Being Single In Georgian England

Being Single in Georgian England is the first book-length exploration of what family life looked like, and how it was experienced, when viewed from the perspective of unmarried and childless family members. Using a micro-historical approach, Amy Harris covers three generations of the famous musical and abolitionist Sharp family. The abundance of records the Sharps produced and preserved reveals how single family members influenced the household economy, marital decisions, childrearing practices, and conceptions about lineage and genealogy. The Sharps' exceptional closeness and good humor consistently shines through as their experiences reveal how eighteenth-century families navigated gender and age hierarchies, marital choices, and household governance. The importance of childhood relationships and the life-long nature of siblinghood stand out as central aspects of Sharp family life, no matter their marital status. Along the way, Being Single explores humor, music, religious practice and belief, death and mourning, infertility, disability, slavery, abolition, philanthropy, and family memory. The Sharps' experiences uncover how important lateral kin like siblings and cousins were to marital and household decisions. The analysis also reveals additional layers of Georgian family life, including: single sociability not centered on courtship; the importance of aunting and uncling on their own terms; the ways charitable acts and philanthropic endeavors could serve as outlets or partial replacements for parenthood; and how genealogical practices could be tied to values and identity instead of to biological descendants' possession of property. Ultimately, the Sharp siblings' remarkable lives and the single family members' efforts to preserve a record of those lives, show the enduring contribution of unmarried people to family relationships and household dynamics.

Being Single in Georgian England is the first book-length exploration of what family life looked like, and how it was experienced, when viewed from the perspective of unmarried and childless family members. Using a micro-historical approach, Amy Harris covers three generations of the famous musical and abolitionist Sharp family. The abundance of records the Sharps produced and preserved reveals how single family members influenced the household economy, marital decisions, childrearing practices, and conceptions about lineage and genealogy. The Sharps' exceptional closeness and good humor consistently shines through as their experiences reveal how eighteenth-century families navigated gender and age hierarchies, marital choices, and household governance. The importance of childhood relationships and the life-long nature of siblinghood stand out as central aspects of Sharp family life, no matter their marital status. Along the way, Being Single explores humor, music, religious practice and belief, death and mourning, infertility, disability, slavery, abolition, philanthropy, and family memory. The Sharps' experiences uncover how important lateral kin like siblings and cousins were to marital and household decisions. The analysis also reveals additional layers of Georgian family life, including: single sociability not centered on courtship; the importance of aunting and uncling on their own terms; the ways charitable acts and philanthropic endeavors could serve as outlets or partial replacements for parenthood; and how genealogical practices could be tied to values and identity instead of to biological descendants' possession of property. Ultimately, the Sharp siblings' remarkable lives and the single family members' efforts to preserve a record of those lives, show the enduring contribution of unmarried people to family relationships and household dynamics.

The model of the nuclear family unit, once the norm, is now only one of many different forms of family. Fifty percent of the population in the US right now is single. In this original and readable book, Philip Watson examines the phenomenon of singleness in contemporary society and its implications for ministry. Wilson traces the history of the church's attitudes towards marriage and sexuality, from the early Church Fathers through the Reformation. In a series of direct interviews he probes how single people today feel within their church communities. His findings reveal that the vast majority of those questioned feel they are something of an embarrassing anomaly in communities that continue to prize marriage. Finally, Wilson begins to develop a framework for a more nuanced approach to the subject of sexuality and relationships, and suggests ways in which the church, as primarily a community of love, can become the best forum in which single life can be discussed, articulated, assisted, and faithfully lived out.

What happened when Jane Austen's heroines and heroes were finally wed? Marriage is at the centre of Jane Austen's novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England? Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many guises: some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all. This is a richly textured account of how love and marriage felt for people at the time--revealing their unspoken assumptions, fears, pleasures, and delights.

Can love and affection overcome the pain of grief and anger?In the spring of 1812, Elizabeth Bennet struggles with being a dependent sister. She and Lydia are the only Bennet girls still unmarried since the death of their father. Elizabeth's health and spirits worsen as she moves between living with Jane's family and with Mary and Mr Collins at Longbourn. After a stay with Jane, who married a friend of the Gardiners at fifteen, Elizabeth returns to Meryton to learn that the neighbourhood gossip centres on the reclusive Mr Darcy.Darcy and his sister are living an isolated life in a small lodge near Netherfield after the events at Ramsgate. Their family and friends think them in a warmer climate and the people of Meryton know nothing about them at all. Georgiana's health is failing and Darcy has his own regrets and anger to bear. He tries to keep them secluded, but a young woman arrives who is determined to befriend his lonely, ill sister.When Elizabeth receives disastrous news, she makes a daring plan to find happiness for herself while she still can. Misunderstandings and secrets abound for them both, but Darcy and Elizabeth will find greater strength together than they ever had apart.

Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.

This book presents history an analysis of the English glee, a neglected art form popular in England during the time of Mozart, Haydn and Beethoven. With an introduction, bibliography, indices, music examples, tables and figures.