Between Constantinople And Rome

This is a study of the artistic and political context that led to the production of Bibliothèque Nationale de France, codex grec 54, one of the most ambitious and complex manuscripts of the Byzantine era. Kathleen Maxwell’s multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West.

Collection of articles arranged in 5 subsections: Historiography and rhetoric, Christianity in its social context, art and representation, Byzantium and the workings of the empire, and late antiquity in retrospect.

This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.

As the Roman Empire expanded, it became the target of barbarian attacks. After its collapse, the empire split, and a new empire, Constantinople (modern-day Turkey), rose in the east. Explore the history of Constantinople after the fall of Rome.

Imperial Rome and Christian Constantinople were both astonishingly large cities with over-sized appetites that served as potent symbols of the Roman Empire and its rulers. Esteemed historian Raymond Van Dam draws upon a wide array of evidence to reveal a deep interdependence on imperial ideology and economy as he elucidates the parallel workaday realities and lofty images in their stories. Tracing the arc of empire from the Rome of Augustus to Justinian's Constantinople, he masterfully shows how the changing political structures, ideologies, and historical narratives of Old and New Rome always remained rooted in the bedrock of the ancient Mediterranean's economic and demographic realities. The transformations in the Late Roman Empire, brought about by the rise of the military and the church, required a rewriting of the master narrative of history and signaled changes in economic systems. Just as Old Rome had provided a stage set for the performance of Republican emperorship, New Rome was configured for the celebration of Christian rule. As it came to pass, a city with too much history was outshone by a city with no history. Provided with the urban amenities and an imagined history appropriate to its elevated status, Constantinople could thus resonate as the new imperial capital, while Rome, on the other hand, was reinvented as the papal city.

An integrated collection of essays by leading scholars, 'Two Romes' explores the changing roles and perceptions of Rome and Constantinople in Late Antiquity. This examination of the 'two Romes' in comparative perspective illuminates our understanding not just of both cities but of the whole late Roman world.

*Includes pictures *Includes ancient accounts *Includes online resources and a bibliography for further reading "So the church has been made a spectacle of great beauty, stupendous to those who see it and altogether incredible to those who hear of it...Its breadth and length have been so fittingly proportioned that it may without impropriety be described as being both very long and extremely broad. And it boasts of an ineffable beauty, for it subtly combines its mass with the harmony of its proportions, having neither any excess nor any deficiency, inasmuch as it is more pompous than ordinary [buildings] and considerably more decorous than those which are huge beyond measure; and it abounds exceedingly in gleaming sunlight. You might say that the [interior] space is not illuminated by the sun from the outside, but that the radiance is generated within, so great an abundance of light bathes this shrine all round." - Procopius's description of the Hagia Sophia in Constantinople It would be hard if not outright impossible to overstate the impact Roman Emperor Constantine I had on the history of Christianity, Ancient Rome, and Europe as a whole. Best known as Constantine the Great, the kind of moniker only earned by rulers who have distinguished themselves in battle and conquest, Constantine remains an influential and controversial figure to this day. He achieved enduring fame by being the first Roman emperor to personally convert to Christianity, and for his notorious Edict of Milan, the imperial decree which legalized the worship of Christ and promoted religious freedom throughout the Empire. More than 1500 years after Constantine's death, Abdu'l-Bahá, the head of the Bahá'í Faith, wrote, "His blessed name shines out across the dawn of history like the morning star, and his rank and fame among the world's noblest and most highly civilized is still on the tongues of Christians of all denominations" Moreover, even though he is best remembered for his religious reforms and what his (mostly Christian) admirers described as his spiritual enlightenment, Constantine was also an able and effective ruler in his own right. Rising to power in a period of decline and confusion for the Roman Empire, he gave it a new and unexpected lease on life by repelling the repeated invasions of the Germanic tribes on the Northern and Eastern borders of the Roman domains, even going so far as to re-expand the frontier into parts of Trajan's old conquest of Dacia (modern Romania), which had been abandoned as strategically untenable. However, it can be argued that despite his military successes - the most notable of which occurred fighting for supremacy against other Romans - Constantine may well have set the stage for the ultimate collapse of the Roman Empire as it had existed up until that point. It was Constantine who first decided that Rome, exposed and vulnerable near the gathering masses of barbarians moving into Germania and Gaul, was a strategically unsafe base for the Empire, and thus expanded the city of New Rome on the Dardanelles straits, creating what eventually became Constantinople. By moving the political, administrative and military capital of the Empire from Rome to the East, as well as the Imperial court with all its attendant followers, Constantine laid the groundwork for the eventual schism which saw the two parts of the Roman Empire become two entirely separate entities, go their own way, and eventually collapse piecemeal under repeated waves of invasion. The Rise of Constantinople: The Ancient History of the City that Became the Byzantine Empire's Capital looks at the events that brought about the transformation of Byzantium, and how Constantinople became one of the most important cities in the world. Along with pictures depicting important people, places, and events, you will learn about the rise of Constantinople like never before.

Moscow, Constantinople (now Istanbul), and Rome itself are vitally alive in the present and are magnets for tourists. Also going back a long way, each lives in history. These cities have their points in common, each wanting to rule the world and establish Rome of the Caesars, Constantinople of the Emperors, and Moscow of the Tsars were also the Rome of St. Peter, the Constantinople of the Patriarchs, and the Moscow of the Orthodox Metropolitans. These were cities on earth that aspired to heaven, kingdoms that succeeded each other as standard-bearers of Christianity from the fourth century on. Indeed, the Russian monk declared to the Tsar: "Two Romes have fallen, but the third stands, and a fourth shall never besh the kingdom of heaven on earth. People, recognizing this, link them together as the Three Romes. These cities differ, though, in their understanding of man's nature and business. The Three Romes are three places and also states of mind. Now, with a new introduction which describes the contemporary significance to these cities this book will be assessable to the modern reader at all levels.This fascinating book weaves the past and present in a narrative that is sometimes harrowing, always vivid, and even, at times, amusing. Russell Fraser shows the reader each city as he himself saw it. He shuttles easily between today and yesterday, between today's Central Committee and Ivan the Great, between Turkish Istanbul and the golden Constantinople of Justinian, between today's Roman politics and the splendid Caesars. Great historical events, intellectual concerns, and artistic riches define the three Romes. Fraser goes beyond the facades, images, and myths to lay bare the three great psychologies still vying for the mind of man. The Three Romes is an utterly original book?a celebration of the past and an urbane guide to the present.