Best Lute Songs Of The Great Renaissance Lutenist Composers For Voice And Guitar

Forty-three of the finest songs by foremost lute performer and composer of the early 17th century; includes two dances for solo guitar, original lute tablature, and complete song texts.

Twelve beautiful songs by Renaissance lutenist/composers, arranged for voice and guitar (in standard notation and tablature). Includes: As I Walked Forth (Robert Johnson); Come Again, Sweet Love (John Dowland); Come Live with Me and Be My Love (William Corkine); Come, My Celia (Alfonso Ferrabosco); Every Bush New Springing (Michael Cavendish); Go to Bed, Sweet Muse (Robert Jones); Never Weather-Beaten Sail (Thomas Campion); Rest, Sweet Nymphs (Francis Pilkington); Since First I Saw Your Face (Thomas Ford); Time, Cruel Time (John Danyel); What Is a Day? (Philip Rosseter); What Is Beauty but a Breath (Thomas Greaves). Note: These arrangements have been transposed down from the original keys, and, as such, they are most suitable for soloists with an alto or bass (8vb) range. For sopranos and tenors (8vb); guitarist uses capo to raise pitch a few steps to singer's desired key.

Learn to: Select the right classical guitar for you Develop correct hand position and posture Tune your guitar Play along with exercises and pieces on the audio CD The fun and easy way® to start playing classical guitar! Want to be a classical guitarist, but never had a lesson? No problem — this hands-on guide teaches you all the fundamental techniques you need to play scales, melodies, and full-length pieces in the classical style. You get plenty of practice exercises to stretch your skills, selections from the classical repertoire, and a bonus audio CD that helps you play along with the music pieces from the book! Get acquainted with your guitar — familiarize yourself with the unique make-up and parts of a classical guitar Start making some music — play melodies on individual strings, move on to arpeggios, and get your fingers in shape with scales Ramp up your technique — play barres, slurs, and trills; handle harmonics; master right-hand tremolo; and venture up the neck to play in the higher positions Build your classical repertoire — from Renaissance and Baroque to Classical, Romantic, and Modern, play pieces from the major eras in classical music Practice makes perfect — improve your performance with expert guidance through each exercise and piece in the book Open the book and find: Tips and techniques for playing beautiful pieces How to read music notation and tablature Basic finger and thumb strokes Right- and left-hand techniques Musical examples, charts, and photos Music pieces from the guitar greats The best ways to care for your guitar A step-by-step tutorial on changing your strings Bonus CD Includes More than 140 recorded performances of the exercises and pieces featured in the book Pieces performed using a count-off, allowing you to play along in time with the music Tuning notes to help you tune up your guitar

Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vincenzo Galilei (father of the famous astronomer) and many others, including vihuela composers Narváez and Milán. Together, this collection provides a beautiful and extensive overview of music for the renaissance lute. This edition is in French lute tablature. There is a separate edition in guitar tablature, Renaissance Lute Repertoire-Guitar Tablature Edition.

During the 16th and 17th Centuries, lutenists were invariably included as part of the musical retinue of Kings, Queens, and Princes. At least one lutenist was also included in households of nobles and landed gentry. These were the "musicians in residence," so to speak. Professional lutenists were a feature of the courts, and their talents were handsomely rewarded. Though England produced only a small amount of printed lute music, it is extremely fortunate that many manuscript books of famous lutenists were not lost or destroyed and are now carefully preserved in museums and libraries. Lutenists not only composed original works for their instrument but arranged popular airs and dances of the period as well. This book contains excellent examples of each type of composition.

Affordable, handsomely engraved edition contains 45 songs by foremost lute player of the early 17th century, transcribed for voice and guitar. Includes three airs from A Musicall Banquet.

This book is aimed at beginner lute and guitar players interested in playing Renaissance lute music on either instrument. Lute and guitar tablature are included, along with notes on technique, biographies of lute composers from the 16th century, and general advice on buying, stringing and tuning a lute. The book starts with single-line melodies, before progressing to two-part and full repertoire pieces. Selections include works by great Renaissance composers such as John Dowland, Francesco da Milano, Alonso Mudarra, Francesco Spinacino and others, with music from England, Scotland, Italy, France and Germany. A useful chord chart is also included. Every piece in the book has been recorded fordownload by Rob MacKillop--in itself, an album worth owning. Access to the online audio is included.

This book will prove to be a treasure trove to any aspiring lutenist or afficionado of the lute and early music. Instead of attempting to create a comprehensive lute method, the first section covers topics that students often ignore, while the second offers a fresh repertoire of newly revised and edited original music for the intermediate or advanced player. On a broader scale, vocalists and students of any instrument would do well to take note of the book’s musical and interpretive concepts. The author not only offers his own insights to technique and performance, but also provides a glossary of period musical vocabulary and includes comments on general musicianship from authentic Renaissance and Baroque resources. These include John and Robert Dowland, Jean-Baptiste Besard, Nicolas Vallet, Thomas Mace, and other historic lutenists and theorists. If early music specialist Laudon Schuett had been born during the Renaissance, he would have been the court lutenist and possibly the jester in some kingdom or principality. Written in French tablature for the 6-course Renaissance lute and in standard notation for the classic guitar with the 3rd string lowered to F#, the author provides 30 original compositions in the contrapuntal polyphonic style characteristic of the 16th and early 17th centuries.