Bernanos

How do we become better people? Initiatives such as New Year's resolutions, vision boards, thirty-day plans, and self-help books often fail to compel us to live differently. We settle for small goals--frugal spending, less yelling at the kids, more time at the gym--but we are called to something far greater. We are created to be holy. Award-winning author Jessica Hooten Wilson explains that learning to hear the call of holiness requires cultivating a new imagination--one rooted in the act of reading. Learning to read with eyes attuned to the saints who populate great works of literature moves us toward holiness, where God opens up a way of living that extends far beyond what we can conjure for ourselves. Literature has the power to show us what a holy life looks like, and these depictions often scandalize even as they shape our imagination. As such, careful reading becomes a sort of countercultural spiritual discipline. The book includes devotionals, prayers, wisdom from the saints, and more to help individuals and groups cultivate a saintly imagination. Foreword by Lauren F. Winner.

Paris is firing all its ammunition into the August night. Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom's barricades are once again being erected. Once again justice must be redeemed with men's blood. Albert Camus (1913–1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including The Stranger and The Plague, it was his vivid descriptions of the horrors of the occupation and his passionate defense of freedom that in fact launched his public fame. Now, for the first time in English, Camus at 'Combat' presents all of Camus' World War II resistance and early postwar writings published in Combat, the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947. These 165 articles and editorials show how Camus' thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped the vision of this Nobel-prize winning novelist and essayist are on abundant display. More than half a century after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.

French Anti-Americanism offers a historical exploration of the central role of anti-Americanism in French thought, and the often compromised position of France's intelligentsia during World War II. It was in the years preceding World War II, with its complex fears and uncertainties, that America first took center stage as a target for French anxieties. Dr. Seth D. Armus examines the cultural stability of French anti-Americanism and how it has survived colossal political shifts nearly unchanged. Focusing on the contributions made by inter-war intellectuals, this book demonstrates how some of the most striking elements of contemporary anti-Americanism, including a frequent intersection with anti-Semitism, were fully developed six or seven decades ago. Through a study of characters ranging from Nazi collaborators to Catholic humanists, Dr. Armus provides a sophisticated analysis of French anti-Americanism as a cultural phenomenon-distinct from mere political opposition to American foreign policy. French Anti-Americanism is an engaging read that will appeal to scholars of French and American studies, as well as those interested in international relations.

With the election of a new Abbot at the Abbey of Gethsemani, Merton enters a period of unprecedented freedom, culminating in the opportunity to travel to California, Alaska, and finally the Far East – journeys that offer him new possibilities and causes for contemplation. In his last days at the Abbey of Gethsemani, Merton continues to follow the tumultuous events of the sixties, including the assassinations of Martin Luther King, Jr., and Robert Kennedy. In Southeast Asia, he meets the Dalai Lama and other Buddhist and Catholic monks and discovers a rare and rewarding kinship with each. The final year is full of excitement and great potential for Merton, making his accidental death in Bangkok, at the age of fifth-three, all the more tragic.

This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.

In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself. Awarded the Grand Prix for Literature by the Academie Fran?aise, The Diary of a Country Priest was adapted into an acclaimed film by Robert Bresson. A book of the utmost sensitiveness and compassion? it is a work of deep, subtle and singularly encompassing art.? ? New York Times Book Review

Science fiction-roman.

Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.