t thinking of his best friend’s little sister when it came to hard labor. No, he’d thought of her in other hard situations, but they usually involved the dark of night and his great big bed. Dreams that had no place in reality. Wrangling His Sexy Assistant Veterinarian Hunter Beckett just got roped into his nightmare: a bachelor auction to raise funds for a local charity. While he’s a hottie, most in town see him as a curmudgeon, a man who manages to be cranky, even after he’s saved your dog’s life. But when women start bidding on him like crazy—one aggressive hairdresser in particular—Hunter’s in need of a savior and finds it in the form of Kit, his veterinary resident. It’s a mercy purchase, but one that puts him in a bind: Kit wants something in return. Kit Cowie’s come all the way out to the boonies because of her love of large animal medicine, and because Hunter needs a new resident—badly. But now that she’s got the job, she finds that Hunter is only holding her back, making her give shots to puppies while he’s off doing what she’d really love: fixing broken bones and saving horses’ lives. Now that she’s rescued him from the auction, Kit hopes she can leverage this to get more access in the office. What she didn’t expect is for Hunter to follow the rules of the bachelor auction—or for their date go so wonderfully right, ending with a sizzling kiss. But Hunter is sure that the kiss was a mistake and believes they should keep things professional between them. However, the more time he spends with Kit, the more his emotions beg him to see this relationship to passionate fruition, even though he knows Kit is only here for a rotation until her position at her own family’s vet clinic goes into effect and she’s gone forever. Wrangling His Pregnant Cowgirl Scout Beckett has always wanted to run a ranch, not just work it under the purview of his older sibling. He wants to do something different from his family’s horses and beef cattle: he wants to own a dairy farm. To this end, Scout has been working on one as a foreman, and his mentor had always promised it would be Scout’s after he passed. But when the owner dies, he wills it to his city-slicker granddaughter instead; leaving Scout in charge of a farm that will never be his. Stella has worked for a nonprofit for years, helping to feed starving children in third-world countries. When she comes home for the funeral to say goodbye to her grandfather, the only stability she’s ever known, she finds herself falling into the arms of sexy cowboy Scout when shared loss and simple comfort turns to a night of passion before they each go their separate ways. But three months later, Stella returns to the ranch, faced with the stipulations of her grandfather’s will: she must stay for the better part of the year, or lose the ranch to charity. Not only that, but she has to tell her one-night stand that he’s going to be a daddy. When the shock of her pregnancy wears off, Stella vows to ride out the will’s rule and get back to her old life as soon as possible. But as Stella slowly remembers why she’s always loved the place she’s come back to, Scout has to decide if he’s okay with never owning the land he works. Is having a family enough?

This book is the first introduction to unite accessible accounts not only of Beckett's life and work, but of the key literary and theoretical concepts used in the study of his writing.

Published in association with the seminar series of the same name held by the University of Oxford, Samuel Beckett: Debts and Legacies presents the best new scholarship addressing the sources, development and ongoing influence of Samuel Beckett's work. Edited by convenors Dr Peter Fifield and Dr David Addyman, the volume presents ten research essays by leading international scholars ranging across Beckett's work, opening up new avenues of enquiry and association for scholars, students and readers of Beckett's work. Among the subjects covered the volume includes studies of: ·Beckett and the influence of new media 1956-1960 ·the influence of silent film on Beckett's work ·death, loss and Ireland in Beckett's drama - tracing Irish references in Beckett's plays from the 1950s and 1960s, including Endgame, All That Fall, Krapp's Last Tape and Eh Joe ·a consideration of Beckett's theatrical notebooks and annotated copies of his plays which provide a unique insight into his attitude toward the staging of his plays, the ways he himself interpreted his texts and approached theatrical practice. ·the French text of the novel Mercier et Camier, which both biographically and aesthetically appeared at a very significant moment in Beckett's career and indicates a crucial development in his writing ·the matter of tone in Beckett's drama, offering a new reading of the ways in which this elusive property emerges and can be read in the relationship between published text, canon and performance

An indispensable guide to the oeuvre of Samuel Beckett, spanning sixty years

_______________ 'A triumph of scholarship and sympathy... one of the great post-war biographies' - Independent 'A landmark in scholarly criticism... Knowlson is the world's largest Beckett scholar. His life is right up there with George Painter's Proust and Richard Ellmann's Joyce in sensitivity and fascination' - Daily Telegraph 'It is hard to imagine a fuller portrait of the man who gave our age some of the myths by which it lives' - Evening Standard _______________ SHORTLISTED FOR THE WHITBREAD PRIZE _______________ Samuel Beckett's long-standing friend, James Knowlson, recreates Beckett's youth in Ireland, his studies at Trinity College, Dublin in the early 1920s and from there to the Continent, where he plunged into the multicultural literary society of late-1920s Paris. The biography throws new light on Beckett's stormy relationship with his mother, the psychotherapy he received after the death of his father and his crucial relationship with James Joyce. There is also material on Beckett's six-month visit to Germany as the Nazi's tightened their grip. The book includes unpublished material on Beckett's personal life after he chose to live in France, including his own account of his work for a Resistance cell during the war, his escape from the Gestapo and his retreat into hiding. Obsessively private, Beckett was wholly committed to the work which eventually brought his public fame, beginning with the controversial success of "Waiting for Godot" in 1953, and culminating in the award of the Nobel Prize for Literature in 1969.

Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.

The essays in this collection provide in-depth analyses of Samuel Beckett's major works in the context of his international presence and circulation, particularly the translation, adaptation, appropriation and cultural reciprocation of his oeuvre. A Nobel Prize winner who published and self-translated in both French and English across literary genres, Beckett is recognized on a global scale as a preeminent author and dramatist of the 20th century. Samuel Beckett as World Literature brings together a wide range of international contributors to share their perspectives on Beckett's presence in countries such as China, Japan, Serbia, India and Brazil, among others, and to flesh out Beckett's relationship with postcolonial literatures and his place within the 'canon' of world literature.