Behind The Urals

John Scott's classic account of his five years as a worker in the new industrial city of Magnitogorsk in the 1930s, first published in 1942, is enhanced in this edition by Stephen Kotkin's introduction, which places the book in context for today's readers; by the texts of three debriefings of Scott conducted at the U.S. embassy in Moscow in 1938 and published here for the first time; and by a selection of photographs showing life in Magnitogorsk in the 1930s. No other book provides such a graphic description of the life of workers under the First Five-Year Plan.

John Scott left the University of Wisconsin for the Soviet Union in 1931. Appalled by the depression and attracted by what he had heard concerning the effort to create a "new society" in the Soviet Union, he obtained training as a welder and went abroad to join the great crusade. Assigned to construction of the new "Soviet Pittsburgh," Magnitogorsk, on the eastern slopes of the Ural Mountains, the twenty-year-old was first an electric welder and then a foreman and chemist in a coke and chemicals by-products plant. He lived in a barracks, suffered cold and privation, studied evenings, married a Russian girl-in short, lived for five years as a Russian among Russians. No other description of life in a new steel city provides such a graphic description of the life of workers under the First Five Year Plan. Scott had a clear eye for detail and produced a chronicle that includes the ugliness and squalor as well as the endurance and dedication. Behind the Urals stands as a unique and revealing description of an iron age in an iron country.-Print ed. "Students reading Scott have come away with a real appreciation of the hardships under which these workers built Magnitogorsk and of the nearly incredible enthusiasm with which many of them worked."-Ronald Grigor Suny "A genuine grassroots account of Soviet life- a type of book of which there have been far too few."-William Henry Chamberlin, New York Times, 1943 "...a rich portrait of daily life under Stalin."-New York Times Book Review

A Dazzling Russian travelogue from the bestselling author of Great Plains In his astonishing new work, Ian Frazier, one of our greatest and most entertaining storytellers, trains his perceptive, generous eye on Siberia, the storied expanse of Asiatic Russia whose grim renown is but one explanation among hundreds for the region's fascinating, enduring appeal. In Travels in Siberia, Frazier reveals Siberia's role in history—its science, economics, and politics—with great passion and enthusiasm, ensuring that we'll never think about it in the same way again. With great empathy and epic sweep, Frazier tells the stories of Siberia's most famous exiles, from the well-known—Dostoyevsky, Lenin (twice), Stalin (numerous times)—to the lesser known (like Natalie Lopukhin, banished by the empress for copying her dresses) to those who experienced unimaginable suffering in Siberian camps under the Soviet regime, forever immortalized by Aleksandr Solzhenitsyn in The Gulag Archipelago. Travels in Siberia is also a unique chronicle of Russia since the end of the Soviet Union, a personal account of adventures among Russian friends and acquaintances, and, above all, a unique, captivating, totally Frazierian take on what he calls the "amazingness" of Russia—a country that, for all its tragic history, somehow still manages to be funny. Travels in Siberia will undoubtedly take its place as one of the twenty-first century's indispensable contributions to the travel-writing genre.

Russia, 1942. Outside Stalingrad, Arkady’s unit is ambushed and destroyed. The only survivor, the young soldier is faced with a choice: return to the war effort, or try and find his wife, Natasha, located in a factory city somewhere far to the east of the Ural Mountains. Disillusioned and hating the war, Arkady chooses the arduous task of searching for the only person he feels gives him peace. But as he embarks on thea perilous journey into Siberia’s vastness, he unwittingly becomes enmeshed in a spiritual and political battle for his nation’s soul, a battle being waged not only in the present, but also by towering figures from Russia’s past. Meanwhile, Natasha struggles against her own loneliness and despair as intrigue develops around her city’s eventual role in a post-war Soviet Union. Told in parallel, Arkady’s journey and Natasha’s trials form an allegory for the spirit’s quest for peace in a world consumed with the pursuit of power. With the forces of history and the world aligned against the individual, how is victory claimed? To this, an unconventional answer is offered - an ancient crucifix. A sweeping portrait of Russia, Beyond the Urals is a journey into the soul itself, probing untouched regions, while exploring the forces vying to occupy and control them.

Geschiedenis van de bevolking van Siberië.

This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux

‘A timely and important book . . . he brings to it rare clarity and common sense. His book is a fast-paced account of the last sixteen months of the tsar’s life; brief, sharp, but laced with well-judged feeling for the dramas of the time.’ Catherine Merridale, Observer In March 1917, Nicholas II, the last Tsar of All the Russias, abdicated and the dynasty that had ruled an empire for three hundred years was forced from power by revolution. In this masterful and forensic study, Robert Service examines the last year Nicholas's reign and the months between that momentous abdication and his death, with his family, in Ekaterinburg in July 1918. Drawing on the Tsar's own diaries and other hitherto unexamined contemporary records, The Last of the Tsars reveals a man who was almost entirely out of his depth, perhaps even willfully so. It is also a compelling account of the social, economic and political foment in Russia in the aftermath of Alexander Kerensky's February Revolution, the Bolshevik seizure of power in October 1917 and the beginnings of Lenin's Soviet republic.

Marvin Kalb, a former journalist and Harvard professor, traces how the Crimea of Catherine the Great became a global tinder box. The world was stunned when Vladimir Putin invaded and seized Crimea in March 2014. In the weeks that followed, pro-Russian rebels staged uprisings in southeastern Ukraine. The United States and its Western allies immediately imposed strict sanctions on Russia and whenever possible tried to isolate it diplomatically. This sharp deterioration in East-West relations has raised basic questions about Putin's provocative policies and the future of Russia and Ukraine. Marvin Kalb, who wrote commentaries for Edward R. Murrow before becoming CBS News' Moscow bureau chief in the late 1950's, and who also served as a translator and junior press officer at the US Embassy in Moscow, argues that, contrary to conventional wisdom, Putin did not "suddenly" decide to invade Crimea. He had been waiting for the right moment ever since disgruntled Ukrainians rose in revolt against his pro-Russian regime in Kiev's Maidan Square. These demonstrations led Putin to conclude that Ukraine's opposition constituted an existential threat to Russia. Imperial Gamble examines how Putin reached that conclusion by taking a critical look at the recent political history of post-Soviet Russia. It also journeys deep into Russian and Ukrainian history to explain what keeps them together and yet at the same time drives them apart. Kalb believes that the post-cold war world hangs today on the resolution of the Ukraine crisis. So long as it is treated as a problem to be resolved by Russia, on the one side, and the United States and Europe, on the other, it will remain a danger zone with global consequences. The only sensible solution lies in both Russia and Ukraine recognizing that their futures are irrevocably linked by geography, power, politics, and the history that Kalb brings to life in Imperial Gamble.