Between Magic And Religion

Between Magic and Religion represents a radical rethinking of traditional distinctions involving the term 'religion' in the ancient Greek world and beyond, through late antiquity to the seventeenth century. The title indicates the fluidity of such concepts as religion and magic, highlighting the wide variety of meanings evoked by these shifting terms from ancient to modern times. The contributors put these meanings to the test, applying a wide range of methods in exploring the many varieties of available historical, archaeological, iconographical, and literary evidence. No reader will ever think of magic and religion the same way after reading through the findings presented in this book. Both terms emerge in a new light, with broader applications and deeper meanings.

Between Magic and Religion represents a radical rethinking of traditional distinctions involving the term "religion" in the ancient Greek world and beyond, through late antiquity to the seventeenth century. The title indicates the fluidity of such concepts as religion and magic, highlighting the wide variety of meanings evoked by these shifting terms from ancient to modern times. The contributors put these meanings to the test, applying a wide range of methods in exploring the many varieties of available historical, archaeological, iconographical, and literary evidence. No reader will ever think of magic and religion the same way after reading through the findings presented in this book. Both terms emerge in a new light, with broader applications and deeper meanings.

In this book, Daniel Dubuisson analyses the long history of the dichotomy between religion and magic, as well as the great stakes of power which it has concealed over the centuries.

Every culture makes the distinction between "true religion" and magic, regarding one action and its result as "miraculous," while rejecting another as the work of the devil. Surveying such topics as Babylonian witchcraft, Jesus the magician, magic in Hasidism and Kabbalah, and magic in Anglo-Saxon England, these ten essays provide a rigrous examination of the history of this distinction in Christianity and Judaism. Written by such distinguished scholars as Jacob Neusner, Hans Penner, Howard Kee, Tzvi Abusch, Susan R. Garrett, and Moshe Idel, the essays explore a broad range of topics, including how certain social groups sort out approved practices and beliefs from those that are disapproved--providing fresh insight into how groups define themselves; "magic" as an insider's term for the outsider's religion; and the tendency of religious traditions to exclude the magical. In addition the collection provides illuminating social, cultural, and anthropological explanations for the prominence of the magical in certain periods and literature.

Andrew Lang FBA (31 March 1844 – 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He was regarded as one of the leading lights in the study of unexplained phenomena such as magic. In this book, he described the relationship which exists between superstition and religion, the theory of borrowed religions, the connection between magic and religion, and other exceptional subjects.

During the Middle Ages, many occult rituals and beliefs existed and were practiced alongside those officially sanctioned by the church. While educated clergy condemned some of these as magic, many of these practices involved religious language, rituals, or objects. For instance, charms recited to cure illnesses invoked God and the saints, and love spells used consecrated substances such as the Eucharist. Magic and Religion in Medieval England explores the entanglement of magical practices and the clergy during the Middle Ages, uncovering how churchmen decided which of these practices to deem acceptable and examining the ways they persuaded others to adopt their views. Covering the period from 1215 to the Reformation, Catherine Rider traces the change in the church’s attitude to vernacular forms of magic. She shows how this period brought the clergy more closely into contact with unofficial religious practices than ever before, and how this proximity prompted them to draw up precise guidelines on distinguishing magic from legitimate religion. Revealing the necessity of improving clerical education and the pastoral care of the laity, Magic and Religion in Medieval England provides a fascinating picture of religious life during this period.

An earl's son, plotting murder by witchcraft; conjuring spirits to find buried treasure; a stolen coat embroidered with pure silver; crooked gaming-houses and brothels; a terrifying new disease, and the self-trained surgeon who claims he can treat it. This is the world of Gregory Wisdom, a physician, magician, and consummate con-man in sixteenth-century London. Drawing on previously unknown documents to reconstruct this extraordinary man's career, Alec Ryrie takes us through the cut-throat business of early modern medicine, down to Tudor London's gangland of fraud and organized crime; from the world of Renaissance magi and Kabbalistic conjurers to street-corner wizards; and into the chaotic, exhilarating religious upheavals of the Reformation. On the way, we learn how Tudor England's dignified public face and its rapacious underworld were intimately connected to each other. Gregory Wisdom's career is an object lesson in how to conjure up wealth and respectability from nothing in a turbulent age. Praised as "an excellent snapshot of a time intrigued by the spiritual realm" (Los Angeles Times), this is a unique glimpse into a world intoxicated by new ideas.

This book contains three prolific essays by the world renown polish anthropologist Bronislaw Malinowski. First published in 1926, Magic, Science and Religion provides its readers with a seminal collection of texts exploring the concepts of magic, religion, science, rite and myth, detailing how they interlink to offer exciting and informative insights into the Trobrianders of New Guinea. A must-have for any students of anthropology and collectors of Malinowski’s work, we are republishing this classic work with a new introductory biography of the author.