Berry Song

As a young Tlingit girl collects wild berries over the seasons, she sings with her Grandmother as she learns to speak to the land and listen when the land speaks back.

From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.

Owner of a small African-American bookshop, Miss Cozy has an unique gift: Customers who walk through her door rarely leave without a book that speaks directly to their life. But when Josephine--"Fina"--and Ross arrive in search of an obscure, unpublished manuscript written by a slave woman, Miss Cozy knows that all her visions have been leading her to this magical day. Yet Miss Cozy has no intention of selling the manuscript--no matter the price. So she offers Fina and Ross an alternative. They can read it together at the store. It was not what they hoped for, but their interest in the extraordinary love story is about as strong as their uncanny attraction for one another . . . one they both sense runs much deeper than a kiss. In the course of a few days, Fina and Ross realize that this powerful book has special meaning for the two of them--and that the path to their shared future may be linked to something that happened more than a century ago. . . .

The definitive biography of Chuck Berry, legendary performer and inventor of rock and roll Best known as the groundbreaking artist behind classics like “Johnny B. Goode,” “Maybellene,” “You Never Can Tell” and “Roll Over Beethoven,” Chuck Berry was a man of wild contradictions, whose motives and motivations were often shrouded in mystery. After all, how did a teenage delinquent come to write so many songs that transformed American culture? And, once he achieved fame and recognition, why did he put his career in danger with a lifetime’s worth of reckless personal behavior? Throughout his life, Berry refused to shed light on either the mastery or the missteps, leaving the complexity that encapsulated his life and underscored his music largely unexplored—until now. In Chuck Berry, biographer RJ Smith crafts a comprehensive portrait of one of the great American entertainers, guitarists, and lyricists of the 20th century, bringing Chuck Berry to life in vivid detail. Based on interviews, archival research, legal documents, and a deep understanding of Berry’s St. Louis (his birthplace, and the place where he died in March 2017), Smith sheds new light on a man few have ever really understood. By placing his life within the context of the American culture he made and eventually withdrew from, we understand how Berry became such a groundbreaking figure in music, erasing racial boundaries, crafting subtle political commentary, and paying a great price for his success. While celebrating his accomplishments, the book also does not shy away from troubling aspects of his public and private life, asking profound questions about how and why we separate the art from the artist. Berry declined to call himself an artist, shrugging that he was good at what he did. But the man's achievement was the rarest kind, the kind that had social and political resonance, the kind that made America want to get up and dance. At long last, Chuck Berry brings the man and the music together.

The humorist asked his readers to share their least favorite tunes and chronicles the hilarious responses. When funnyman Dave Barry asked readers about their least favorite tunes, he thought he was penning just another installment of his weekly syndicated humor column. But the witty writer was flabbergasted by the response when over 10,000 readers voted. “I have never written a column that got a bigger response than the one announcing the Bad Song Survey,” Barry wrote. Based on the results of the survey, Dave Barry’s Book of Bad Songs is a compilation of some of the worst songs ever written. Dave Barry fans will relish his quirky take. Music buffs too will appreciate this humorous stroll through the world’s worst lyrics. The only thing wrong with this book is that readers will find themselves unable to stop mentally singing the greatest hits of Gary Puckett. Praise for Dave Barry’s Book of Bad Songs “Barry is his usual puckish self, but the real surprise here is how funny many of the survey respondents are.” —Kirkus Reviews “Who can resist such a book?” —Publishers Weekly

Brown Eyed Handsome Man: The Life and Hard Times of Chuck Berry draws on dozens of interviews done by the author himself and voluminous public records to paint a complete picture of this complicated figure. This biography uncovers the real Berry and provides us with a stirring, unvarnished portrait of both the man and the artist. Berry has long been one of pop music's most enigmatic personalities. Growing up in a middle-class, black neighborhood in St. Louis, his first major hit song, "Maybellene," was an adaptation of a white country song, wedded to a black-influenced beat. Thereafter came a string of brilliant songs celebrating teenage life in the '50s, including "School Day," "Johnny B. Goode," and "Sweet Little Sixteen." Berry's career rise was meteoric; but his fall came equally quickly, when his relations with an underage girl led to his conviction. It was not his first (nor his last) run in with the law. He scored his biggest hit in the early '70s with the comical (and some would say decidedly lightweight) song "My Ding-a-Ling." The following decades brought hundreds of nights of tours, with little attention from the recording industry. Bruce Pegg offers the definitive, though not always pretty, portrait of one of the greatest stars of rock and roll, a story that will appeal to all fans of American popular music.

Hatberry Shoeberry In my canoeberry Under the bridge And over the dam Looking for berries Berries for jam They're off...a boy and an endearing, rhyme-spouting bear, who squires him through a fantastic world of berries. And their adventure comes to a razzamatazz finale under a starberry sky. Children will want to feast again and again on Bruce Degen's exuberant, colorful pictures and his rollicking, berryful rhymes. A young boy and a bear joyously romp through the land of berries where there are raspberry rabbits and a brassberry band with elephants skating on strawberry jam!Bruce Degen's exuberant tale, with his equally energetic and vibrant illustrations, is now a quality board book.