Betsy Who Cried Wolf

Publisher Description

Betsy is finally old enough to take cupcakes to Grandma all by herself—with the company of her faithful sheep, of course. And although wolves aren’t good for grandmas, Betsy lets her best friend, Zimmo, come along too. But will Zimmo’s wolfish instincts make Grandma the tasty treat instead? In her second picture book starring the feisty young shepherd Betsy, Newbery Honor author Gail Carson Levine teams up once again with Scott Nash to put a hilarious twist on an old favorite. This reimagining of Little Red Riding Hood is sure to delight readers from little lambs to cupcake-loving grandmas.

On her eighth birthday Betsy takes the Shepherds' Oath and is determined to be the best shepherd in Bray Valley history. Any wolf who tries to eat her sheep had better watch out. But Zimmo is no ordinary wolf—he's a hungry wolf, with a plan! In her first picture book, Newbery Honor author Gail Carson Levine puts her own spin on a traditional tale, while Scott Nash brings a comic sensibility to this hilarious retelling. The result will tickle, delight, and even leave readers with a moral or two, or three....

There's nothing wrong with Wilma Sturtz. She's perfectly nice. But nobody cares about nice at Claverford, her middle school. Wilma is left out, forgotten, ignored -- until she meets an extraordinary old lady who grants a wish: for Wilma to be the most popular kid in school. Presto! Everything changes. Now Wilma has more best friends than she can keep track of and forty dates to the Graduation Night Dance; and someone is writing her love poetry. What more could she want? Nothing! But will it last? How can Wilma make sure she is never unpopular again? From Gail Carson Levine, author of the Newbery Honor book Ella Enchanted, this modern-day fairy tale shows a very real girl in a very unusual predicament, and along the way it reveals some painful truths about whether or not we really want to be liked for who we are.

Fairy-tale master Gail Carson, the bestselling author of Ella Enchanted, guides writers of all ages on how to develop their craft, with practical advice and heartfelt encouragement. In Writing Magic, Newbery Honor author Gail Carson Levine shares her tricks of the trade. She shows how you can get terrific ideas for stories, invent great beginnings and endings, write sparkling dialogue, develop memorable characters—and much, much more. She advises you about what to do when you feel stuck—and how to use helpful criticism. Best of all, she offers writing exercises that will set your imagination on fire. With humor, honesty, and wisdom, Gail Carson Levine shows you that you, too, can make magic with your writing.

This beloved Newbery Honor-winning story about a feisty heroine is sure to enchant readers new and old. At her birth, Ella of Frell receives a foolish fairy's gift—the “gift” of obedience. Ella must obey any order, whether it's to hop on one foot for a day and a half, or to chop off her own head! But strong-willed Ella does not accept her fate... Against a bold backdrop of princes, ogres, giants, wicked stepsisters, and fairy godmothers, Ella goes on a quest to break the curse forever. A tween favorite for 25 years—now shared with today's young readers by moms, teachers, and other adults who remember the pleasure of discovering this fun fairy-tale retelling themselves!

Folktales and fairy tales are living stories; as part of the oral tradition, they change and evolve as they are retold from generation to generation. In the last thirty years, however, revision has become an art form of its own, with tales intentionally revised to achieve humorous effect, send political messages, add different cultural or regional elements, try out new narrative voices, and more. These revisions take all forms, from short stories to novel-length narratives to poems, plays, musicals, films and advertisements. The resulting tales paint the tales from myriad perspectives, using the broad palette of human creativity. This study examines folktale revisions from many angles, drawing on examples primarily from revisions of Western European traditional tales, such as those of the Grimm Brothers and Charles Perrault. Also discussed are new folktales that combine traditional storylines with commentary on modern life. The conclusion considers how revisionists poke fun at and struggle to understand stories that sometimes made little sense to start with.