Bertolt Brecht And Critical Theory
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Brecht and Critical Theory
Author | : Sean Carney |
Publsiher | : Routledge |
Total Pages | : 216 |
Release | : 2020-07-24 |
Genre | : Performing Arts |
ISBN | : 9781000143225 |
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Arguing that Brecht’s aesthetic theories are still highly relevant today, and that an appreciation of his theory and theatre is essential to an understanding of modern critical theory, this book examines the influence of Brecht’s aesthetic on the pre-eminent materialist critics of the twentieth century: Louis Althusser, Walter Benjamin, Roland Barthes, Frederic Jameson, Theodor W. Adorno and Raymond Williams. Re-reading Brecht through the lens of post-structuralism, Sean Carney asserts that there is a Lacanian Brecht and a Derridean Brecht: the result of which is a new Brecht whose vital importance for the present is located in decentred theories of subjectivity. Brecht and Critical Theory maps the many ways in which Brechtian thinking pervades critical thought today, informing the critical tools and stances that make up the contemporary study of aesthetics.
Bertolt Brecht and Critical Theory
Author | : Steve Giles |
Publsiher | : Peter Lang Publishing |
Total Pages | : 216 |
Release | : 1998 |
Genre | : Drama |
ISBN | : STANFORD:36105023074003 |
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Aesthetics and Politics
Author | : Theodor Adorno,Walter Benjamin,Ernst Bloch,Bertolt Brecht,Georg Lukacs |
Publsiher | : Verso Books |
Total Pages | : 257 |
Release | : 2020-10-13 |
Genre | : Philosophy |
ISBN | : 9781788738583 |
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An intense and lively debate on literature and art between thinkers who became some of the great figures of twentieth-century philosophy and literature. With an afterword by Fredric Jameson No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
Critical Theory and Performance
Author | : Janelle G. Reinelt,Joseph R. Roach |
Publsiher | : University of Michigan Press |
Total Pages | : 612 |
Release | : 2007 |
Genre | : Theater |
ISBN | : 0472068865 |
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Updated and enlarged, this groundbreaking collection surveys the major critical currents and approaches in drama, theater, and performance
Brecht and Critical Theory
Author | : Carney, Otis |
Publsiher | : Routledge |
Total Pages | : 210 |
Release | : 2008-12-30 |
Genre | : Electronic Book |
ISBN | : 9780415356572 |
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Philosophizing Brecht
Author | : Anonim |
Publsiher | : BRILL |
Total Pages | : 216 |
Release | : 2019-05-20 |
Genre | : Literary Criticism |
ISBN | : 9789004404502 |
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This interdisciplinary anthology unites scholars with the notion that Bertolt Brecht is a missing link in bridging diverse discourses in social philosophy and aesthetics—an essential read for all those interested in Brecht as a socio-cultural theorist and theatre practitioners.
Bertolt Brecht
Author | : Betty Nance Weber,Hubert Heinen |
Publsiher | : University of Georgia Press |
Total Pages | : 224 |
Release | : 2010-03-01 |
Genre | : Literary Criticism |
ISBN | : 9780820334783 |
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First published in 1980, this collection of fifteen original essays touches on a variety of topics related to the genesis of Brecht's works and their impact on contemporary literature, theater, and film. Discussed are Brecht's confrontation with Marxism and its political manifestations, the influence of his work on film and theater practitioners, the uses his literary descendants have made of his political commitment, and much more.
Bertolt Brecht
Author | : Steve Giles,Rodney Livingstone |
Publsiher | : Rodopi |
Total Pages | : 276 |
Release | : 1998 |
Genre | : Art |
ISBN | : 904200309X |
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The publication of this volume of essays marks the centenary of the birth of Bertolt Brecht on 10 February 1898. The essays were commissioned from scholars and critics around the world, and cover six main areas: recent biographical controversies; neglected theoretical writings; the semiotics of Brechtian theatre; new readings of classic texts; Brecht's role and reception in the GDR; and contemporary appropriations of Brecht's work. This volume will be essential reading for all those interested in twentieth century theatre, modern German studies, and the contemporary reassessment of post-war culture in the wake of German unification and the collapse of Stalinist communism in Central and Eastern Europe. The essays in this volume also address a variety of general questions, concerning - for example - authorship and textuality; the nature of Brecht's Marxism in relation to his understanding of modernity, science and Enlightenment reason; Marxist aesthetics; radical cultural politics; and feminist performance theory.