Beete Hue Din Forgotten Memories Of Hindi Cinema

Huge amount of information is available about Hindi films on the internet. Unfortunately, not all of it is reliable. Mistakes range from honest clerical errors to outright made-up interviews with famous people. In this book the author describes his real interactions with Hindi film actresses who were active in the 40s to 60s. Most had been away from the industry for a long time and were living anonymously. The author made great effort to seek them out and interviewed them. He has obtained much rare and authentic information, clarifying many misconceptions and finding elaborations of other well-known facts about them. We hope that the readers will enjoy reading about them as much as the author has writing about the interviews.

Huge amount of information is available about Hindi films on the internet. Unfortunately, not all of it is reliable. Mistakes range from honest clerical errors to outright made-up interviews with famous people. In this book the author describes his real interactions with Hindi film actors who were active in the 40s to 70s. Most had been away from the industry for a long time and were living anonymously. The author made great effort to seek them out and interviewed them. He has obtained much rare and authentic information, clarifying many misconceptions and finding elaborations of other well-known facts about them. We hope that the readers will enjoy reading about them as much as the author has writing about the interviews.

Tens of thousands of artists have contributed to Hindi cinema since 1931. Barring a few famous ones, other are long forgotten and are destined for obscurity. By sheer determination the authors have obtained information on more than 30 such artists, eg Khalil, Baakre, Baby Akhtar and Latika. There are scores of others with similar names. Their biographies and filmographies are often mixed up even in well-known books and popular websites. By deep research the authors have distinguished between more than 25 such cases, eg Shyams, Rajkumars, Zubeidas and Shashi Kapoors. The book is illustrated by more than 60 rare and not-before-seen pictures of these long forgotten artists.

This book, elucidates the basic steps called Adavus of Bharata Natyam in the traditional Pandanallur style, as taught by the revered Gurus Sri Meenakshi Sundaram Pillai and Sri Muthukumara Pillai, to Sri T.K Narayan and Smt. Jayalakshmi Narayan, parents of the author. It is an honest attempt to explain the various steps with unerring and accurate execution technique. The book offers a visual representation of the Adavus with the help of stick diagrams in a sequential manner so that the beginners and practitioners can understand the finer points of each movement. The author has developed simple schematics to show the various moves, such as jump, stretch, turn, hit etc. The author endeavours to illustrate Adavus in a precise manner in this book. Classification and categorization of each step is the salient feature of this work. Gayathri Keshavan makes a humble effort to pass on the knowledge of this ancient and sacred art to the present and future generations of Bharata Natyam dancers.

Supplementary science books not only interest and excite young students,but also stimulate their interest in the subject. This exciting book shows you how to have fun with 101 Science Games. There is little doubt that science experiments can be quite interesting and useful in discovering mysteries of nature.In fact,it is the science that has led man from the lantern and the bullock-cart age to Electronics and Supersonic Jet age. The book is fully illustrated with step-by-step instructions to give you hands-on experience of making simple scientific equipments like:*Telescope*Barometer*Hectometer*Model Electric Motor*Electroscope*Periscope*Steam TurbineThis project-work will acquaint you practically with the basic principles of specific applications. Now, you too can prepare for your next science fair. #v&spublishers

Sholay (1975): Gabbar chops off Thakur's arms with a sword in each hand. Karz (1980): Kamini murders her husband by ramming him repeatedly with a jeep. Mr. India (1987): Mogambo kills hundreds of innocent citizens. No, you don't want to meet these Bollywood baddies in a dark alley; you may not escape with your life if you do. In Pure Evil, Balaji Vittal examines, in delicious detail, the misdeeds of the gangster, the sly relative, the corrupt policeman, the psychopathic killer... A rollercoaster ride, looking at the changing face of the Hindi film villain.

Sahir Ludhianvi is probably the only songwriter in Hindi films whose poetry was accepted in its purest form and incorporated as a film song. So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet's rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

This volume brings together a series of essays that interrogate the notion of figuration in Indian cinemas. The essays collectively argue that the figures which exhibit maximum tenacity in Indian cinema often emerge in the interface of recognizable binaries: self/other, Indian/foreign, good/bad, virtue/vice, myth/reality and urban/rural.