Best Of Collective Soul Songbook

(Recorded Version (Guitar)). A dozen hits spanning the successful career of this Georgian alt-rock quintet who took their name from Ayn Rand's The Fountainhead : December * Gel * Heavy * Listen * Precious Declaration * Run * She Said * Shine * Smashing Young Man * Where the River Flows * Why Pt. 2 * The World I Know.

(Guitar Recorded Versions). Note-for-note guitar transcriptions with tab for all 13 tunes on Swift's 2008 blockbuster CD: The Best Day * Breathe * Change * Fearless * Fifteen * Forever & Always * Hey Stephen * Love Story * Tell Me Why * The Way I Loved You * White Horse * You Belong with Me * You're Not Sorry. Includes great photos!

(Recorded Version (Guitar)). 14 of the biggest hits from this country megastar are presented in this collection. Includes: American Soldier * Beer for My Horses * Country Comes to Town * Courtesy of the Red, White and Blue * Honkytonk U * How Do You Like Me Now?! * I Love This Bar * I Wanna Talk About Me * A Little Less Talk and a Lot More Action * My List * She's a Hottie * Whiskey Girl * Who's Your Daddy? * You Ain't Much Fun.

(Guitar Collection). Everything you need to play some of the greatest acoustic rock songs is here, including note-for-note transcriptions with lyrics and tab, and easy-to-understand performance notes. Features 32 complete tunes: Against the Wind * All Apologies * Band on the Run * Every Rose Has Its Thorn * Have You Ever Seen the Rain? * The Joker * Learning to Fly * Love the One You're With * More than Words * Name * Rocky Raccoon * Walk on the Wild Side * and more.

(Guitar Recorded Versions). Notes & tab for all 10 songs from LaMontagne's fourth full-length album, featuring the Pariah Dogs and nominated for multiple Grammys. Includes: Are We Really Through * Beg Steal or Borrow * Devil's in the Jukebox * For the Summer * God Willin' & the Creek Don't Rise * Like Rock and Roll and Radio * New York City's Killing Me * Old Before Your Time * Repo Man * This Love Is Over.

2023 Honorable Mention, Brazil Section Humanities Book Prize, Latin American Studies Association (LASA) This book explores visual portrayals of blackness in Brazil to reveal the integral role of visual culture in crafting race and nation across Latin America. In the early twentieth century, Brazil shifted from a nation intent on whitening its population to one billing itself as a racial democracy. Anadelia Romo shows that this shift centered in Salvador, Bahia, where throughout the 1950s, modernist artists and intellectuals forged critical alliances with Afro-Brazilian religious communities of Candomblé to promote their culture and their city. These efforts combined with a growing promotion of tourism to transform what had been one of the busiest slaving depots in the Americas into a popular tourist enclave celebrated for its rich Afro-Brazilian culture. Vibrant illustrations and texts by the likes of Jorge Amado, Pierre Verger, and others contributed to a distinctive iconography of the city, with Afro-Bahians at its center. But these optimistic visions of inclusion, Romo reveals, concealed deep racial inequalities. Illustrating how these visual archetypes laid the foundation for Salvador’s modern racial landscape, this book unveils the ways ethnic and racial populations have been both included and excluded not only in Brazil but in Latin America as a whole.