Behind The Mask A Magical Scarecrow S Purim Adventure

Following on from "The Israeli Magical Scarecrow's Chanukah Adventure," Jaffa, the Israeli Magical Scarecrow, and his friend Moshe the mule decide to join in the Purim festivities. Jaffa sets about making a mask so none of the grown ups will discover his true - secret - identity and heads towards the Great Synagogue in Jerusalem. As the story of Purim is gradually revealed, Jaffa decides to take some hamantaschen out for his friend, Moshe. A suspicious member of the congregation spots what he thinks is someone stealing the children's Purim treats and follows Jaffa demanding to know his true identity. If Jaffa is forced to remove his mask the secret he has promised to keep will be exposed threatening to end the special mission Jaffa, and other Magical Scarecrows around the world, have sworn to carry out. Can Rabbi Yisrael and the great power that brought Jaffa to life do something in time to save the day? Find more Magical Scarecrows stories at

Following on from "The Israeli Magical Scarecrow's Chanukah Adventure", Jaffa, the Israeli Magical Scarecrow, and his friend Moshe the mule decide to join in the Purim festivities. Jaffa sets about making a mask so none of the grown ups will discover his true - secret - identity and heads towards the Great Synagogue in Jerusalem. As the story of Purim is gradually revealed, Jaffa decides to take some hamentaschen out for his friend, Moshe. A suspicious member of the congregation spots what he thinks is someone stealing the children's Purim treats and follows Jaffa demanding to know his true identity. If Jaffa is forced to remove his mask the secret he has promised to keep will be exposed threatening to end the special mission Jaffa, and other Magical Scarecrows around the world, have sworn to carry out. Can Rabbi Yisrael and the great power that brought Jaffa to life do something in time to save the day?

Jews and humor is, for most people, a natural and felicitous collocation. In spite of, or perhaps because of, a history of crises and living on the edge, Jews have often created or resorted to humor. But what is humor? And what makes certain types, instances, or performances of humor "Jewish"? These are among the myriad queries addressed by the fourteen authors whose essays are collected in this volume. And, thankfully, their observations, always apt and often witty, are expressed with a lightness of style and a depth of analysis that are appropriate to the many topics they cover. The scholars who contributed to this collection allow readers both to discern the common features that make up "Jewish humor" and to delight in the individualism and eccentricities of the many figures whose lives and accomplishments are narrated here. Because these essays are written in a clear, jargon-free style, they will appeal to everyone—even those who don't usually crack a smile!

A collection of papers and anecdotes written by Peter --- Esq during his time living in Bohemia. The stories are humorous and give insight into the Bohemian lifestyle of the time. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This textbook provides a global, chronological mapping of significant areas of theatre, sketched from its deepest history in the evolution of our brain's 'inner theatre' to ancient, medieval, modern, and postmodern developments. It considers prehistoric cave art and built temples, African trance dances, ancient Egyptian and Middle-Eastern ritual dramas, Greek and Roman theatres, Asian dance-dramas and puppetry, medieval European performances, global indigenous rituals, early modern to postmodern Euro-American developments, worldwide postcolonial theatres, and the hyper-theatricality of today's mass and social media. Timelines and numbered paragraphs form an overall outline with distilled details of what students can learn, encouraging further explorations online and in the library. Questions suggest how students might reflect on present parallels, making their own maps of global theatre histories, regarding geo-political theatrics in the media, our performances in everyday life, and the theatres inside our brains.

Since the rise of the contemporary ecology movement in the 1960s, American songwriters and composers, from folk singer Pete Seeger to jazz saxophonist Paul Winter, have lamented, and protested against, environmental degradation and injustice. The Jukebox in the Garden is the first book to survey a wide range of musical styles, including folk, country, blues, rock, jazz, electronica and hip hop, to examine the different ways in which popular music has explored American relationships between nature, technology and environmental politics. It also investigates the growing link between music and philosophical thought, particularly under the influence of both deep ecology and New Age thinking, according to which music, amongst all the arts, has a special affinity with ecological ideas. This book is both an exploration and critique of such speculations on the role that music can play in raising environmental awareness. It combines description and analysis of American popular music made during the era of modern environmentalism with a consideration of its wider social, historical and political contexts. It will be of interest to undergraduates and post-graduates in music, cultural studies and environmental studies, as well as general readers interested in popular music and the environment.

A History of Communications advances a theory of media that explains the origins and impact of different forms of communication - speech, writing, print, electronic devices and the Internet - on human history in the long term. New media are 'pulled' into widespread use by broad historical trends and these media, once in widespread use, 'push' social institutions and beliefs in predictable directions. This view allows us to see for the first time what is truly new about the Internet, what is not, and where it is taking us.