Behind The Green Curtain

Behind the Green Curtain goes beyond any previous book in examining the myth of Irish wartime neutrality.

Jacqueline Keys was ostracized from her small hometown of Pine Springs, Texas when she was seventeen, sent away because she was gay. Her family was the largest employer in the county, owning Pine Springs Lumber, and her father was mayor of this small town. Her mother could not accept the fact that her only child was gay, could not tolerate the gossip about her family. So, with a hundred dollars in her pocket and a one-way bus ticket out of town, Jacqueline was told not to come back until she had come to her senses. And that included being prepared to marry the son of a business associate of the family. Fifteen years later—long after she'd hitch-hiked to Los Angeles, long after she'd worked nights to put herself through college, and long after she'd written her first best seller, No Place For Family—Jacqueline is persuaded to go back to the tiny town of Pine Springs after her father's death. The quick trip she'd envisioned for the funeral turns into weeks as she learns her father's business is suddenly hers to manage. And she is also again face-to-face with the woman who, as a teen, had been Jackie's first crush. She and Kay had been inseparable as kids, and later as teens. They find themselves falling back into their old habits, and Jackie is soon fighting the same feelings she'd had when she was seventeen. But living behind the pine curtain, Kay is afraid of her love for Jackie, afraid of what her family will say, afraid of how the town will react. Jackie refuses to hide, refuses to crawl back into the closet, so once again, she leaves Pine Springs...alone.

When Caton's sleazy boss offers her a position as his wife's personal assistant, she accepts the job with reservations, certain Jack Halston has ulterior motives. After meeting Jack's wife Amelia, though, it's Caton's motivations that begin to unravel. As vicious as she is beautiful, Amelia threatens Caton's position and her sense of decorum. As the attraction between the two women spirals into a torrid affair, Caton is drawn deeper into Jack and Amelia's world of privilege and prestige, where everything is at stake and nothing is what it seems. Behind the Green Curtain is a dark, erotic romance with numerous descriptive sex scenes intended for a mature audience.

Here Whitney and Kourtakis examine Michigan State football, on and off the field in the Perles years. They interviewed professors, athletes, and coaches to bring the MSU football program and its controversial coach to life. Profiles of some key players whose tangles with their opponents and sometimes the law this fascinating reading.

Another collection of true crime stories from the pages of the Anderson Valley Advertiser, Mendocino County's newspaper of record.

So youve just come up with a new ad campaign. Love the spots! Too bad no one will ever see themeven worsetoo bad no one cares! Why is it that so much of that stuff we immediately recognize as advertising is so bad? Its not just badwellit sucks. The reason: even though its 2010, most ad agencies and the practitioners who run them are still doing things the same way as Don Draper and the guys from Sterling Cooper on Mad Men, the hit AMC series that depicts Madison Avenue in the 60s. The problem today? Gone are the chain-smoking, bourbon-slugging, secretary-assaulting ad men of the 60s. Newspapers and radio are dying. Commercial TV is losing its audience to subscription-based content. Todays consumer of advertising content is mobile, prepared to DVR through commercials, and watch content on their terms online, on a hand-held device, or a Smartphone. In Pay No Attention to that Man behind the Curtain, Patrick Griffin and Kevin Flynn dissect mass media advertising at an historic crossroads and explain what no longer works. Through real-world examples and biting humor, they show how to market in ways that are both creative and smart.

"Journalist Orth delivers a jaunty description of his travels...[that] armchair travelers will enjoy." —Publishers Weekly “Funny, insightful, and mind-bendingly entertaining. Stephan Orth is a fearless and fabulous tour guide to the real Russia and its people." —Lisa Dickey, author of Bears in the Streets: Three Journeys across a Changing Russia